How To Build Suspense In The Monkey's Paw

The authors of both stories, last but not leastly, use suspenseful moods, the feeling that the story creates within the reader, and dangerous/mysterious tones, an author’s attitude toward the subject or audience of the story, throughout the story. In The Monkey’s Paw, the author says, “...The clock tick.s. A chair creaks. Finally, a quiet knock is heard. Mrs. White jumps up.” This is an example of a suspenseful mood and mysterious tone. In the

The night is crisp and black as the moon lets off an eerie glow, leaves rustle and fall somewhere in the distance. A silhouette dwarfs the blackberry bush in the corner as one’s footsteps refrain, they move closer; you run. Suspense is a state of tension and anxiety which was used in the sentence above and is common in books and short stories. In the short story “The Monkey’s Paw” by W.W Jacobs suspense is created in a variety of ways. Jacobs demonstrates this by using foreshadowing, conflict and surprise endings.

W.W. Jacobs creates suspense using a mysterious monkey’s paw. Ricky Lewis Jr. attempted to create similar suspense using different techniques. As told in the story in the book,”He took the paw, and dangling it between his forefinger and thumb, suddenly threw it upon the fire. White, with a slight cry, stooped down and snatched it off. ”Better let it burn,” said the soldier solemnly. “If you don’t want it, Morris,” said the other, “give it to me.”.”I won’t said his friend doggedly.”I threw it on the fire. If you keep it, don’t blame me for what if happens. Pitch it on the fire like a sensible man.”(Jacobs,108) Therefore, W.W. Jacobs fundamentally builds suspense with the dialogue between Morris, who owned the paw initially, and Mr. White, who was interested and curious on what the paw had to offer.

In the short story the Monkey’s Paw, one of the main literary devices that were prevalent in the author’s writing was foreshadowing. From the beginning of the story, all the way to the end, there was always a hint of what was to come.

"The Monkey's Paw" is a short story which moves around the edges of a ghost story and the uncanny. In general terms, the narration immerses the reader into a frightening atmosphere in which the reader can realise that there are certain elements that make the reading something more than a spooky tale; for example the way time is treated in the structure of the story. It is peculiar the way W.W. Jacobs manages to create a rather concrete story by making the reader fill so many gaps. In our opinion, that is due to the fact that there is a complete focus on the development of the story since the arrival of the monkey's paw, and that there are several omissions of facts in the beginning and in the end of the story, which is no coincidence. This

The “Tell-Tale Heart” and “The Monkey’s Paw” both convey suspicion and growing fear of what will happen “The Monkey’s Paw” is about a monkey’s paw that grants three wishes, but in the worst way. The “Tell-Tale Heart” is about a man who murders an old man, but his guilty conscience betrayed him by making him hear the old man’s heart after he died. "The Monkey's Paw" creates suspense through a slow paced timeline, and "The Tell-Tale Heart" creates suspense throughout the plot, the murder, and finally the heart beating after death causing him to surrender and confess.

Tension and uncertainty caused by the unknown is the meaning of suspense. In “The Monkey’s Paw” by W.W. Jacobs suspense is found. During “The Monkey’s Paw” by Jacobs suspense is created through setting, irony, and foreshadowing. Much suspense is caused by these story elements.

While both short stories can be considered entertaining, W. W. Jacobs’ “The Monkey’s Paw” does an overall better job at using characterization, irony and foreshadowing to create the long-lasting effect of suspense. Throughout the story, Jacobs creates a theme which can be interpreted in many ways such as: “Be careful what you wish for.” or “Evil can come in the most unexpected forms,“ (such as the paw). If the theme of evil and regret is present before the story is even introduced, the reader is automatically pulled into this preconceived idea that there will be a great amount of suspense. This idea continues to be confirmed as the story develops.

Monsters in literature entertains us so much that we continue to recycle it’s ideas throughout our forms of entertainment. Everything from the shivers they send down our spines, to tension they create throughout the stories the tell. An example of

Another example is when they wish for Herbert to come back to life and then they wish for him to leave again. Really anytime the paw is used, it's messing with fate. There are multiple examples of foreshadowing in story the Monkey’s Paw. The example I am choosing is at the beginning of the story when the father and son are playing

Horror Stories are a very popular genre of books. Some can be exceptionally malicious and gruesome in nature while others are tamer and rely on suspense. People tend to read these stories for the adrenaline rush, to explore the unknown, and to conquer their own adversities. Studies show that us as humans like to experience fear. We read and view scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. The thrill and suspense that hangs over us while reading, is a welcomed feeling. Scary stories also allow us to explore the unknown. In books there are boundless supernatural realms, where wonder and horror walk side by side- realms were people rise from the dead, and fight their own

Evans, Timothy H. "A Last Defense Against The Dark: Folklore, Horror, And The Uses Of

The Ways in Which the Writers Create an Atmosphere of Tension, Mystery and Suspense in the Stories The Monkeys Paw and The Red Room

Although there are many subgenres of horror fiction, including bizarro, fantasy, surrealism, and magic realism, there are certain aspects that a story must encompass to be considered, “weird.” Magic realism is a branch of fiction that is often mistaken to be a work of the, “weird.” What differentiates the two genres explicitly include the authors concentration on setting and overall atmosphere, and the embodiment of themes that disrupt the readers perception of time, space, and their natural world. “The Werewolf,” by Angela Carter exhibits strong characteristics of magic realism, while H.F. Arnold’s, “The Night Wire,” is a genuine work of, “weird,” fiction.

The days have given way to longer nights, and the warmer days are now cool and crisp. The air is thick and green. At night you can smell fresh cedar wood, fireplaces burning, and hear the cracklings of bonfires in the distance. Inside you curl up in your favorite chair, wrapped in the warmth of a fleece blanket, next to you a simmering, sweet cinnamon and pumpkin candle. In your hands a 1902 copy of Turn of the Screw, which you found at an old book fair. The sweet smell of those century old pages is intoxicating, and the story, strange, and sinister. You think there is nothing like a good ghost story to chase away the October chill.