How To Compare And Contrast Beethoven's Symphony

Out of all of Beethoven’s works, this one arguably stands as one of his most famous. Some say it is because of the heart that was introduced by a musician that was working only for himself, others claim he simply modified Mozart themes. Either way, the form is executed perfectly in a beautiful musical

Though one is a novel and the other is a short poem, the two pieces of writing can be thoroughly analyzed on their perspectives and themes to highlight important aspects in each.

Ludwig Von Beethoven was a very important transitional figure between the Classical and Romantic eras. Beethoven’s early work was heavily influenced by Mozart and Haydn. He had a very great influence on the composers of the Romantic era. Beethoven emphasised the emotional expression in music, which is a key characteristic of Romanticism.

PDQ Bach - Beethoven Symphony No. 5 I was able to hear his use of themes. My overall impression was that it was hilarious and educating at the same time. At first I was a bit confused on why I was listening to this, but then I heard it all and it made sense. Also, we normally do not listen to these songs, but it was more entertaining because it made me laugh. The keys used in this theme was still in C minor. How it relates to the works of Mozart is they both use the same instruments in the theme such as the winds family.

Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and

the two works both tend to return to a main musical theme. The both tend to use ornamentation in there melodies. Copland tends to limit the range of the instruments in both pieces. I think he did that to help portray a more wild west American image.

Beethoven contributed one of the most significant musical developments through his fifth and ninth symphonies. He used a musical motive as the basic of his entire piece. (Beethoven described the motive as “Fate knocks at the door”.) It was the first time in history that anyone had done such a thing for a multi-movement piece. Beethoven’s contribution has become a norm in the music world, even to this day.

Both Beethoven and Berlioz retained greatly contrasting dynamics throughout each symphony. However, Berlioz may have used dynamics contrasting in the case of the text situation and mood, the Fantastique is program music. Furthermore, Beethoven employs sheer dramatics of sudden fortepiano and crescendos last no more than a single beat. He creates the image of ‘Fate Knocking at Your Door’; this can be heard during the opening seconds of the symphony - https://www.youtube.com/watch?v=B7pQytF2nak (Please refer to the 2nd example below)

In the 18th century, the middle class made a lot more money. During the Classical Period, the middle class had a tremendous influence on music. They wanted to hear concertos and symphonies. They wanted their children to learn great music and play instruments. The composers began writing music that was geared towards the middle class because they could make a better living if they enjoyed the music being played. They wrote music that was easier for their students to understand and play. Serious music changed into comic operas, or popular folk tunes, and dance music. This was a good thing it shaped dance and music forever. Mozart and Beethoven were both

There is a range of similarities that are evident in both Operas. To begin with, both Mozart and Strauss each had vast experiences prior to writing their individual operatic pieces. Despite the fact that Mozart lived centuries before, the two composers had different sets of experiences that made their pieces admissibly similar. Strauss had conducted Mozart’s Le Nozze De Figaro more than thirty times before he wrote Der Rosenkavalier (Bakogianni 7; Evans et al. 5). It is important to note that the strong parallels between Mozart’s and Strauss’ pieces are attributed to the fact that Strauss learned from Mozart.

genre, so they can be easily compared and contrasted. The main similarities in the two pieces

“He (Beethoven) was a pivotal figure in the transition from 18th century musical classicism to 19th century romanticism, and his influence on subsequent generations of composers was profound” Kerman and Tyson. Beethoven’s sixth symphony (also known as the pastoral symphony) has qualities of both the classical and romantic periods and illustrates Beethoven’s revolutionary ideas as well as highlights his classical influences. The programmatic nature of the piece is the dominant romantic feature although the use of brass and percussion as well as the dramatic dynamic changes are also characteristics from this era. However there are many classical influences in Beethoven’s work such as the balanced phrasing, the

In classical music, the structures emphasize more the grace of proportion and balance, moderation and control; polished and elegance in character with expressiveness and formal structure held in perfect balance. Furthermore, the forms do not vary as much as the Romantic era, they had forms like sonatas, symphonies etc. The melodic phrases are usually balanced and symmetrical made up of two phrases of the same length. For an example, in Mozart's Clarinet Quintet, the music is very symmetrical and well balanced, in a variation form. However, in Romantic music, they rather emphasize on the emotional content than trying to sound balanced and symmetrical, and expanded their use of forms and created new forms, like impromptu, ballade, etude, nocturnes etc,. Moreover, the melodies normally have either really long or short phrases, increased in range, but also increased in chromaticism. For example in Mahler's symphony no.1 in D major "Titan", we can see that except it is in a ABA form, the whole movement was not as symmetrical and well balanced as the Mozart, although it is in a variation form, the melodic phrases have increased in range, are either really long, for example in the first 18 bars, or really short, where the melody can be hardly seen in bar 134-137.

When comparing compositions of the two composers, the two composers differ in several areas, such as form, tonality, theme, and structure. Haydn’s compositions were more relevant with the classical era. His pieces were more constructed on melody and vastly linear. Whereas Beethoven set off to use more of a dynamic contrasting sound in his compositions. First off, comparing a movement in Haydn’s symphony No. 95 in C minor and Beethoven’s symphony No. 5.

Both Haydn's and Beethoven's first movements are composed in sonata form, with an exposition stated in the opening that is then developed and recapitulated. The size of Haydn's opening movement is somewhat smaller than Beethoven's, whose opening exposition itself seems larger than life. Haydn's first movement is roughly six minutes long, and the length of Beethoven's first movement only exceeds Haydn's by about a minute and a half to two minutes.