There are five aspects of a quest discussed by Thomas C. Foster in How To Read Literature Like a Professor. They are “(a.) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there” (Foster 3). These five aspects all apply to Charles Dicken’s Great Expectations. The quester is Pip, the place to go is London, the stated reason is for Pip to become a gentleman and be worthy of winning over Estella. The final aspect, a real reason to go there, could be for him to realize that money cannot find happiness, that being too ambitious can blind someone from what is truly important, or to state that Pip was better off as a common boy with good morals and manners. Thus, Pip’s …show more content…
Pip displays selfishness by wanting to advance in society and no longer become a blacksmith like Joe. He accepts to leave to London in order to become a gentleman, but selfishly wants to lose all connection with the common world and when Joe visits, in Chapter XXVII, Pip states that “if I could have kept him away by paying money, I certainly would have paid money” (Dickens 197). Pip’s selfishness and ambition are what causes him to grow distant from Joe, whom he once saw as his closest friend. Exploitation is shown by how Pip is sent to see Miss Havisham when he is young in hope that she will pay Mrs. Joe Gargery back with money. He is being exploited in order for his sister to gain social status. Mr. Jaggers and Miss Havisham are both examples of how there is a refusal to respect the autonomy of other people. Mr. Jaggers threatens Molly so that she will give up her daughter and give her to Miss Havisham. Miss Havisham then turns Estella into a cold hearted person who goes around breaking people’s hearts, especially Pip’s, without noticing the pain she has caused upon Estella …show more content…
One such way is the content motif of hands in the novel. Throughout the novel there are countless ways in which hands are used as a motif for social and political status. Focusing on the political view, Mr. Jaggers is constantly washing his hands with scented soap, him being a lawyer could come to signify that he washes his hands clean of all he does in his job. In other words, he declines any connection to any of his cases or clients once he has left the office. Another way hands are used is to show the difference in social classes, such as Molly having harshly scared hands after coming from a gloomy background shadowed by poverty. Estella’s hands are compared to Molly’s but Estella is considered the outlier for having come from a poor background but have been raised as a lady of high social status. Another way that politics shows up in Great Expectations is the fact that due to the harsh laws imposed on the convicted at the time, people are pronounced guilty but guilty of being poor. Compeyson being the younger and more wealthy convict and Abel Magwitch being the older poor convict, Compeyson is given a smaller punishment in comparison to Abel’s. Thus, showing the political injustice that even convicts were faced
Jose de Alvare AP LIT Dr. Busse 08/14/17 How to Read Literature Like a Professor: by Thomas C. Foster Chapter 1-- Every Trip Is a Quest (Except When It's Not) The five parts of a QUEST are The five aspects of the quest are: (a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, (e) a real reason to go there. a quester - Percy Jackson a place to go - the underworld and mount olympus The stated reason to go there - to retrieve the stolen lightning bolt from Hades in the underworld for Zeus and to save his mother Challenges and trials en route - On his way to the underworld he has to face Medusa in New York , the Hydra and the Lotus Eaters in a Las Vegas casino. He also has to face Luke attempting to steal the lightning bolt and attempting to kill him.
The first chapter of Thomas C. Foster’s guide to finding symbolism and motifs in literature, How To Read Literature Like a Professor, details the literary plot device of a quest and how to identify one in a novel. He introduces the chapter by explaining how a seemingly normal trip to the grocery store is a quest because it is structurally a quest. The hero, a boy named Kip, like every other hero in a quest, confronts various trials (his jealousy of another boy and his rejection by the girl he likes) in search of a “Holy Grail” (a loaf of bread). According to Foster, there are five components of a quest, all of which can be found in Kip’s story. The first structural component is the quester, or the character who is undertaking the quest, consciously or not. This character is known as the hero or heroine of the story, which in this case is Kip. The second and third elements are the “declared” purpose of the quest: a location that the hero must travel to and a reason to go there, which would be Kip’s search for a loaf of bread at the grocery store. Sometimes,
In the book “How To Read Literature Like A Professor” by Thomas C. Foster, many elements are brought to the reader’s attention. Three of these elements, happen to connect with the novel, “the curious incident of the dog in the night-time” written by Mark Haddon.
The names of the characters in the story Great Expectations symbolize who they are and how they act. In Great Expectations there is a great deal of symbolism throughout the book as there is in life. There are symbols of isolation, manipulation, and wanting to be something else. These are all seen in the book through the characters of Estella, Abel Magwitch, Miss Havisham, Pip, and Biddy.
How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines by Thomas C. Foster is a book that explains there is more to literature than just a few words on a paper or a few pages in a book. Thomas Foster’s book portrays a relatable message to a wide based audience. This book is relatable for two reasons, the way it is written and the examples it uses. The book is written in a conversational manner, as if the reader was in a group discussion about books and writing. As for the examples, they are informative, descriptive, relative, and entertaining.
Memory, symbol and pattern have significant effects on the reading of literature. By recognizing patterns and being able to “distance oneself from the story…”, a reader can look beyond the mere details, draw from memory to a similar experience and understand the symbols. While I was reading The Great Gatsby for AP Lang last year, upon understanding the significance and symbolism of the green light representing “The
-Flight is freedom. When a character has the ability to fly they are free from the burdens of everyday life.
Good Intentions One of Dickens’ most celebrated works, Great Expectations, is about the coming-of-age of a poor, young boy named Pip in during the Industrial Revolution. He is faced with danger and unattainable love with the beautiful and cold Estella, along with the hectic nature that is her adoptive mother Miss Havisham. Pip is also given an ample amount of wealth by a mysterious benefactor suddenly, changing his life quickly and moving to the large city of London. He begins his journey with a pure heart, like many of the characters, but it is believed that the road to Hell is paved with good intentions.
Charles Dickens’ aptly titled novel Great Expectations focuses on the journey of the stories chief protagonist, Pip, to fulfill the expectations of his life that have been set for him by external forces. The fusing of the seemingly unattainable aspects of high society and upper class, coupled with Pip’s insatiable desire to reach such status, drives him to realize these expectations that have been prescribed for him. The encompassing desire that he feels stems from his experiences with Mrs. Havisham and the unbridled passion that he feels for Estella. Pip realizes that due to the society-imposed caste system that he is trapped in, he will never be able to acquire
Throughout Dickens’ novel Great Expectations, the character, personality, and social beliefs of Pip undergo complete transformations as he interacts with an ever-changing pool of characters presented in the book. Pip’s moral values remain more or less constant at the beginning and the end; however, it is evident that in the time between, the years of his maturation and coming of adulthood, he is fledgling to find his place in society. Although Pip is influenced by many characters throughout the novel, his two most influential role models are: Estella, the object of Miss Havisham’s revenge against men, and Magwitch, the benevolent convict. Exposing himself to such diverse characters Pip has to learn to discern right from wrong and chose
In addition, Pip’s improvement changes the outlook that is perceived by others of him. For example, after Pip learns how to be a gentleman, Biddy began to address Pip as “Mr. Pip”. Also, The Blue Boar, a local inn treats him differently by how when he was affluent, he was accommodated with the best room. On the other hand, when he had lost all his riches, the Blue Boar only provided him with an indifferent room among the pigeons.
The main storyline has to do with Pip’s expectations of becoming a gentleman. To do this he received help from a secret benefactor. For the first half of the novel Pip is convinced that Miss Havisham is the one doing this so one day he and Estella can be together. Dickens creates a story around Pip’s assumption to make this a very logical explanation. Coincidentally right after Pip realizes and confirms he was wrong about his benefactor, an unexpected character reappears. “You acted nobly, my boy,” said he. “Noble Pip! And I have never forgot it!” (Dickens 248) These words ring out of his benefactor’s name. Who appears to be the escaped convict from the beginning who threatened him, known by the name of Magwitch. Magwitch reveals that ever since that day in the graveyard when Pip returned to give him what he requested he has found a job to help Pip out for what he did for him. By doing this secretly for all this
Pip then goes on to address the reader directly and explains that “[t]hat was a memorable day to [him], for it made great changes in [him],” (Dickens 70). After meeting with Estella several times and becoming extremely fond of her, despite her bipolar attitudes towards him, Ms. Havisham suddenly decides to recompense Pip for his time and then tells him that he no longer has to come back to the Satis House. Everyday after this, Pip continuously thinks of Estella and of how he must become a gentleman in order to be at the same level as Estella and eventually marry her. Another character Biddy (whose relationship to Pip is somewhat complicated) begins acting as Pip’s teacher and Pip says “[w]hatever [he] acquired, [he] tried to impart to Joe,” because “[he] wanted to make Joe less ignorant and common.” Pip’s plans to become a well-mannered gentleman to be worthy of high-society and to be worthy of Estella’s affection are two goals or “great expectations” that Pip sets for himself that ultimately carry the plot of the novel along.
Pip’s mindset regarding classes and success in life is drastically altered after his initial visit to the aristocratic Miss Havisham. “She said I was common” (69) spurs the realization in Pip that he is indeed innocent but unfortunately much oppressed. Pip is very distraught with his birth place into society, to the point that he “was discontented” (130) -- he increasingly desires to be a gentleman. He primarily desires this as a means of impressing Estella and winning her over. At this point in the novel, Pip is willing to give away what he loves (Joe – family setting) to obtain a superficial and insulting girl. One day Pip receives word that he now has the ability to grow up to be his ultimate dream, to be a gentleman. Pip awakens to a new world and those he once loved are no longer good enough for Pip. Moving to London, he becomes far more sophisticated, but at the same time loses his natural goodness. (Chesterton 142). Pip is leaving happiness and his real family to attain a life he thinks will make him more content. Before departing, he dreams of “Fantastic failures of journeys occupied me until the day dawned and the birds were singing” (148). This relates the dream that Pip has just before he sets out to London for the first time, with all of his "great expectations" before him. Pip’s dream is permeated with the sadness and guilt caused by his imminent departure from Joe and Biddy and his aspirations for a new social station.
The class system becomes a focal point in young Pip's life. Pip first began to think about his place in society when he was sent to visit the wealthy, old lady, Miss Havisham at her mansion. Through these visits Pip becomes socially conscious and begins to dislike his commonality. Almost instantly he wants to become uncommon. The adopted daughter of Miss Havisham, Estella, becomes a focal point and goal for Pip to obtain. Any morality Pip used to have slips away with each visit. Pip walks in circles in a barely lit room with Miss Havisam holding onto his shoulder and in doing so, Pip is somehow leaving behind all the values he was raised with. Miss Havisham and Estella end up corrupting Pip with the rich life. Greed, beauty and hubris are Pips downward spiral into an immoral life. Pip finds Estella very attractive, but Estella calls him common and this does not sit well with Pip. All of Pip's expectations of becoming a rich gentleman are due to this love of Estella.