How To Tame A Wild Tongue Analysis

Up to “half a year passed…” (Rodriguez, 287) until his teachers “…began to connect [his] behaviour with the difficult progress of [his] older sister and brother were making” (287). Note the fact that the teacher’s realization was because of his siblings and not because of his solitude, silent attitude. The message, as Anzaldua perfectly evokes in his short story, is that it’s our very “tongue [which] diminishes our sense of self” (298). A similar image Anzaldua depicts in ‘How to Tame a Wild Tongue’ – coincidently at the rather beginning of the text just like Rodriguez – is when the Anglo teacher said “If you want to be American, speak ‘American’. If you don’t like it, go back to Mexico where you belong” (295). On this occasion, Anzaldua’s mother also tells him off as she was “…mortified that [her son] spoke English like a Mexican” (295). Here, the pressure derives from the mom and the teacher, making Anzaldua feel out of place. He believes that “wild tongues can’t be tamed, they can only be cut” (295) emphasizing that one’s identity must be forgotten if he/she wants to learn another language (English), ultimately gaining a new identity. Another example of lack of identity recognition is when Kingston, in ‘Tongue Tied’, specifies that only the Chinese girls were left out when the class went to the auditorium. Kingston “…knew the silence had to do with being a Chinese girl” (284), hence, her self-esteem diminishes, she feels excluded from the class;

Both were trying their best to cope with the fact that the they’re schools would not let them speak Spanish, as Anzaldua says,

In the civilized society that everyone lives in today, all languages and culture should be equal. That is the main idea in both Gloria Anzaldua’s essay, “How to Tame a Wild Tongue”, as well as James Baldwin’s “If Black English Isn’t a Language, Then Tell Me, What Is?”. The authors in both these texts support their argument in various ways, and in doing so, manages to effectively persuade their audience. The ways that each author approaches their argument is different in their appeals, evidence, and styles. Similarities also exist between the texts of the two authors. The rhetorical strategies that Anzaldua uses makes her argument much stronger than Baldwin’s argument.

In another way, language also provides this dynamic that Anzaldúa aims for. Anzaldúa takes the separate Spanish and English languages and her own Chicana tongue and creates a book that makes uses of both. Both languages are vital in some way. While the book is primarily written in English, often titles, sentences, and poetry parts are in a Spanish that more than likely is not easily translatable to those who are not bilingual. Language seems to best sum up the importance of her borderlands in genre and life. Anzaldúa says,

It is easy to tell that the first interpreter’s first language is English. A few times, he interpreted based on cognates, forgetting about false cognates. It was also possible to see the second interpreter’s first language is Spanish. Every now and then he would struggle to interpret a word into English and would keep the Spanish

Anzaldua’s audience is everyone, ranging from immigrants to native United States citizens. In her text she uses examples that many people can relate to when English isn’t their first language or they have a unique difference from the majority. An example I chose to back up my claim is one from Anzaldua's past experiences, this takes place in her childhood dentist office where from the imagery she gives us shows she annoyed with some of the state the dentist is saying about her “strong [and] stubborn” (206) tongue. Even though the comments made by the dentist wasn’t directed towards her language and accent, the way she feels while he’s speaking to her show that she already has some insecurities with the way she speaks. She believes that her language is something that defines her, and if people have a problem with how she speaks they have made up negative assumptions about her.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

This article is interesting because we are in perspective of Gloria and we learn different languages from her experiences of learning Spanish. Gloria has met a lot of people and learned a lot of ways of leaning Spanish. The point of the title is that the tongue is what helps us produce language and for us we tame it so that we can use it more for different languages. Gloria learned Spanish from different situations and now she has experienced the skills and to use it for her own identity. Learning different languages helps you understand different culture and be a part of that community. She is the “serpent tongue”. Like I said before this is an interesting article because of the way she has to experience and learn Spanish, the way she wants

As Anzaldua writes her experiences, she creates tone as passionate and determination for what she stands for throughout the whole the essay. She wants to convince her audience that language is not just a tool of communication, but an extension of an identity; “I am my language, I cannot take pride in myself (until) I am free to write bilingually and to switch codes without having always to translate”(211). Notice how she compares language and treats it as herself. This gives a sense of life giving to the language. Furthermore, explaining the quote, she wishes to break off the conformity that society compressed her into.

“How to Tame a Wild Tongue”, by Gloria Anzaldua, is a very expressive story about a Mexican American women’s struggle to preserve her culture. Her main fight revolves around a struggle to keep a form of Spanish, called “Chicano Spanish”, a live. In the short story she says, " for a people who cannot entirely identify with either standard (formal, Castilian) Spanish, or standard English, what recourse is left to them but to create their own language?"(page 55). She is stating that despite what the societies both Mexican and American want her to do she will not concede defeat. The American Society would like her to speak proper English, while the Mexican Society wishes she would speak proper

The rhetorical situation of Gloria Anzaldua’s, “How to Tame a Wild Tongue” from her book Borderlands/La Frontera, is the most important piece to her argument. A writer’s rhetorical situation is the use of the elements of the rhetor, audience, text, medium, context and exigence. Through the correct use of these pieces, a writer is able to greatly strengthen their argument and persuasive abilities. In her passage, Gloria Anzaldua is speaking to the unfair and unjust treatment of Spanish speaking children growing up in the United States educational system. These are not just kids who have moved here from a Spanish speaking country, but even those born in the United States that grew up speaking Spanish because of their family’s culture. Through her writing she wants to bring this into light to induce change and help children of the future be able to learn in an environment where they are also able to comfortable speak their own language. She is not looking for them to be able to speak their own language in an American school just because she wants to be difficult. In her eyes, your language is part of your identity of self. And without your language, you are also losing part of yourself. Again, she expresses and increases the persuasiveness of these ideas through the use of her rhetorical situation, which includes the rhetor, audience, text, medium, context and exigence.

Scholar, Gloria Anzaldúa, in her narrative essay, “How To Tame A Wild Tongue’, speaks her many experiences on being pressured on what language to use. She then expresses how the discrimination made her to realize the ugly truth--that people reject languages that aren’t their own. She adopts logos, ethos and pathos in order to appeal toward her audience who is anyone who is not bilingual. One of the perspectives she takes on in her piece clearly expresses the relationship between language and identity and how it creates a conflict between her and the world.

Activist, Gloria Anzaldua’s narrative excerpt “How to Tame a Wild Tongue” She goes into depth of ethnic identity, while knocking down walls of linguistic and identity down. How one would identify themselves while broadcasting the struggles any person with culture has felt. She uses ethos, pathos, and logos alongside all five senses. Making the reader feel as though they witness the struggles she went through if not witness then actually experienced. Anzaldua’s thesis is that language is a part of one’s identity. It is what makes a person who they and connects them to their roots. People shouldn't let others try to tame their tongue or cut off their native language; because once they do and are given that power they can disconnect the person from their culture and roots.

He does not believe as Anzaluda does that you have to create your own language if you cannot identify with more formal forms of acceptance. Although he admits it is heartbreaking to have shared fewer words with his parents because of the language barrier, he thinks his choice in learning and practicing English was necessary. In fact, the more he learned

Gloria Anzaldua, the author of “How to Tame a Wild Tongue,” expresses a very strong tie that she has to her native language. Anzaldua grew up in the United States, but spoke mostly Spanish. She did not speak the normal form of Spanish though; she spoke Chicano Spanish, a language very close to her heart. The text focuses on the idea of her losing her home accent, or tongue, to conform to the environment she is growing up in. From a very young age, Anzaldua knows that she is not treated the same as everyone else is treated. She knows that she is second to others, and her language is far from second to others as well. Anzaldua stays true to her language by identifying herself with her language and keeping