How To Write A Critical Analysis Of Urinetown Drama

A particularly effective element of the production was the use of costume. The costumes exposed the time period, transporting the audience back to 1981, immediately involving me in the story. Costume represented the social class the characters belonged to. Mr and Mrs Lyons were rich and had a high social status, their costume established their character; Mr. Lyons was wearing a suit and Mrs. Lyons wore tights and uniform. In contrast, the Johnson family were living in poverty, and this is also shown through the usage of costume. I as audience felt empathy for Mrs Johnson as through costume I could see her financial struggle.

Punch-drunk is a British company that performs a wide variety of theatrical performances and transforms them into the wild and the peculiar. It was founded in 2000 (En.wikipedia.org. (2017) by Artist and Director Felix Barrett, who was award an MBE on July 5th 2017 for his work in the theatre industry (Anon, (2017). The Company has been producing shows for 17 years, taking classical storytelling and adding their own twist on the story. The stories are then turned into real-life pieces that are not staged in a typical classical theatre, but in various locations that are well-suited to each part of the story for example, an old warehouse or an ancient asylum. This gives the audience a sensory perception of the world around them and presents them with a joyful experience of witnessing a story told in a way that’s not just the lifeless classical proscenium arch stage layout and more of a place where they can watch the action at different angles taking audience awareness out of the picture and applying the “Fourth wall technique” used by Dennis Diderot (En.wikipedia.org. (2017). This keeps the audience on edge and scares ordinary audiences away from Punch-drunk as the work that they produce is regarded as “out of the ordinary “by most classical theatre audiences. Some of the parts of the story contains physical theatre (Punch-drunk (2017). making the performance non-naturalistic and naturalistic, simultaneously.

This phenomenon was replicated at the University of Michigan’s SMTD performance of The Resistible Rise of Arturo Ui, written by Bertolt Brecht. This play told the story of the rise of gangster Arturo Ui and the corruption of the cauliflower business in order to satirize the rise of Hitler. Despite this being a play, rather than a musical, the use of Copland’s “planes of listening” still apply. Theater-goers can still view the work with different approaches- either purely surface level, meaning-driven, or technical, like the “planes of listening Copland describes.

This is a must watch Broadway show that makes your fine, terrible, or even boring day, an absolute blast. The Play That Goes Wrong has finally made its way to America and right at the heart of New York City near Times Square at the Lyceum Theatre. Therefore, the experience is a win-win situation for the audience. The Lyceum Theatre’s architecture is astonishing as it is filled with ornaments, I also realized the letter ‘L’ around the theater, but the most interesting fact is that it is a landmark. It has a proscenium stage while the audience is in the orchestra, balcony, or the mezzanine seats, like where I sat, and there is barely any space if you are a tall person. My seat was near the far end of mezzanine, I couldn’t see a part of the left side of the stage, so I found myself bending sideways to see what was going on, but I saw nothing. I found the side stage lights and a side balcony blocking my view and yet I had a great time.

At the end of World War I, an excited America was poised for a cultural renaissance; patriotism was on the rise, the strong concept of Manifest Destiny had passed its peak of influence, and, most importantly, there had not been a clear shift in culture for decades. The Jazz Age of the 1920s was about to dawn, bringing with it youthful, risqué morals and a carefree look on life. From these ideals, a new, strongly American form of entertainment would emerge: musical theatre. Most commonly found in New York City on Broadway even to this day, musical theatre became an escape from reality and an entry into the imagination. The grand and splashy components that make up what is considered a classic Broadway musical can ultimately be traced back to Cole Porter. Porter’s writing, albeit at times controversial or raunchy, was able to harness the frantically beating heart of the Jazz Age and turn it into treasured shows. Using his unique melodies, romantic or idealistic lyrics, and his pioneering of writing about the human experience, Cole Porter shaped American music and theatre from the 1920s through the 1940s.

George C. Wolfe’s satirical play, The Colored Museum, elicits emotion from those who read its powerful lines and make its sentiments spring to life on stage. The play is Wolfe’s indelicate way of handling sensitive subjects related to the African American community. The play carries just enough humor to keep its audience captivated and just enough scalding stereotype to keep its audience from growing bored. The satire and parody presented in The Colored Museum depicts the harsh truth about the lives of African Americans.

Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

First of all, I decided to watch the movie Rent, which was based on Jonathan Larson’s Pulizer and his Tony award-winning musical, which has also appeared on Broadway many times. The film and musical are about a group of artists, eight friends, who are living in New York City during the HIV/AIDS epidemic. They each are dealing with different problems in their lives, such as HIV/AIDS, drug addiction, rejection, and poverty. This movie had a very tremendous impact on me, and I was very impressed with how they tied each theme into it. I was moved in a way that it has even effected the way I look at others, and overall at life.

I saw the play “The Curious Savage” written by John Patrick. This play was directed by Jocelyn Sanders at the Harbison Theatre, which I attended on June 24, 2016 at 8pm. I arrived early to get a good look at the theatre, the set-up of the stage, and to get my notes together before the play started. The Harbison Theatre at Midlands Technical College is a small, yet inviting community theatre. The theatre was set up in three large rows of seats, which were situated separately from the stage and actors.

In “The Laramie Project,” written by members of the Tectonic theatre company, aims to examine the Matthew Shepard murder through the use of theatre. Within the play, there are several insights and moments that prove to be surprising, puzzling, useful, new, and interesting.

In the show “Topdog/Underdog” at the Huntington, the superb acting by both Harrison and Harris makes up for the lack of artistic and technical design and the vulgar language of the character. This is not the type of play that I would recommend to bring your family with you to go see, but it is a very good play and worthy of the pulitzer prize it

Ever since I can remember I have loved theatre. It’s been a constant presence, and an important touchstone, in my life. However, for as long as I’ve loved theatre, I have also been ridiculed for my enjoyment of it. As a child, my interest was tolerated as something precious, something I was bound to grow out of. My parents and teachers would sit in the audience, clapping and cheering me on, all the while thinking to themselves “I bet she’ll make a great lawyer one day.” They thought, like most of society, theatre was an unnecessary luxury; a pastime for the rich and powerful, for those who didn’t have to worry about putting food on the table, or clothes on their children’s backs. Certainly not

To start their season, UT Austin puts on Building the Wall by Robert Schenkkan, a play about a dystopian future that takes place after Donald Trump takes office (UT Austin, 2018). Their next play, Anon(ymous) written by Naomi Iizuka, was their season feature. This play is based off of Homer’s The Odyssey and tells the story of a young refugee traveling across America in order to find his family, and his home (UT Austin, 2018). Following Anon(ymous), UT Austin put on The Crucible by Arthur Miller, the play that we will be closely examining later at in this paper. The Crucible is about events that have taken place during the Salem Witch Trials and addressing the terrors that can result of mob psychology in society (UT Austin, 2018). The next show put on at UT Austin was a musical called The Drowsy Chaperone, a fun comedy about the era of jazz

This weekend I decided to go to a play that I have hear people talking about as I walked the streets. Many people were discussing the drama that goes behind this play and as much as I wanted to join the conversation, I had to find out for myself since no one will talk to me. I have much to say about this play so let’s get started shall we.

The University Playhouse’s recent production of Smoke on the Mountain incorporated conventions of Restoration and Modern theatre through a combination of representational and presentational elements. Conventions within the productions included the use of character types, a localized setting, and time appropriate costumes. These conventions reflect the influence of many movements from Restoration and Modern theatre including Realism, Naturalism, Symbolism, and Expressionism. The musical nature of the production reflected elements of the American Modernist Musical also.