How To Write A Frankenstein Book Report

Frankenstein - extra scene between Act 1 & Act 2 Baker - Strong, fiery and is married to the Wife. Should have a deep voice. Wife - Scared when meets the monster and should have quite a high voice. Is married to the Baker.

“In Frankenstein, the narratives seem to grow organically from one another: it is impossible to extricate the narratives from one another, as they are so closely linked and interwoven.”

This quote is significant because it tells of the moment that Frankenstein’s troubles began. From this moment, when the monster comes to life, to the end of the novel, Victor is plagued by the horrors that the monster inflicts upon him. Had Victor not created the creature, or had his ‘experiment’ failed, he would not have lost so many loved ones and endured all the troubles that came with it.

Mary Shelley’s, Frankenstein, symbolized a person’s necessity for acceptance by society. Society labels everything as good or bad, right or wrong, rich or poor. Although some of these labels may be correct, many are misconceptions. The monster, needed to be accepted by society, but instead was scorned, attacked, and shunned because of his outward appearance. The treatment of the monster was on the assumption that he was actually a monster. The only justification of this treatment was his outward appearance.

Joanna Martinez Ms. Tobenkin AP Literature, Period 4 07 November 2015 Frankenstein Quotations: Chapter 9-20 Chapter 9: "I was seized by remorse and the sense of guilt,which hurried me away to a hell of intense tortures, such as no language can describe." In this chapter, Frankenstein is overwhelmed with grief. There's a lot of self-loathing coming from Frankenstein.

Community in Frankenstein." Bloom 's Literary Reference Online [Facts On File News Services]. N.p., 2005. Web. 26 Apr. 2015.

     In 1818, The British Critic, a British literary magazine, assessed Mary Shelley's new novel, Frankenstein, The Modern Prometheus. The reviewer wrote:

When man decides to assume the role of God, consequences are bound to plague such an ambition. In the case of Victor Frankenstein, the protagonist in Mary Shelley’s Frankenstein, the product of such an ambition is a creature born of the dead. Despite the frightening process of his creation, the creature wakes into the world as a benevolent being. He simply longs for acceptance and friendship, but due to his unsightly features, the world is quick to condemn him as the monster he appears to be. With an unbearable sense of rejection in his heart, the monster begins to turn wicked. Soon enough he is responsible for multiple deaths in the name of revenge. Although many treat him unfairly, the monster is fully aware of his actions

Elsa had an imagination like no other, she lived in a world of fairytales with dragons and monsters thanks to her Granny. Granny was Elsa’s ultimate hero, she showed her a life better then hers in the land of almost awake. Granny took Elsa on a special quest when she died and Elsa discovered she had other heroes besides just Granny that would help her continue on without Granny by her side. Elsa’s other hero besides Granny was Harry Potter but when Elsa goes on the quest she discovers she has three more heroes. Elsa’s two biggest superheroes were her Granny and Harry Potter but when going on her quest she discovers she has more then that. Elsa discovers her other heroes are Wolfheart, Alf, and Her mother.

It’s the tale as old as time, the monster that lurks within the shadows under the bed, or withering in the corner of the closet. The child tremors until the parent checks the entire room, vanishing all doubts of safety. As a child, I shared these fears, but as I outgrew these demons I learned that the real angst was always hiding within my self; the fear of the unknown. It’s uncontrollable, and only discovered once time has revealed its destiny. It goes beyond the standard questions of why or what. The anxiety that fell upon me was so overwhelming it disturbed my everyday; making the future my personal villain.

Major Works: Frankenstein Grayson, Will, Izzie, Andrew Title: Frankenstein Author: Mary Shelley Year of Publication: 1818 Genre: Fiction (Gothic and Romantic) Biographical information about the author: English writer, best known for Frankenstein. Married to poet Percy Shelley, Wrote Frankenstein when she was 21. Historical information about period of publication:

   In the novel Frankenstein, written by Mary Shelley, the characters have been portrayed effectively. Much of the interactions between characters, and characteristics of the characters have been based on events which have occurred in Shelley's own life, or they represent what she believes is important. For example, Victor is portrayed as having a strong passion for science, and a poor understanding of relationships. Elizabeth is shown as a stereotypical woman of the time, who is also very powerless. The monster is depicted as being both beautiful and ugly, and someone who the reader feels sympathetic towards. Through the portrayal of her characters, Shelley has created a very effective

I saw myself. Hideous, that 's what I was. People were afraid of me, so I have to hide. A hidden figure in the darkness of the night. I don’t remember why I looked like this therefore, I don’t remember anything , however I remember him. I saw him.

In the novel, Frankenstein written by Marry Shelley, Victor had undoubtedly become relentless in pursuing the reanimation of life in an inanimate lifeless being. Victor could have inevitabely be called obsessed with his work. Victor Frankenstein had always been curious about the reanimation of human life. Until he attempted it and suceeded was when he knew he made a mistake. Victor Frankenstein was blinded by curiosity and obsession.

Can science go too far when it equips man with tools to manipulate life? Some of the underlying ethical dilemmas presented in Mary Shelley’s Frankenstein are similar to ones we struggle with today, such as selective abortion. Shelley’s doomed creature mirrors the devastating result of bringing an unwanted offspring into the world, then shirking responsibility for it thereafter. The practice of playing God and choosing who does and who does not “earn” life ultimately results in profound negative moral consequences.