The film Rear Window, directed by Alfred Hitchcock, demonstrates the dynamics of love and marriage, displaying positive and negative aspects of relationships. In the beginning of the movie, Jeff observes a newly married couple. Unlike the rest of the tenants, the newlyweds are the only people to draw the shades, despite the extreme heat. The man is seen carrying his wife into the apartment, which symbolizes a happy and loving relationship, something Jeff and Lisa hope to achieve. However, by the end of the movie, the man is seen arguing with his wife, signifying the downfall of their relationship. Since the man recently lost his job, the woman wishes she would have never married him. The newlyweds are beginning to act like the Thorwalds and represent the beginnings of their struggles. Their relationship symbolizes the difficulties of maintaining a healthy marriage, as not all couples are able to endure the …show more content…
Jeff is unsure of his feelings for Lisa, as he is prefers his job traveling as a photographer over committing to Lisa. While Jeff is at home nursing an injured leg, he analyzes those around him, especially Lisa. Their relationship is complex and dynamic; while Jeff does not want a commitment to a relationship, Lisa desires to spend time with him. Their relationship differs from a more traditional marriage, where the couple settles down and spends time together. However, towards the end of the movie, Lisa enters Mr. Thorwald’s apartment and her safety is endangered. Soon after, Jeff realizes his feelings for Lisa and works to save her, nearly sacrificing his life for the woman he loves. In the end, Jeff and Lisa demonstrate differing aspects of love and marriage, by committing to each other and sacrificing for the other person. Several of the characters in Rear Window maintain relationships that examine the positive and negative dynamics of love, marriage, and
Janie’s relationship with her second husband, Joe Starks, is perhaps the most damaging. In the beginning of their marriage, Janie is proud and admiring of the successful, strong man she marries and runs off with. At first, it seems as though Janie has executed a successful breakaway from her unfulfilling life with Logan Killicks, and transitioned to an exciting, happy life with Joe Starks. Unfortunately, Janie and Joe’s marriage retracts from the infatuated love it once was, into a
Rear Window is compelling, clever, and utterly original. Hitchcock helps us share this obsessive curiosity, and draw our conclusions directly parallel to the characters in the film. The unique montage of imagery helps define our characters, and expose their vulnerability, their identity, and their own self-discovery
Jefferies claims that Lisa is “just not the right girl for [him]” because she is too committed to high society and materialistic for him. Jefferies barely acknowledges her and focuses most of his attention on watching the neighbors' apartments specifically the Thorwalds. She is unable to divert his attention from the window even with the most forward flirtations. It is not until she puts herself on the other side and into the movie that he becomes interested in her. Lisa finally becomes the subject of his gaze and only then does Jeffries show any sexual attraction towards her. Near the end of the movie when Lisa breaks into Thorwald's apartment, Jeffries does not see the same Lisa he saw when she stood by him and sat in his lap. This dangerous act of bravery and courage proves to Jefferies that she is capable of more than he previously thought. By exposing her willingness to take risks he sees that there is more to her than high society and fashion. He now looks upon a guilty intruder exposed by a dangerous man threatening her with punishment Mulvey 207 . He is aroused by this new spontaneous side of her. From this scene we see that Lisa Freemont cannot become a part of the movie until she becomes a character in the movie within the movie. This creates a new perception of Lisa
Janie and Logan Killicks got married at Nanny’s parlor at Saturday night. This marriage has taught Janie a lot of lessons about love. For instance, Janie thought that the marriage would bring love and exhilaration to her but that was not the case. Within a few month into the marriage, she struggles to find love in Logan and in despair retreats to Nanny’s parlor for advice. Janie said to Nanny “Ah wants to want him sometimes.
The film Rear Window opens with L.B Jeffries ultimately holding the power in the relationship between himself and Lisa Freemont. Lisa is shown to be a woman of high
Janie, finds in the end, that love is undeniable. It is a different experience for each person you spend your time with. Janie finds different kinds of “love” with each of her husbands. Her marriage to Logan makes her realize that marriage does not bring love.
In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The
Close to the end of the movie, she enters his line of vision by going opposite to the Thorwald's apartment, and becomes the point of focus for his sexual interest, giving him the chance to save her and emerge heroic. Seeing her through his lens has made Jeff reconsider his opinions on marital bliss and the adventurous side of her proves that he has a future with her.
Alfred Hitchcock’s 1954 film “Rear Window” demonstrated a suspenseful and terrifying storyline, which captured the attention of a variety of audiences. The film focuses on James Stuart (Jeff) and ultimately his neighbors who live around him. Stuart is crippled from the beginning of the movie and is unable to leave his apartment. Due to his immobility, he remains confined in his home with a broken leg and begins to watch his neighbor’s particular behaviors and routines. The film progresses into drama and suspense that is seen through music, lighting, film editing processing and extensive detail to the neighborhood being watched. Rear Window exhibits these details in the scene where Grace Kelly who plays the role of Lisa, attempts to
In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.
The marriage is unsatisfying and lonely for Janie. Janie “...knew things that nobody had ever told her...the words of the trees and the wind. She often spoke to falling seeds and said, ‘Ah hope you fall on soft ground,’” (25). She spoke and connected with nature because she was still searching for the kind of love she had witnessed when laying under the pear tree when she was younger. After a big fight with Logan, Janie meets a man named Jody Starks who is charming and charismatic. He is extremely intelligent and Janie leaves Logan for him because even though “he did not represent sun-up and pollen and blooming trees...he spoke for far horizon. He spoke for change and chance." (28). Janie has not been able to find herself in her marriage with Logan because there was no real connection, she hopes to find love resembling the pear tree with Jody. Unfortunately Janie’s dreams of finding love with Jody fall flat. Jody is controlling and restricts Janie from expressing herself and he further isolates her from society.
The mise-en-scene of this shot hints at important information about Jeffries, his neighbors, and the neighborhood in general. But what the camera does tells us something much stronger: Rear Window is a film about voyeurism, and a commentary on audiences watching drama on a screen.
Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.
Janie met Jody Sparks when she was still married to Logan. Janie was immediately intrigued by Jody given his nice clothing and ambitions. shortly after meeting Jody, she left Logan and married Jody. Their marriage started out as very nice. Janie admired Jody’s ambition and strength in building the town of Eatonville and also becoming the town’s mayor. And Jody loved pleasing Janie and making her happy. Janie was happy in her marriage and she thought that she found real love with Jody, making this marriage very different from her marriage with Logan. though the two marriages were different, they were also very similar. For example, both men were controlling and kept trying to change Janie and make her become someone who she is not. For example, Logan tried to make Janie work outside and he also tried to change her by trying to make something out of her. Jody tried to turn Janie into something that she is not by trying to control
To prove Jefferies wrong, and let him know that she is capable of being spontaneous and not just a stuck-up fashionista, Lisa takes matters into her own hands and takes control of her body and uses it to have the upper hand over Jefferies. This scene, where Lisa appears at Jefferies’ apartment, she comes in with a tiny suitcase, proving to Jefferies that she can definitely live out of one bag, as Jefferies had previously told her she wouldn’t be able to do. Also in this scene, Lisa does not ask to stay the night, but insists, showing Jefferies who the real boss is and taking control of the situation. Finally, the true part in this