How To Write An Essay On The Battle Of China

Even though the two films were created from different aspects, in both Our Enemy: The Japanese (1943) and My Japanese (1945), the narrators created under the purpose of propaganda among American citizens. In “Our Enemy: The Japanese,” the entire film was described in a strong sense of belittle and satire toward Japanese. As indicated in the film, Japanese were not only weak on their industrial progress since all their knowledge were learned from the Western civilizations, but also how the life as Japanese were terrible under the control of their emperor. There were multiple quotes used in the film to depreciate Japanese, for example "Never an inventive or creative people, Japanese have always depended on the scientific and industrial knowledge of the Western world. And now that they are at war with Britain and the United States, they find their chief source from which to borrow fast-changing production techniques in Nazi Germany " and "Every channel of public information is being used to impress upon Japan's people that the war is proceeding according to a divinely-guided plan. " Furthermore, the narrator also started to criticize the life as women and children

Overall, the Why We Fight films reflect the strategic priorities of the U.S. government and focused primarily on the struggle in the West. A Japanese equivalent to this series is titled The Battle of China. This was an epic paean to the resistance of the Chinese people against Japan’s aggression. Through all of the destruction and devastation of the Japanese, they come with this counterpoint that was heightened by a commentary in which Japan’s rhetoric of “co-existence and co-prosperity” was recited while the screen showed the devastation of China’s cities and the mutilated corpses of its men, women, and children.

…nevertheless the future outlook for further dangerous incidents was anything but serene. On the one hand, the ability of the Tokyo Government to control the action of the Japanese forces in China in jeopardizing American life, interests, and property is negative. On the other hand, I cannot conceive that with all our pacifist tendencies and longing for peace the patience of our people under cumulative insult is inexhaustible.6

The belief, subtly reinforced by racist stereotypes, that the behaviour of Japanese forces, from attacks on Chinese cities in 1937 through Pearl Harbour to the Bataan death march...nullified any humanitarian consideration for the Japanese people (Kyoko + Mark Selden, 1989, book)

The Rape of Nanking, by Iris Chang, describes the Japanese atrocities that took place in Nanking, China during World War II. Throughout their takeover and occupation of Nanking, the Japanese soldiers were exceedingly cruel to the Chinese people. According to Chang’s account and analysis of the events that transpired, Japanese attitudes towards gender played a key role in the soldiers’ violent, cold-blooded actions, and Chinese attitudes towards gender kept the victims silent.

The film also provides a meaningful glimpse at how the Japanese viewed the Greater East Asia Co-Prosperity sphere. The native islanders are depicted as being genial but simple peoples. Prescribing perfectly to the idea of proper place they are shown as more than willing to be the beasts of burden for the superior Japanese.

(1.) In 1931, Japan began to show signs of aggression to its western neighbor, China. Japan’s successive attacks on China from 1931-1937, eventually led to a “special undeclared war” in which the aggressor deployed no less than 15 army divisions to China (Carroll 2007, 187-188). Japan attacked China for the following reasons: “the disastrous impact of the Great Depression, Japan’s perceived need for assured markets, sources of food and raw material, and areas of settlement for a country deemed to be overpopulated.” However, the reason Japan was able to attack China with ease is because of “China’s division and weakness” and their personal “mainland ambitions” (Carroll 2007, 187).

It reflects the Japanese way of thinking and the imperialism cultural. It also reflects the nationalism that they are a better group and the imperialism that want to take over the whole china which emphasizes the Social Darwinism theory, strongest lives.

1. The Japanese invasion of China immediately before and during World War II lasted from the early 1930's to 1945. During this dark period in modern Asian history, the Japanese military machine was motivated by an uncontrollable desire for aggression, expansion and imperialism. The brutalities and atrocities committed by the Japanese military in China and elsewhere in Asia finally ended with destruction on Japanese soil -- the atomic bombing of Hiroshima and Nagasaki in August, 1945. The victims of the Japanese militarists' aggression included the innocent and peace-loving peoples of China, Korea, the Philippines, other south east Asian countries, United States, and Japan herself.

China, or People’s Republic of China, is a sovereign state located in East Asia. China spans 9.6 million kilometers making it the second largest country by land, only surpassed by Russia with 17.8 million kilometers. China is the most populated country on the planet with 1.35 billion people. Rich with history and tradition that goes back to ancient civilization, China has risen and fallen in power many times over. Within the last 30 years, China has become a dominant global leader once again and this has surprised many analysts due to their rapid success.

In 1937 Japan committed one of the bloodiest battles in history. A three month process had overtaken both Shanghai and Nanking. Months prior to the actual massacre, Japan sent over 100 air raids into both Nanking and Shanghai to kill endless civilians before they had even arrived. This helped sweep out the land to create less survivors. Japan rounded up thousands of Chinese men, women, and children only to slaughter them mercilessly. Women in China would shave their heads to look like the men and the Chinese soldiers were forced into hiding. Everyone was a target in order for Japan to overthrow the Chinese government. Over the course of three months, 300,000 Chinese civilians were murdered in cold blood. The Japanese would disguise themselves

In April 1, 1945 – June 22, 1945, the battle of Okinawa took place on the Island of Okinawa located 350 miles from southern Japan. It was known as the “last and biggest of the Pacific island battles of World War II.” There were around 100,00 Japanese killed, 12,000 American casualties and 4,000 kamikazes, or suicide pilots died trying to blow up ships. At the end the result was an Allied victory. The three main reason the Americans needed Okinawa was first to secure a station area and second they had to complete an air base in order to bomb Japan.

China’s history is riddled with violence and revolution that would change the country forever. From the 17th century, the Qing dynasty ruled with no one being able to oppose them as they were that superior to all who would oppose them. Until the time for change arrived. There were many things that caused this change but one of the more significant catalysts of this change was the Sino Japanese war.

The twentieth century was not only transformational but also traumatic for China just like other societies. Notably, the prevalence of warfare in China was high throughout the century. In addition to war, dramatic peacetime economic and social changes characterized the country’s twentieth century. These shifts often resulted from official policies related to redistribution of property, collectivism experiments, and land reforms. China’s early cinema industry represented these changes through films such as the Goddess, the Red Detachment Woman, and Farewell my Concubine. Each of these films represented societal shifts in the country during three unique historical periods. For instance, the Goddess is a representation of the economic, social, and political changes in the country during the Republic China period. Similarly, the Red Detachment of Women epitomizes China during the socialist era. Finally, the film Farewell my Concubine depicts the Chinese society during the Post-Mao age. The paper will provide a comprehensive analysis besides comparing the social, cultural, and historical aspects of the Chinese society based on these films.

The transition from historical information to cinema is often a dangerous and controversial road, few films are able to consistently please both historians and mainstream audiences. The topic of Sino-Japanese relations and China’s anti-Japanese war is frequently explored in the medium of film. Films such as City of Life and Death, Norman Bethune: The Making of a Hero, Devils on the Doorstep, The Last Emperor, Nanking, Flowers of War and The Inn of the Sixth Happiness all seek to investigate this turbulent period in Chinese history and to reflect upon the many different perspectives involved. Although the medium of film can never accurately portray history or ever hope to achieve the detailed work of a scholarly source, it can provide an emotional understanding of some of the most chaotic periods of human history. The Second World War involved more than 100 million people from thirty different countries resulting in the deadliest conflict in human history. How can anyone make sense of that on paper other than listing the number of casualties? Film, deeply aware of its limitations has become a different form of understanding the past, capable of taking a particular event such as war and exploring universal themes. Historian Natalie Zemon Davis states that: “Historians want to chronicle what happened, to be sure, but also to explain why it happened and what difference it made…Although there is an inevitable dialogue between the past and the present, the