How We Can Learn from Fictional Characters

To analyze the impact of women in the picture, one must examine Philip Marlowe, the hero and epitome of masculinity. Throughout the novel, Marlowe displays the admirable qualities of a man: intelligence, strength and justice. Additionally, Marlowe’s role as the hero of the film creates an example to which all men should strive. He represents the goals and desires of men, and as such his behavior helps define the position of women. Women constantly throw themselves at Marlowe, allowing him to pick from a fairly wide selection. His choice of Vivian holds considerable weight in determining the traits that make a woman popular. Marlowe’s interactions with all women help reveal the complexities of 1940s feminine attraction.

Have you ever heard of the hood? Well the hood is where gangbangers, drug dealers, and homeless people who have nowhere else to go besides the abandoned apartments and buildings. In the book If I Grow Up by Todd Strasser, Deshawn the main character lives in the hood with his family and lives the life in the projects. Deshawn doesn’t want to be a gangbanger but, his sister, niece and nephew, and his gramma. So he joins the gang to make some money for his family. Deshawn has a choice because, getting a job anywhere, taking a fresh start on life instead of gangbanging, or go to school and have an education.

“The Devil Wears Prada” is a movie about a naïve, yet smart young woman named Andrea Sachs, and her journey to becoming a journalist. Andrea, also known as Andy, graduated from Northwestern University and interviewed for a job at Runway, a major fashion magazine in New York City. Being a simple young woman, Andy wasn’t necessarily up to speed with the fashion industry, but ended up landing the job. Miranda Priestly, editor in chief at Runway hired Andy because she was “different” from any of her previous assistants. If Andy worked as an assistant to Miranda for at least a year, she was under the impression that she could easily be hired as a journalist in the future. The only problem was

The protagonist holds to his immature beliefs that by looking, acting and maintaining a false façade as a “dangerous character” (Boyle,114) it would bestow on him an the badness he desires.

This movie was about Michael Dunne, a Canadian soldier in WWI. In the beginning, he fought against a very young German soldier and killed him. Michael was so horrified with what he had done that he ran away from the army. Later, he was trying not to be sent back to the battlefield because he would have been killed for deserting the army. Instead he was sent back to Calgary where Michael saw Sarah and fell in love with her. Sarah’s younger brother, David, was convinced to join the army by his girlfriend’s father. Michael rejoined the army under a new name so that he could protect David. In the end, Michael saved David when he was accidentally crucified and while doing this Michael sustained fatal injuries. David lost the use of his legs, but he survived and he went home.

The movie for this essay is Brothers (2009), the film opens with Captain Sam Cahill as the main character who is a marine captain. Having been married to her high school lover, they had two daughters. This is an indication that Sam was also a family man. Before Sam is set to depart to Afghanistan, his brother Tommy is released from a prison where he had been convicted of armed robbery at a bank. After Sam departs to Afghanistan in October 2007, news emerge that Sam’s chopper had crashed in an operation and all the marines inside it had died.

It is a story about the soldiers and their experiences and emotions that are brought

Explore the presentation of femininity and identity in The Great Gatsby and The Color Purple, considering the contexts of their production, reception and the different ways in which these texts have been read.

Again, the audience is not presented with a perfect copy of such a personality in the character of Norma Desmond; her “appeal” is arguable, considering her hefty age of fifty, and her deception is not exclusive to her victim, but has cast a much heavier net upon herself. However, Norma is still manipulative in the sense that she uses the appeal of her wealth to keep Joe under her control. In this way, she strips him of his pride and manhood by taking him on as her dependent, and eventually into her “boy toy” (for lack of a better term) by inducing his guilt with her suicidal threats. Whether or not she deserves the audience’s pity is no matter—Norma fits her role as the femme fatale since she uses Joe entirely for her own purposes, and eventually brings him to his very literal demise.

This film depicts on how a group of young men, lead by Jed Eckert along with his brother matt Eckert and two young women; they find themselves fighting against the Russians, Cubans and Nicaraguan paratroopers that have taken over their small town of Calumet, Colorado. The film basically covers the backdrop of world war III in a smaller scale, where a group known as the wolverines, named after their high school football team, stands low for a few months in the mountains where they are forced to live as outsiders and depend on wild animals to survive. Without any means of communication with the outside population they are unaware of the rules and regulations that have been placed by the invaders; they have raided many of the homes

The movie “The Devil Wears Prada”, introduced me to the life I am destined to be apart of.

Another facet of the warrior ethos that Pressfield discusses is the brotherhood that all warriors share regardless of upbringing or personal beliefs. It is commonly known that military members who share harsh, traumatic, or even funny events become closer through the bond of a mutual experience. This is particularly true for Marine infantry; many of my Marine friends grew up in different areas of the US, with different values, ages, religious and political beliefs. However different we all might look on the outside, the fact that we’ve all been through good times and bad with each other makes us closer than any civilian could understand. After being a Marine, I find that I’m close to, and always will be, than my civilian friends who I’ve known for years. Along with this, Pressfield talks about how, under all the glory and allure of fighting for one’s country exists the real reason that warriors fight; for our brothers in arms. Political beliefs, government stances, and flags go out the window, only to be

Movies often depict a glimpse into the inner workings of organizations which are complex and fascinating entities that consist of a group of people, who work together. Analyzing how the characters, as individuals and groups, interact with one another allows for an understanding of “how people think, feel and act” within an organization, also referred to as the study of organizational behaviour. The movie The Devil Wears Prada, set at Runway fashion magazine in New York City, is the story of Andrea "Andy" Sachs, an aspiring journalist who gets the job that “a million girls would kill for”. She is hired as the second assistant to Miranda Priestly, the powerful and ruthless executive of the magazine. The job is her stepping stone into the

Since the 1940’s, movies have predominately portrayed women as sex symbols. Beginning in the 1940’s and continuing though the 1980’s, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990’s, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90’s are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women’s roles in movies from the 1940’s though the 1990’s.

The Departed, a film written by William Monahan, Alan Mak, and Felix Chong, directed by Martin Scorsese, was in my opinion a spectacular crime-thriller deserving of less criticism from overly sentimental viewers. Though this film is in some scenes brutal and vicious, I praise Martin Scorsese’s refusal to cower away from the undeniable truth that organized crime in the United States is murderous in nature just to satisfy certain viewers as critics advocated he should. Being a four time Oscar winning film with sixty-three other awards for numerous aspects in the movie industry, I don’t believe anyone can contradict that The Departed is profoundly unforgettable to masses of moviegoers.