How We See Art During The Baroque Era

Answer: Baroque culture grew out of an effort by the Catholic Church in order to attract more followers. Architecture was important because it was used by kings in order to enhance their images to try to appear glorious. The baroque architecture was the dominate style of absolutism, it was a dramatic and emotional style. The royal palace was a favorite architectural expression of absolute power. Peter the Great wanted his form of baroque architecture to be in the form of a city. Therefore a new city was created by peasants.

2. What was going historically during this era?  What was life like? The Baroque was a period of absolute monarchs. The monarchs had total control over every aspect of their realms: the economy, the books, the style of art, and even life and death. Louis XIV became the model and he set the stage for many things going on during this period. In many parts of Europe, a strict social hierarchy, rigid laws, and elaborate codes of dress and manners characterized life. There were no major wars. There were knew technological developments that led to scientists and philosophers open up to new ideas and a new way of thinking rather

The Baroque period has played a great role in many aspects of the society in different countries, but most significantly in religion, politics, and socioeconomic.

In today’s world modern art has been a big factor in the society today, whether or not we know it looking at Western European Baroque Era, naming some of the best Baroque artist such as Bernini and Caravaggio, they used great illustrations such as drama, motion and even feeling in the work they presented. It showed life in the time and the effort they put forward. Most of all it showed the truth and the reality in what they work on. Comparing today’s world and how time has change, reality shows and movies set great examples of how Western European Baroque can be a lot of how we live and see things today. The one movie I think I can compare to the baroque era is the movie The Mask. The mask

The Baroque period of the 1600 and 1750s began in Europe and defined the art of the time (Stechow 111). Spain’s quest for the unity and assimilation to Spanish culture of its subjects in the Americas led to the systematic suppression and destruction of the indigenous cultures of the regions, such as the Aztecs and the Incans. Baroque art was only supposed to be another aspect of Spanish culture for the indigenous population to assimilate to (Gauvin 4, 33-34). However, the Baroque period created an atmosphere in the Americas that led to a blending of the Spanish and indigenous cultures. The subsequent art and architecture that was created was a hybrid formed from the cultures coinhabiting the area. This hybrid form has been characterized as “a hidden inscription of difference within the fictional sameness of official culture, as rebellious graffiti camouflaged in the forest of baroque symbols” (Salgado 317-318). It provided a place for the people of Latin America to subtly celebrate and preserve their heritage that Spain was threatening. To understand the significance of the cultural impact that the hybridization of Baroque art had on culture in the Spanish colonies of the New World, we must first define what hybridization of an art form means. Then we will investigate what constitutes baroque art and why it was so conducive to being hybridized. To further the understanding of the hybridization, we will examine the painting Our Lady of Guapulo and the architecture

While perusing the paintings in the Legion of Honor Museum, Allegory of Geometry instantly captured my attention. Painted in 1649, this oil on canvas by Laurent De La Hire is very different from other paintings one might see traditionally. At first look, the eye is immediately drawn to the pop of red in the shawl of the only figure in the painting. Since, typical to Baroque paintings, the rest of the painting is earthy tones, the red in her shawl really commands the attention. However, if we take a closer look at the sculpture to the back left of the maiden, we see that featured in it is a calf. The calf was one of the most prominent holy symbols of the Baroque period. Additionally, we see a more pronounced religious symbol, the snake, suggesting

Martin Luther’s Protestant Reformation had really stirred the religious pot. In the early 1600’s, the Catholic Church responded with the Counter Reformation which propelled the Baroque movement and its artistic aim of making Catholic theology appeal to the masses. Biblical stories with drama and movement were some of the ways Baroque artists sought to engage the viewer. Baroque dominated most of the seventeenth century Europe and later developed into the Rococo style later during the eighteenth century. Begun in the 1700’s, the Rococo Era was art of the aristocracies for the aristocracies. It was technically flashy, but without deep thought or emotional drama, the Rococo celebrated the leisure activities of the upper class. The Rococo style is above all an expression of wit and frivolity. Rococo style signaled the shift from Rome to Paris as the new capital of culture and fashion in Europe. Both styles were influenced by political, social and religious factors, and there are profound differences between the two styles. For this essay, I chose to compare an Italian painting from the Baroque era with a French painting from the Rococo Era. The two paintings I chose to compare and analyze are Luca Giordano’s Martyrdom of St. Bartolomeo, and Jean-Marc Nattier’s Terpsichore, Muse of Music and Dance.

Aided by philosophy, mathematics, and newly developed instruments and experimental methods, Baroque astronomers, mathematicians, philosophers, and writers, fueled the scientific revolution of the 17th Century by proposing world views that challenged conventional assumptions and questioned established Church dogmas. The scientific advances of this period had a profound impact on all spheres of human activity including the arts and music.

Music has been categorized over time in different periods, each of which have their own characteristics, composers and music style. Two of those important periods were baroque and romantic, which had left an important musical legacy though history. The baroque was the period from about 1600 to 1750. It was called one of the best periods of the music history, because there was a huge change from the style of composition from antique and renaissance music which achieved great expectations about this music. Furthermore, Baroque music was written by great composers such as Bach, Handel, Rameau and Vivaldi who were the most representative composers of the period. In addition, Baroque music was characterized

The baroque period is arguably the most profound of all music eras. This is where many of the foundations are lain for modern day music, many of which are still carried out in the present. An important element of the baroque era occurred in Italy; the birth of opera. The significance of opera has withstood the test of time and continued to be a fine art appreciated by all who have had the privilege to observe it.

Baroque art is an art form that emerged during the 1600- 1750. It is depicted as weird or bizarre due to its turbulence and irrationality nature. Baroque art entails different types of art like paintings for example, Christ Wearing the Crown of Thorns, Psyche Watching Amor Sleep, The Suicide of Lucretia, etc., sculptures for example, The Rape of Proserpine, The Merciful Christ, The Abduction of Proserpine, etc., and architecture for example, Marble Court, St Paul's Cathedral, Staircase for Augustusburg Palace, etc. Baroque art is known for its use of verisimilitude. Verisimilitude is a method used to make art appear to be truthful or real.

To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.

The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.

A number of modern artists have focused on reflecting personal perception of the world through a contemporary Baroque style in art. The increasing popularity of Baroque nowadays is due to the complex processes that took place in society and the solutions the modern culture has to offer to resolve them. Truly, through the history, the emergence of Baroque elements has always reflected the complexity of human life, followed by technological progress and cultural exchange. Eventually, Baroque, the style characterized by extravagance and drama, has been defined as anti-classical, innovative and experimental, intended to touch directly the beholder, individual of diverse and pluralistic society.

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like