How and Why Is the Grotesque Used in Tennessee Williams’ a Streetcar Named Desire?

Blanche’s financial decline, illuminating her vulnerability, links to Aristotle’s theory that the tragic heroine must fall, allowing the audience to relate to her. Her insecurities – “I won’t be looked at in this merciless glare!” stereotypically reflects the insecurities women feel about their appearance and age. The uses of imperatives and exclamatory sentences suggests Blanche’s obsession over her appearance, a flaw leading her to dismiss her true identity. Her inability to avoid drink and her compulsive lies, demonstrated in her frequent references to Shep Huntleigh’s letters, makes her a more authentic woman than Stella, who is described by Williams as the “gentle, mild and contented one”. Blanche’s loss of identity, dominated by her homosexual husband’s suicide, exacerbates her solitude – “The boy-the boy died. (She sinks back down) I’m afraid I’m – going to be sick!” The fragmented, repetitive speech Blanche uses illustrates her guilt and pain, whilst the physical act of “sinking” highlights the extent of her regret, giving a sense of foreboding for her downfall. Her guilt is also exacerbated by the implied physical act at the end which shocks the contemporary audience, who would not sympathise with homosexuals, evoking pity and reinforcing that “Streetcar” is a tragedy for Blanche.

She said “I, I, I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, mother! Margaret, that dreadful way!” She fell apart even more as she saw all of her family around her pass away. She was face to face with death. They used flowers and ornamental caskets, but the funerals were the least of the problem. “Funerals are quiet, but deaths-not always. Sometimes their breathing is hoarse, and sometimes it rattles, and sometimes they even cry out to you, ‘Don’t let me go!’” This did not start her mental disorder, because it already existed, but it did not make it any better. Of course, all people must deal with the inevitable ending of life, but watching it all happen around you is different. She has to see people meet their fate and she sees that life is not a dream. The first death she had to deal with was her first loves and that is what starts her downward spiral. She came out of the dance to see where he had gone and heard people say “Allan! Allan! The Grey boy! He’d stuck the revolver into his mouth, and fired-so that the back of his head had been-blown away!” Ever since this traumatizing event she had a weakness for young men and hides under a façade of makeup, costume, and jewelry. If she is attracted to younger men she cannot attract them without looking younger herself. Blanche believes that

Blanche has a devastating and scarring past in which her tragic flaw originates from. The elements of love, sex, and death haunt her until she is unable to handle it any longer and loses what is left of her sanity and sparks her unstable mind. To expatiate, Blanche was once married to the love of her life, Allen Grey, until she found

In this film, the setting of the family’s small apartment in the French Quarter of New Orleans, LA contributes to the principle themes of human cruelty and kindness by facilitating most of the interactions between the characters. While some of these interactions were insignificant, many were significant and were paramount to advancing the plot and communicating the themes. When Blanche arrives at her sister’s home for the first

The audience always had the feeling that Blanche was a little nuts, but we see her condition worsening as the play goes on. During the final scene we see Blanche go with a doctor and nurse to, presumably, a mental hospitable. Eunice

     This play takes place in New Orleans Louisiana. New Orleans is a very lively town that is known as a party town and for it being a rough town. New Orleans is a town in which inhibition is suppressed and people try to have fun all the time, while not worrying about the little things in life. This is especially true for the French quarter of New Orleans, which is the setting for this play. New Orleans is know for Mardi Gras and illusion, but it is also a city of reality. Blanche does not

One of the roles of this excerpt is to provide the background towards understanding Blanche, and the justifications for her mental state and actions. It is evident that in the past she belonged to a higher class where extravagance was common. But when her family in

After being stripped of her life-affirming and life-sustaining illusions, Blanche cannot do anything but stare ”blankly and silently into the face of her executioner and sees in his visage the immanent prospect of her own destruction.” (Crandell)

Blanche repeatedly lied to make herself look pure to others. It only served as a masquerade to hide her dirty, sinful reality. She lied about her age, alcoholism, promiscuity, and why she had to leave Laurel. When Stanley asked her if she wanted a shot, she replied, “No, I—rarely touch it” (Scene 1, page 1548). She could not confront her reality, so she retreated to her world of illusion. This was Blanche’s most prominent flaw. If she could have accepted things for what they are, she could have salvaged her sanity. If, from the beginning, she had been truthful to Stanley’s friend Mitch, he could have forgiven her. Dismally, Mitch would not trust her after finding out everything she said was fabricated. “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it” (Scene 9, page 1590). Blanche feared lights which symbolized her fear of reality. She claimed that with Alan’s death, all light had gone out of her life. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that’s stronger than this—kitchen candle.”

She tries to hold on to him but is unable to keep him attracted. Blanche is lost, confused, conflicted, lashing out in sexual ways, and living in her out own fantasies. She has no concern for anyone’s well being, including her own. Thus, this is her utter most harmful demise. She has no realistic outlook for the future.

Blanches’ emotional state of mind is also conspicuous at the start of the play as she circumvents direct light, fearful of showing her fading looks and the light would make her vulnerable to the truth. Blanche is unable to withstand harsh light, calling the light a ‘merciless glare’(S1:pg.120*) because with Allan’s death, the light had gone out of her life and the effect this had is that she wanted dim lights hiding the reality of her painful memories. This links to the theme of dream and reality as Blanche, a delicate character, refused ‘to accept the reality of her life and attempts to live under illusion’ (*2), living on the borders of life similar to a moth which creates the image of Blanches’ fragility.

Blanche's panorama towards gay people had interchanged with her beliefs and this lead to her biased opinion towards her husband. Most likely, things were probably said that weren't meant to be hurtful, but her husband still committed suicide. This misunderstanding of her own feelings as well as her husbands’ potentially lead to a guilt savaged life for Blanche.

due to her past blanche’s actions are unusual and to many they are considered inappropriate. Blanche lives through some very dark and intense incidents before the play takes place, she witnesses the death of her entire family, she loses her family home, and to add to the misery she believes she is the reason her husband killed himself. In an act to move on she retreats into illusion acting as if these incidents never happened. Blanche decides to lie to everyone, from her sister to the man she potentially wanted to marry, she does not give them the truth. She wants to marry mitch but does not tell him about her past, mitch had all right to know, yet she led him on, actions like these in an environment of connection is inappropriate beyond a doubt. Because of her lies and illusions Blanche ends up losing everything, she loses her only chance at a future with Mitch and her freedom when she is sent to the mental institution. Blanches motivation by the past caused her life around her dissolve.

Blanche Blanche would portray the image of a middle-aged blonde that has blue eyes and an outgoing personality. She would have visible signs of aging on her face as well as other obvious indicators that her prime years took place in the past. She would not admit it, but she has many problems with body image and looking attractive to the opposite sex which she tries to disguise by resembling an outgoing person. Other physical attributes would include long slender legs that she makes sure appear visible as often as possible. She would make herself high maintenance and sassy as if she belonged or at least deserved to belong anywhere she felt fit.

Blanche says “They told me to take a streetcar named Desire, and transfer to one called Cemeteries, and ride six blocks to get off at - Elysian Fields!”. Desire is referring to sex, which is in the title of the play as well as this line from the first scene, and the cause of Blanche’s problems. Cemeteries are indicative of death and dying symbology in the play. Cemeteries represent this death, another topic that is present in her loss of reality. Elysian Fields is a place we would associate with heaven in Greek Mythology which also is referencing death. Blanche is promiscuous, and dealing with the thoughts of death and misery. Her husband was caught in bed with a man, when she confronted him, he killed himself. She lost her job as a teacher