Essay about How does Brian Clark make his play Whose life is it anyway?

Arthur Miller commences the play by illustrating the daily dilemmas and internal conflicts in Willy’s life by showing the problems he faces given the fact that

This play is about the experiences of a dying school boy, it is a celebration of life and the power to heal through gaining insight.

In the play “Wit”, written by Margaret Edson, the author includes many characters in her work that have their own distinct characteristics that make them unique and valuable to the play. Vivian Bearing, the main character in the play, has been diagnosed with stage four ovarian cancer. Due to her diagnosis, she becomes part of a clinical trial for a new drug regimen to fight ovarian cancer. The doctors working with Vivian are very insensitive and lack compassion while interacting with her. One character in the play who displayed a great amount of compassion for Vivian was her primary nurse, Susie Monahan. Susie was the only staff member in the hospital who reached out to Vivian, was kind to her, and cared for wellbeing. She did whatever she could to make Vivian’s stay at the hospital as comfortable as possible. Vivian at first was taken by surprise and rejected

Wit, by Margaret Edson is a drama that was first produced in 1995. The play takes place over the course of about 12 months in a patient room of the University Hospital Comprehensive Cancer center, and in different places in the main character Vivian Bearing’s memory. There are a few major themes that are found throughout the play, one being a matter of life and death. How do we live a full life and die peacefully? Bearing learns too late that her values were wrong and it takes the simplicity of Susie’s personal care and compassion to teach her the priorities of life. Bearing confuses uncompromising standards and hardline approaches to life as strength

Thrilling yet confusing, and even troublesome, Twelfth Night’s theme of identity is showed within the romantic comedy through many ways. As an essential subject establishing rich symbolism and imagery, it uses disguises and crafty characters’, which causes much confusion between the characters. Furthermore, the idea brings out the comical essence of the piece. It examines the gender roles in Twelfth Night relating to the history of Renaissance/Elizabethan Theatre; males played female roles—a male actor would play a female character (Viola) who disguises herself as a male (Cesario), for women were forbidden to act. Through What You Will, it proves one’s physical features, and how a person presents them self, possesses

The words “You have cancer” (Edson 7) suddenly changed the life of Dr. Vivian Bearing, the main character in the play Wit. It isn't a play of survival. Rather, the play deconstructs the run of the mill story of remaining strong through treatment of cancer, defeating the chances, and surviving. The play skillfully builds an account of repair and rebuilding of the individual not through treatment of the body assaulted by cancer, but by conceding one's shortcomings, uncovering oneself, and, maybe most terrifying of all, surrendering control and, simultaneously, getting to be plainly defenseless.

This theory looks at how we present ourselves in social situations in terms of our identity.

The first art piece that I’m going to be discussing is a theatrical production that has a special place in my heart, and it is the Jakarta Performing Arts Community’s rendition of the hit Broadway play, ‘Fame.’ The reason why this piece is so important to me is because it was the first ‘real deal’ production that I’ve meddled in, and was the first production that I was appointed stage manager of. The play itself has a great message and great tunes, to be honest. I really like this play because it’s so naturally high school, the problems are so realistic that it almost didn’t feel like it was some sort of a make believe, and it also addressed things that are so simple yet are so scarcely discussed.

The fear of change and adaptation was really nicely portrayed in the play. A lot of people have problems adapting to new situations or something out the ordinary and everyday routine, just like the characters, mostly #1 and #2 because they didn’t want to go in the after world due to fear. They wanted to stay in the old hospital more than anything else. The fact the writers of the play added something the members of the audience could relate too, added a bit of realism to the act and it made it all the more understandable. The emotions the character felt, the audience could also feel and that brought the show to the next level.

The message that Fun Home presents to the audience of having identity and acceptance is apparent once you see the play. Watching this play really create that “why you must tell this story?” What is this play trying to tell the audience? The characters relationship with one another and their appearance really makes the story relatable. It about a story a girl trying to learn about herself and being accepted to not only herself but to those around her. We see Bruce being the opposite of what Alison is. A closet man who does not want to share the world that he is gay and try to suppress it to himself and his family. We see that not accepting yourself of the identity you are not really are affects your happiness in life as Bruce took his own life.

determine what a real life was because he only lived his life upon other expectations. The play’s

Some of the personal issues that the readers can see throughout the play consist of issues concerning inadequacy with love, conflicts of goals and responsibilities, surrounded by other illusions (Reynolds). Amanda is so disappointed in her reality that throughout the play she fantasizes a great deal, which is an illusion. She talks about her past repeatedly as if she is trying to convince everyone else of her greatness so she does not have to face the reality that is her life. A critic of the play writes,

Dignity cannot exist independently without freedom of choice. Brian Clarkes play, “Whose Life Is It Anyways?”, follows, the protagonist, Ken, and his battle to gain any sense of individual dignity, as he continues to be deprived of controlling his autonomy. The parallels between choice and dignity can be traced throughout the play – In the beginning of the play, Ken wishes to end his life but, due to his physical disability, he is unable to do so, and consequently, he is shown to have little worth or respect, in his choices. This is contrasted to the conclusion of the play, where Ken’s request is heeded by the legal system, and where his choice is fulfilled. This theme, is visually represented through the transformation of the empty vase and

If the audience finds the play funny, it is in fact even more tragic, because the humour that comes from the ridiculousness of the characters’ actions can be found in any human being’s life.

In a hospital you lose all sense of your own identity, "homes and names Suddenly in abeyance", everybody is the same, everybody is "Human". To Larkin it still seems "alien", he describes everything in unusual terms "Cups back to saucers". This is what frightens him, to lose his identity, to be stripped bare, to see "the end of choice, the last of hope". Larkin cannot admit that death is natural, especially at that "vague age", there has to be an "error", people come "to confess that something has gone wrong".