How far do you agree with the opinion that courtship and marriage are undermined and ridiculed in “The Taming of the Shrew”?
Shakespeare’s drama “The Taming of the Shrew” is set in the Elizabethan era, and marriage and courtship was very different than how it is in the present. Back then it was the parents who picked suitors for their daughters. This choice would be final for the daughters but often women rebelled against the decision as they wanted to choose their own suitors. “Romeo and Juliet” is an example of this. In our “Taming of the Shrew” this is no different as Baptista Minola chooses the suitors in which marry his daughters.
We first see this undermining of courtship and marriage when Petruchio speaks of his view on
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Petruchio takes away the whole aspect of “falling in love” from Katherina as he forces her to marry him and her father happily abides, “will you, nill you, I will marry you”. This again makes a charade of marriage. I agree when Coppélia Kahn says “The overt force Petruchio wields over Kate by marrying her against her will in the first place, and then by denying her every wish and comfort, stamping, shouting, reducing her to exhaustion, etc., is but a farcical representation of the psychological realities of marriage…” as the audience would definitely find it funny and is a perfect example of Shakespeare’s attempts to ridicule the sanctity of marriage.
As Robert Heilman demonstrates, the taming is best viewed as farce which “carries out our desire to simplify life by a selective anesthetizing of the whole person; man retains all his energy yet never really gets hurt” and this is shown as the drama is a comedy of mocking the institution of marriage.
Another negative outlook against marriage and courtship is when we find of Hortensio’s plans to disguise himself as a “schoolmaster well seen in music to instruct Bianca”. Lucentio also disguises himself by swapping clothes and identities with Tranio so that he may “woo” Bianca secretly. This shows courtship to be a mockery as when you court someone, you are opening up and showing the person who you are and that you’ve nothing to hide. Hortensio is doing the complete opposite as
William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It
Katherine Minola is a character who is pivotal to the progression of the exposition in Shakespeare’s The Taming of the Shrew. The dynamic Kate faces everything from being unsolicited and undesirable by men, being forced into marriage, and falling in love with someone who undoubtedly mistreats her from the beginning. Being tossed and thrown from one end of the spectrum to the other allows room for drastic change in attitude, values, and behavior. There is much evidence of a revolution of character in Baptista’s daughter and Petruchio’s wife, Katherine. Reader’s can follow the transformation of an untamable shrew of society to a well loved and respectable woman figure of the upper class.
In this respect, the play is a typical romantic comedy. However, unlike other Shakespearean comedies, The Taming of the Shrew does not conclude its examination of love and marriage with the wedding. Rather, it offers a significant glimpse into the future lives of married couples, one that serves to round out its exploration of the social dimension of love. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage; specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers. Moreover, the play focuses on how courtship affects not just the lovers themselves, but also their parents, their servants, and their
In the play The Taming of the Shrew, men do quite absurd things to get what they desire. Petruchio, Lucentio, Hortensio, and Gremio all derive schemes to win the heart of the woman they choose. Throughout the play many characters create alternate personas to woo the one they love. However, one man, Petruchio, prefers to pursue his soon to be wife ingenuously. All of the ideas the men concoct are in hopes that Bianca or Kate might fall in love with them, whether or not they do fall in love is due to how well their suitors perform their acts of love.
The Taming Of The Shrew by William Shakespeare is an introduction in the everpresent battle of women to be loving and caring wives, while at the same time holding on to our independence. Its plot is derived from the popular 'war of the sexes' theme in which males and females are pitted against one another for dominance in marriage. The play begins with an induction in which a drunkard, Christopher Sly, is fooled into believing he is a king and has a play performed for him. The play he watches is what constitutes the main body of The Taming OfThe Shrew.
When we look back upon the lives of the men and women living in Elizabethan England their traditions of love and marriage, at first glance, seems so far removed from what we know today. Their antiquated views on the roles men and women play in everyday life further alienate their culture surrounding courtships and marriages. In retrospect, from the views of today’s culture with its emphasis on true love and passion, the customs and traditions of Elizabethan England seem harsh and calculated. The complex rules and subtle nuances seem worlds away from what marriage has evolved to today. Upon closer inspection you might find there are some aspects about courtship and marriage in 16th and 17th century England that don’t differ so strongly
William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.
Petruchio also manipulates Kate psychologically by pivoting her thoughts in the direction of them being suited to each other for marriage. When he says “I am too young for you” (Act 2 Scene 1, 250), he starts making her feel old and unwanted. This comment makes her mad, and causes her to feel the need to prove that he is old, which she accomplishes in the next line by saying “Yet you are withered” (II, 1; 251). Thus she unconsciously admits that he is at least suited to her in age for marriage, if nothing else. By complimenting her, Petruchio is also able to play with her psychologically. He begins by saying she is beautiful, nice, and modest. Even though he may not mean it, and Kate probably suspects he is lying, it still has a positive effect on her. Complements boost her confidence and make her feel wanted, which is a new experience for her. Such complements eventually lead her to believe that he may actually love her, or that there is a possibility of love between them in the future. This method of manipulation does have its effects, because she only opposes their marriage once in front of her father, and after Petruchio announces that they have decided that she should “still be curst [to him] in company” (II, 1; 324), but they really love each other, she offers no counterarguments.
Marriage in William Shakespeare's The Taming of the Shrew At the time Shakespeare wrote The Taming of the Shrew the idealistics
Marriage is presented in Shakespeare?s play The Taming of the Shrew, in a complex manner allowing readers to view the play literally as a brutal taming or ironically as a subversive manifesto. Yet, Shakespeare intends to present marriage to be full of mutual love where neither male nor female dominate but compliment each other thriving together in a loved filled relationship. The portrayal of a deep understanding, which exists in an analogical relationship and the gentle transformation, which occurs in marriage, clearly outlines marriage in the play to be a celebration of a mutual love relationship within the patriarchal foundations of society.
With regards to The Taming of the Shrew, it can be determined that the relationship between Baptista and his daughters is built on the boundaries put in place by gender roles. This becomes apparent when, at the beginning of the play, Hortensio and Gremio confront Baptista about his intentions regarding Bianca's courtship:
Also, Katherine herself apprehended the error of her ways, making the women feel sheltered and making the men feel self-assured about their dominant position in society. The audience presumably went home contented, because such a shrew was tamed, and could be tamed so well. Katherine’s soliloquy reinforced the moral values of the Elizabethan era, making the conclusion of the play more enjoyable and entertaining. The final scene of The Taming of the Shrew shows ”the triumph of the unconventional over the conventional”, it shows that Katherina and Petruchio’s marriage, which has started rather unconventionally, seems to have better chances of being a happy. Shakespeare speaks out in clearly favors of the unconventional concept of love present in the relationship between Petruchio and
Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.
The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.
Their arranged marriage, based on the agreement between Katherine’s father and Petruccio, bonds in the extreme sense. During the arrangement Katherine was present, but had no input in the matter. The fact that Katherine denies Petruccio to be her husband and they are wed anyways, suggests that it did not matter as much when a woman opposed her marriage to a man. In this time period a woman’s input was overlooked, especially living in a patriarchal society. From a 21st century perspective, having an arranged marriage seems to not make for a happy life, even in the time period of Shakespeare. At Katherine and Petruccio’s wedding, Petruccio arrived very poorly dressed, almost homely looking, he deprived Katherine of food, clothes, and sleep, and argued with her until she agreed with him. All of these circumstances do not call for a happy marriage. However, in the fifth act of TOS, Katherine brings hope to light that she can be happy, even in her situation of an arranged marriage. When she gives the speech to her sister, Bianca, and the widow, the reader gets the sense that she is now “tamed.” Although, the marriage was arranged and Katherine does not seem happy, she leaves the reader thinking that there can be hope for happiness when you meet in the middle. Petruccio has the pleasure of having an obedient wife while Katherine gets to keep her witty