How the Film, To Live, Exposed the Realities of Communist China

Once the novel comes to an end, we notice clearly the way Wang Lung changed. In the beginning of the novel we learned many ancient Chinese traditions by observing Wang Lung as a simple peasant, but as he becomes a wealthy landowner his life collapses. This rapid change of social class makes it difficult for anyone who intends to keep their traditional values until their death. This fantastic novel by Pearl S. Buck reminds us that we can never forget our traditional values, because if that happens your life will collapse just the way Wang Lung unfortunately

The film Ai Weiwei: Never Sorry (2012) is a documentary directed by Alison Klayman. It follows contemporary Chinese artist and activist, Ai Weiwei, documenting how he stood up against the Chinese government and revealed the horrific actions the government commits. Ai Weiwei differs from other critics of the Chinese government because he uses aggressive words, while his fellow critics do not insult the government or the Communist Party. He uses several mediums to show how the government has acted including his blog and documentaries, showing what Chinese citizens go through on a daily basis.. Weiwei is incredibly brave for putting his life on the line to fight for a better country and a better world.

The Great Proletarian Cultural Revolution, beginning as a campaign targeted at removing Chairman Mao Zedong's political opponents, was a time when practically every aspect of Chinese society was in pandemonium. From 1966 through 1969, Mao encouraged revolutionary committees, including the red guards, to take power from the Chinese Communist party authorities of the state. The Red Guards, the majority being young adults, rose up against their teachers, parents, and neighbors. Following Mao and his ideas, The Red Guard's main goal was to eliminate all remnants of the old culture in China. They were the 'frontline implementers' who produced havoc, used bloody force, punished supposed 'counter

This book started with Wang Lung introducing himself and how his life is like. He lived with his father mostly because his father was really sick and Wang Lung had to take care of him. His father was a traditional and moral man. He did not approve many things that went on in the house. Later on, he went to the house of the Huang’s and got a slave to be his wife. Her name was O-Lan. O-Lan was a slave and she was treated really terribly most of her life, even when she married Wang Lung. Together they had 5 children: three boys and two girls, each with very different characteristics.

Lindo’s upbringing was significant because her family was very traditional. As a result of her family abiding by tradition, Lindo was betrothed to Tyan-yu as a young girl. Lindo’s family treated her as if she was from a different family. When Lindo’s family lost everything in a flood, her father decided to move the family to Wushi. Lindo was old enough to move in with Tyan-yu’s family, so her family left her in Taiyuan with her future in-laws. When Lindo moved in with her new in-laws, Huang Taitai immediately put Lindo to work cooking, cleaning, and sewing. Lindo not only lost her family by moving in with the Huangs; she also lost her childhood innocence since she was forced to abandon playing with other children so she could be put to work. As a child, Lindo faced adversity due to her lack of American opportunities and therefore matured quickly.

The reason why the author might have chosen the case-study approach to writing this book is because of the numerous similarities between the living conditions and circumstances that Ye and Ma faced. Both Ye and Ma were born in Beijing in around same period, they had both lived through the revolution in 1958 in the city, they became Red Guards in their early youth, and they both were sent to the countryside, and allowed to return back order to study. Also, they both traveled to the United States for their higher studies. Ye and Ma are discussing each aspect their life trajectory paralleled to

“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.

As in all revolutionary movements, there are many accelerators that work to transform the countries they involve. Correspondingly, there were many causes that started both the American and Chinese Communist revolutions, some being similar and some being different. One of the main causes of the revolutions was that they both were inspired by the Enlightenment. This factor made both wars and their outcomes more intellectually based rather than physically. Another main accelerator that forced the people to fight for a change in their government was due to an unpopular method of rule. In both China and America, the forms of government previous to their revolutions and extreme political changes were despised among a majority of the commonplace

This movie depicted different life experience of four pairs of Chinese mother and daughter. Though distinct grievous life stories they had, these four Chinese mothers were all born and bred under the background of feudal Chinese regime, cultivated by Chinese traditional feudalism, and fatefully, their lives were poisoned and destroyed by malignant tumor of Chinese backward culture and ideology, for example, women are subordinated to men. More unfortunately, the four daughters who were born and educated in America, assumed to avoid from the influence of Chinese feudal culture, still inherited deformed character, like without self-value and spirit; extended last generation’s tragedy—misery marriage. The

The movie They Live challenges the ideology of the superstructure. In the movie there’s poor people living on a camp. The poor people are watching a broadcast on tv. The broadcast is telling people the truth, which is why it keeps getting interrupted. It’s telling they “ They are dismantling the sleeping middle class. More and more people are becoming poor.” The government is interrupting the broadcast because they want the people to keep believing their lies. This is challenging the superstructure because the broadcast is telling the poor people that the government is brainwashing them from seeing reality. In the movie Nada goes into the church by the camp after the cops raided the place. After looking through the church he finds a box of

As many other countries around the world China has its long history of a struggle for equality and prosperity against tyrants and dictatorships. The establishment of People’s Republic of China in 1949 seemed to have put an end to that struggle for a better life. “The Chinese people have stood up!” declared Mao Tse-tung, the chairman of China’s Communist Party (CPP) – a leading political force in the country for the time. The people were defined as a coalition of four social classes: the workers, the peasants, the petite bourgeoisie and the national-capitalists. The four classes were to be led buy the CPP, as the leader of the working class.

All through time, successive generations have rebelled against the values and traditions of their elders. In all countries, including China, new generations have sought to find a different path than that of their past leaders. Traditional values become outdated and are replaced with what the younger society deems as significant. Family concentrates on this very subject. In the novel, three brothers struggle against the outdated Confucian values of their elders. Alike in their dislike of the traditional Confucian system of their grandfather, yet very different in their interactions with him and others, begin to reach beyond the ancient values of Confucianism and strive for a breath of freedom. Their struggles against the old values

Mao Zedong’s rise to political power as chairmen of the Chinese Communist Party (CCP), was made possible by the failings of the GouMinDan (GMD). After the fall of the Qing dynasty, in 1911, China fell into disarray where warlords had power, rather than a national government. Sun Yat-sen began a nationalist group whose militaristic tacts allowed them to unite china under a singular party, the GMD. Despite many revolutionary promises very little positive changes were made by Chiang Kai-shek, who became leader of the GMD in 1925.However because of the party’s lack of political knowledge and poor socio-economic abilities the GMD’s rule was a failure. Mao used this to project his own ideology on China in the form of Maoism. Mao’s ability to take advantage of China’s bad situation allowed him to receive the support he required in order to rise to power.

The Chinese Mayor is a controversial documentary film that is from China. Datong is a historically important city in China, but it was fall into a decline. The mayor Yanbo Geng has a transformation plan for this city. The birth of the documentary is associated with the social situation of China. This documentary film shows a different mayor with his distinctive thinking in China and the things he does in his tenure of office. Creators create is because of a need to change thinking. They want to take the new ideas to challenge the old ones to push the And also, the reason of this documentary film born will be discussed clearly in this essay.

Family loyalty in China has had a tumultuous past filled with fluctuation between remaining loyal to the state, yet also remaining loyal to blood relatives. In the autobiography that also serves as a biography, Wild Swans, by Jung Chang, this is seen. The book, which outlines the biographies of the author’s grandmother and mother, as well as her own autobiography, gives an interesting look into the lives of the Chinese throughout the 20th century. This book is beyond eye opening, and is truly a raw glimpse into the daily lives of women throughout China, struggling with situations that no human should ever be thrown into. I loved this book and was truly scared about the world that it opened me up to. The book does many things well, but also has its faults. The author consistently and clearly exemplifies the social hierarchy that consumes China, as well as its obsession with cultural stagnancy. The author also gives intense imagery that thrusts the reader into the scene, and creates a new reality showcasing the truths of China. Although both of those things take main stage in the book, there are a few weaknesses in the book. One, asking the question of how she had such clear anecdotes on her grandmother and mother’s life, how did she have such intimate details? The second shortcoming that Jung Chang had a subjective view of China, partly being that she loves China despite the cards it has dealt her. Her life was not short of hardships, but her family was typically