How the Garcia Girls Lost Their Accents Essay

People wonder what it would be like for aliens to come to Earth. Being bombarded with so many new things at once would overwhelm them. It would be difficult for the aliens to assimilate within human society. However, that experience is what immigrants face all the time when coming to a new country. In How the Garcia Girls Lost Their Accents, a family from the Dominican Republic escapes to the United States as immigrants. In the family, two of the four sisters named Yolanda and Carla have difficulties assimilating into their new environment. The two sisters face the problems of understanding their surroundings. Down the line in their future, they will face sacrifices in order to understand themselves. Alvarez uses Yolanda and Carla’s experience with immigration to demonstrate the difficulties of assimilating and the sacrifices an immigrant must make to completely acculturate.

Barrientos starts with sharing her embarrassment to sign up for Spanish classes—the language used by her parents to communicate. Society’s expectation on her fluency of Spanish based on her Latina appearance causes self-questioning: where do I fit in? However, Barrientos initially refused to face her ethnicity as a Latina, beginning at a young age. The poor reputation on Spanish Americans causes Barrientos to isolate herself from the stereotype, by speaking English instead of Spanish. However, society changed: different

In the book, How the García girls lost their accent, by Julia Alvarez, who utilizes rhetorical devices in the passage chosen to develop the conflict that Yolanda is facing in the story by using imagery, simile, and anaphora in order to evince how Yolanda’s conflict with her husband John plays a role in her horrible breakdown and her journey to revive the love she had for her native language and culture.

Cultural shock is a common feeling a person experiences when transitioning into a completely different environment and living situation. Throughout the world, immigrants experience many difficulties when assimilating into a new culture.

Based on Cisneros’ works of literature, gender roles in a Hispanic culture revolves around patriarchal rule. The repercussions of a patriarchal rule includes the limitations of female liberation and development. Cleofilas’ abusive situation exemplifies the limitations of her independence and development as she can not make her own decisions and has to solely depend on her husband. This situation is illustrated when Cleofilas explains that the towns are “built so that you have to depend on husbands... You can drive only if you’re rich enough to own and drive an own car. There is no place to go” (Cisneros 628). Cleofilas reveals that men are the dominant gender and have more authority, and that women are compelled to depend on them in her society. It is an exceptionally rare case that a woman can afford her own car, for the men usually control the finances in a household. Additionally, Cleofilas has nowhere to seek refuge from her husband. Although she yearns to return to her father’s home, she decides not to due to the social standards imposed on her. In her society, the act of returning home after marriage is socially unacceptable. She understands that her family will be viewed in a negative light if she were to return home, as seen when Cleofilas refers to her town as a “town of gossips” (627). Similar to other men in the society, Juan Pedro’s authority is shown through his abuse. Cleofilas recalls, “He slapped her once, and then again, and again; until the lip split and bled an orchid of blood” (626).

Sofia admitted to possession of the drugs and was punished with a year in the Dominican Republic rather than American boarding school. After six months, she had changed her appearance and wore her hair and makeup with way Dominican women did. She had also started dating her uncle's illegitimate son, Manuel, who turned out to be bossy and possessive. When they went to the Island for Christmas, the three other sisters felt outraged by his sexist and provincial Dominican attitudes toward women and tried to humiliate him by drawing on their American feminism. They ridiculed his ignorance of Mary Wollstonecraft while making fun of his macho insecurities.

New Country, New Me: Taking Back Control in How the García Girls Lost Their Accents

Cultural expectations have prevented humans from being able to lead their own lives the way they see fit. Gloria Anzaldúa and Sandra Cisneros are two notorious Mexican-American writers that wrote extensively about cultural borders and expectations. Anzaldúa came from the Mexico-Texas border, was a cultural and feminist theorist as well as English scholar, while Cisneros also comes from a Latino background and speaks from her cultural hybridity to illustrate cultural expectations. In this paper, I will use Anzaldúa’s “Borderlands / La Frontera” as a lens for Cisnero’s short story, “Woman Hollering Creek” to draw connections of cultural and gender expectations between two different genres of text.

Lola experiences a period of change in her life where she felt the need to alter her physical appearance to create a new identity because she did not like being the perfect Dominican girl for Beli. She says, “I looked at the girl in the mirror for a long time. All I knew was that I didn’t want to see her ever again… So now you’re punk? Karen asked uncertainly. Yes, I said” (Díaz 59). Lola is not comfortable with her life in Paterson, New Jersey and her identity as a young Dominican female, which comes with the responsibility of upholding their societal standards to please her mother. A woman’s hair in the Dominican Republic is a symbol of her beauty, and removing her hair shows her refusal of the beauty standards set in place by the men in society who determine what makes a woman beautiful. Her mother’s visceral response to her decision to cut her hair proves how deep-rooted the beliefs that a woman’s beauty is dependent on her physical appearance is in Dominican culture. Díaz writes, “The next day my mother threw the wig at me. You’re going to wear this. You’re going to wear it every day. And if I see you without it on I’m going to kill you!” (Díaz 59). Beli, like most other Dominican women, is conditioned to believe that the level of attention they receive from a man is a reflection of their beauty. She fears that Lola will embarrass her by disowning the values and ideas she upholds about a woman’s

Many young second generation daughters of Mexican heritage has grown up with a distinctive gender norm. In the midst of the second world war, the expression of freedom and equality spread throughout the country. This initiates for women to become more tuned to the social affairs the men had left behind. Thus, immigration brought a lot of Mexican families into Los Angeles. Double exposure to familial expectations and the American way of life brought in a sense of desperation of trying to balance both. The second generation daughters who have been exposed to the loudly spoken

In the novel How The Garcia Girls Lost Their Accents by Julia Alvarez; Sandra “Sandi” Garcia, the second eldest daughter of the Garcia family. An accent is something that embodies you, but it does not have to be a physical aspect of oneself. It can be a talent that let’s others know who you are what is special about you. To lose one’s accent is to lose something that represents oneself; a symbol of who that person is. Sandi’s accent was her artwork.

Although this novel has been a joy to read thus far, I had a lot of trouble writing this response because I was not exactly certain what I thought of it, and how it related to the topics being discussed in class. This may be attributed to the reverse chronological order in which the events of the novel are presented. However, the wonderful flashbacks that Julia Alvarez uses to spice-up the novel through dialogue between the characters and omniscient narration, helps to connect the past and future of the members of the Garcia family.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

How the Garcia Girls Lost Their Accents by Julia Alvarez is a novel that I definitely enjoyed reading because it shows the reality that many families have faced when they immigrate to the United States. It is a very realistic book that catches the attention of the reader instantly. I liked that the book is given throughout different points of views, and that is not just a narrator telling us everything. I think that what the author was trying to say in the novel was how much leaving your mother nation can affect you as an individual. The author tried to give this message, by setting examples. The girls had to leave their cultures and language back in the Dominican Republic and adapt to a new life style were they faced discrimination as well.

Julia Alvarez also uses language to show how the four Garcia girls adjust to living in a new, and to them alien, culture. The protagonist in this novel is the family Garcia de la Torre, a wealthy, aristocratic family from the Santo Domingo, who can trace their genealogy back to the Spanish