How to Tell a True War Story

Within the chapter “How to Tell a True War Story,” O’Brien writes about a story that Mitchell Sanders recounts to be true. The surrealist part is when Sanders talks about how they heard noises within the forests of Nam. Sanders says, “...but after a while they start hearing -you won’t believe this- they hear chamber music… Then after a while they hear gook opera and a glee club…” (Pg. 71). When he says this he is really adding details to pad the story up. Like when Sanders say, “The whole country. Vietnam. The place talks. It talks. Understand? Nam - it truly talks.” (Pg. 71). He means to say that he added those things that they heard because there were sounds they heard that couldn’t be explained. Later on he says that those things they heard

Traumatized Literary devices are what make the story come alive and give the reader a feeling of actually being there. The literary devices increase a reader’s interest in the story and also helps keep the audience engaged. They help create a more fascinating plot. In the short story “Ambush” by TIm O’brien uses them to develop a character so much more. Mr. O’brien used internal conflict, external conflict, and flashback to put the reader in the character’s “shoes” throughout the story.

Throughout the book, O’Brien repeatedly states his struggles in telling “a true war story.” One of the obstacle he faces in telling “a true war story” is the readers’ misconception that “truth” must be an event and not an emotion. To begin, O’Brien claims “A true war story is never moral… If at the end of a war story you feel uplifted… then you have been made the victim of a very old and terrible lie… you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (68-69) and “All of us… like to believe that in a moral emergency we will behave like the heroes of our youth” (38). In these two statements, O’Brien has shown us that people want not a

The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot

Tim O’Brien uses two narrative techniques in “How to Tell a True War Story”. First he splits the story into three different sections. The first part being Rat Kiley writing his letter to Curt Lemon’s sister about the relationship they had. The next section is describing the correct way of writing a “true war story”. And the last is O’Brien looking back on stories and his story telling techniques. O’Brien separates the story into three different parts to give the reader an example of a story that is “true”. The next section would about the truth about writing a true story and the last section is his personal reflection on the whole situation. The other narrative technique is that O’Brien retells certain events. He retells how Curt Lemon died, he retells Mitchell Sanders telling a story, and he retells how women react when you tell them stories about the war. Tim O’Brien retells stories and

     In “How to Tell a True War Story” O’Brien explores the relationship between the events during a war and the art of telling those events. O’Brien doesn’t come to a conclusion on what is a true war story. He writes that one can’t generalize the story as well. According to O’Brien, war can be anything from love and beauty to the most horrid

z Teynor Hour 3 War: The Ultimate Paradox In today’s society truth is definite, if something is true, then it must of happened. However, throughout The Things They Carried, the blurring between reality and imagination represents the confusion and moral ambiguity of war.

The first character in the story is Jimmy Cross. Jimmy Cross and Tim O’Brien had a somewhat decent relationship after the war. “Many years after the war Jimmy Cross came to visit me at my home in Massachusetts, and for a full day we drank coffee and smoked cigarettes and talked about everything we had seen and done so long ago, all the things we still carried through our lives.” This quote is very powerful in its message. Then messages is that these stories weren't just war stories, those war stories strengthened their bond. Although they had some bad times, they also had funny and good

O’Brien was confused about death when his girlfriend died, he felt so strongly for her even at a young age. He would daydream about her and this kept her alive in his mind. He realized that storytelling and imagination could keep the dead alive. The way he deals with her death helps him to deal with death during Vietnam and later the stories help him to deal with the difficulties he’s had in life.

In the chapter “Rainy River” O’Brien addresses the theme of storytelling and memory. In “Rainy River” O’Brien is trying to decide whether to go to war or to go and escape to Canada. He chose to go to war but he feels as though he's choosing for his country and not for himself. He felt like he had no option, no choice and his future was already set. “I felt paralyzed. All around me the options seemed to be narrowing as if they were hurling down a huge black funnel, the world squeezing in tight” (O’Brien 41). He didn't agree with the reasons for the war, and he did not want to go. The choices between war and living his life were close. He tells the story to portray his feelings to the war, he knows he's not cut out for the war. He felt as though he would be letting his country down by not going. Looking back onto his decision through memories he knows how hard the decision wah but he's glad he made it because he felt like he helped the country in a big

20) O’Brien tells how these young men were drafted which were constantly in fear, they wished to be there obliviously but war takes up all of one’s attention; it played a big role in their life, changing their tactics, personality and becoming a new person. O’Brien uses this to show the stressful moments in war where one has pressure to be alive and in this case to fit in with everyone else and feel part of something, in a lonely place such as the war.

     According to the author Tim O’Brien, people tend to readily accept the ‘facts’ presented of what happened during a war. People do not consider the existence of fallacies regarding the actual stories of what happens in wars, few consider that the ‘facts’ of an incident often change through people’s words. The film ‘Saving the Private Ryan’ by Steven Spielberg features both facts and seemingness part of the war story. Since it is so difficult to fully describe a war using human language, Spielberg ended up revising his stories to make sense out of it. Spielberg included parts that did not occur or exclude parts that did occur in order to make their stories seem more credible. According

It is evident from the first that O'Brien is writing about himself. It is difficult to confuse since he uses his own name, his own place of birth and other true details of his own life to form the narrator of the stories. The truth of the stories is a grounds for understanding the credibility of the author. He is trying to make the reader understand that these are not just random stories that he dreamed up while sitting in front of a type writer or

The short story that will be discussed, evaluated, and analyzed in this paper is a very emotionally and morally challenging short story to read. Michael Meyer, author of the college text The Compact Bedford Introduction to Literature, states that the author of How to Tell a True War Story, Tim O’Brien, “was drafted into the Vietnam War and received a Purple Heart” (472). His experiences from the Vietnam War have stayed with him, and he writes about them in this short story. The purpose of this literary analysis is to critically analyze this short story by explaining O’Brien’s writing techniques, by discussing his intended message and how it is displayed, by providing my own reaction,

I think that the reason that O'Brien keeps writing war stories is because war is a very prominent in his mind and writing about it is his way of expressing his thoughts rather than keeping it all to himself. In the exposing of his many jumbled thoughts translated into an art form of a novel, O'Brien has found a way to endorse the well known label to war experiences amongst millions of people who have read his stories. His many different stories have complicated the connection between his actual experiences and the book. His purpose in the book was to evoke the emotions that the soldiers had encountered in their experiences, and he did so