Hubris In Oedipus

In Oedipus Rex, there is nowhere for Oedipus to go but down. The active, decisive part of his life has already happened and is recounted in the play through flashbacks; now, however, there is nothing Oedipus can do about his own fate. He has already killed his father and had four children with his mother, and there is absolutely no way to change that. For that reason, there is a dreadful sense of the unavoidability of fate. Oedipus' parents tried to get away from it but obviously failed miserably; so did Oedipus. their efforts at tricking fate only succeeded in creating the very circumstances they were trying to avoid. There is really no free will or choice, because in a way, their choices are fated to lead them, in the end, to exactly what they think they are avoiding. The line uttered by Creon, "You can not judge unless you know the facts" (28) is telling. No one can judge correctly unless he has all the information; however, no one in this play has enough information to make a correct choice when it matters. Laius does not know that his son survived, so he thinks he is safe from his fate; in fact, by sending his son away, he deprives Oedipus of true knowledge of who his parents are and thus of the ability to make an effective decision himself about his fate. Without sufficient information, informed judgment is impossible, and this contributes to

In Greek mythology, hubris means to have excessive self confidence or pride. In The Odyssey, we often see Odysseus getting into trouble because of his hubris. There are many examples where this flaw is exhibited. These include when Odysseus defeats the cyclops Polyphemus, when he and his crew sail past the sirens, and when he got the bag of winds from Aeolus. Hubris leads him to disregard the Gods, and make unwise decisions because his pride blinds him of his ability to see the consequences in making those choices. Odysseus’ hubris also makes his trip home harder and longer than it had to be.

One day, Oedipus went to the Oracle of Delphi and found out that he was destined to kill his father and sleep with his mother. Oedipus tried to escape his fate by running away from Corinth, leaving who he thought were his real parents. However, he ended up running right into his real father. He saw a group of people riding a chariot at the crossroads and assumed that they were thieves. Laois happened to be one of them, and Oedipus killed him not knowing that he was his real dad. This is important since Oedipus fulfilled part of the prophecy. Oedipus remembered about his encounter with the chariot near the end of the play and said, “But he more than paid for it and soon was struck by the scepter from this very hand, lying on his back, at once thrown out of the car. I killed them all” (Sophocles, 39). Quite soon, he also won the throne of Thebes by answering the riddle of the Sphinx and unknowingly married Iocaste, his real mother.

Oedipus also displays this uncompromising attitude in his devotion to Thebes. Oedipus' loyalty to Thebes is another factor that led to the tragic figure's ruin. Aristotle explains that a tragic character is just and good, but fatal error, pride(possibly hubris), or frailty brings about his misfortune. Oedipus fits this description perfectly. Oedipus could easily have left the city of Thebes and let the plague take its course he “would be blind to misery/ not to pity [his] people kneeling at his feet”. When Apollo's word comes back in the hand of Creon, Oedipus could leave the murder of Laius uninvestigated as it had been for so long, but “rising in his pride, he protests: he pits himself in some way against whatever…seems to him to be wrong…”(Levin 178). Oedipus can not let this investigation be overlooked; he must solve the riddle of who killed King Laius because his pride overpowers him. Oedipus' pride also reveals itself again in his loyalty to the truth.

Due to his arrogance and narcissism, Oedipus fails to take heed of Tiresias warning of whom Creon sent him and decided that the accusations that were being made against him are attempts to steal his throne. Likewise, Oedipus tells Tiresias when he was reluctant to tell Oedipus is Laius’ killer, “What then, thou knowest, and yet willst not speak!/Wouldst thou betray us and destroy the

In ‘Antigone”, Ismene says, “To them that walk in power; to exceed is madness, and not wisdom”. Her statement makes it clear, those who “walk in power”, allow it to corrupt them. Throughout the history of humanity there has been a correlation between those who have excessive power and corruption. Webster’s Dictionary defines corruption as, “impairment of integrity, virtue, or moral principle”. In the story of Antigone the tragic hero Creon, shows all of the common characteristics of corruption. Before one can analysis the character of Creon they would first have to look at the story of Oedipus the King.

"Oedipus the King" written by Sophocles, is a powerful Greek tragedy story. The protagonist, Oedipus is a heroic mythical king who had it all. Oedipus pursues to find the true answers to his identity and destiny, while at the same time trying to avoid fulfilling his destiny.

621 ln. 149-150) after Creon tells him why they stopped searching for Laius’s killer. Dramatic irony is present when Oedipus tries to skirt the horrible prophecy of him killing his father and coupling with his mother, because in fleeing Corinth to avoid murdering Polybus, he is actually taking the correct path to fulfill the prophecy. Again his overconfidence and pride contributes to his impending doom; in believing that he has outwitted the gods he challenges his fate. Although he has enough reverence to the deities not to assume himself to be an equal with the gods, but greater than them it is clear through the word usage that Oedipus perceives himself to be of a greater importance than the lesser mortals that surround him “One of you summon the city here before us, tell them I’ll do everything. God help us, we will see our triumph-or our fall” (p. 621 ln. 163-165). He is conceited to think that he can shape his own destiny and the gods punish him for this arrogance.

Theatre was an important aspect of Ancient Greece, as it honoured the gods in a festival called Dionysian. An example of a Greek play is Oedipus Rex, written by Sophocles. Throughout this tragedy, the main character, Oedipus, possesses hubris, which eventually leads to his loss of power and downfall. In Robert Fagles’ translation of Oedipus Rex, powerful dialogue, characters, and motifs demonstrate that excessive pride leads to the protagonist’s tragic downfall.

    The idea of hubris is monumental in a plethora of Greek mythological works. In many ways the excessive pride of certain characters fuels their own destruction. This is certainly true with respect to the characters of Pentheus, Antigone, and Oedipus. All three of these characters demonstrate, through their actions, various degrees of arrogance that seem to undercut the traditional role of the Gods, and thus largely contribute to their downfall. However, it should be noted that while each of these characters demonstrate hubris, they way in which their arrogance manifests itself is unique to each character.

Oedipus’ foolish decisions ultimately lead to his downfall in the play. Oedipus chooses to kill Laios. He chooses to marry Iocaste. He chooses to forcefully, and publicly, assume the mission of discovering the identity of Laios’ murderer saying ironically, “I say I take the son’s part, just as though I were his son, to press the fight for him and see it won,” (633). He proceeds on this mission and chooses to ignore the warnings of Creon, Iocaste, Teiresias, the messenger, the shepherd, and anyone who attempts to stand between him and the truth; and, he chooses to blind himself. In the end, Oedipus’ most foolish choice prevails throughout the play; the choice of illusion over reality ultimately costs him his life.

When Oedipus hears that he is the killer, his pride is wounded for he cannot accept the truth. His judgment is so blurred that he also begins to view Creon as a traitor for using Tiresias. Creon’s words sum up Oedipus’s rage when he said, “Oedipus, your husband, he’s bent on a choice of punishments for me, banishment from the fatherland or death” (715-717). Jocasta is even surprised with Oedipus’s unusual character, as she said, “For the love of God, Oedipus, tell me too, what is it? Why this rage? You’re so unbending” (767-769). The reason why Oedipus pride is so wounded can be because his negative experiences with the Gods. As a baby, he was condemned to death, yet he survived and learned the horrible truth of his prophecy. In attempt to escape that life, he lost belief in the word of the gods because he refused that the prophecies should come true. This struggle between God and Oedipus only tears his moral beliefs as he has to be stone cold to survive his tribulations. This meant giving no consideration against people who presently posed a great threat to him.

Hubris is one of the most common character flaws that can be found in literature. Not only can it affect themselves, but also others with poor life decisions. For example, Julius from Julius Caesar by William Shakespeare, along with Oedipus from Oedipus Rex by Sophocles are both tremendous examples of these poor life decisions controlled by hubris in action. Ultimately, the following is information regarding tremendous examples and from their respective texts.

Hubris in the Worst of Times Not all prophecies in Greeks mythos came to pass, proving that it is possible to evade these "fates". The story of Oedipus is not like that. Oedipus falls right in the hands of the Fates when he makes the selfish choices he does. The king is too proud to find fault in himself, too ignorant to listen, and too selfish to think of anyone but himself. There were ways to avoid this, but he never did the right thing.

known as hubris, is the first major trait within himself that leads to his tragic demise.