Hubris In Oedipus The King

In Greek mythology, hubris means to have excessive self confidence or pride. In The Odyssey, we often see Odysseus getting into trouble because of his hubris. There are many examples where this flaw is exhibited. These include when Odysseus defeats the cyclops Polyphemus, when he and his crew sail past the sirens, and when he got the bag of winds from Aeolus. Hubris leads him to disregard the Gods, and make unwise decisions because his pride blinds him of his ability to see the consequences in making those choices. Odysseus’ hubris also makes his trip home harder and longer than it had to be.

A tragic hero is a person who has qualities of a hero such as intelligence and strength but makes choices that lead to their self-destruction. The tragic hero is usually from a noble family or high position. Oedipus from The Sophocles is a tragic hero because he possesses tragic flaws such as hubris, hamartia, and too much curiosity. Marcus Brutus, a Roman politician, also serves to be a tragic hero since he is too naive, honest, and sometimes impulsive. Both Oedipus and Brutus have certain characteristics that determine them to be a tragic hero.

Creon then tries to warn Oedipus about his condemning, “To slur a good man’s name/With baseless slander is one crime-another/Is rashly to mistake bad men for good./Cast out an honest friend, and you cast out/Your life, your dearest treasure.” [pg42]. As Creon tries to convince him to go about things in a more timely, and sensible way Oedipus hears none of it and still pursues his march of getting to the bottom laying the blame elsewhere all along the way. As Creon and Teriesas both note suggestions to Oedipus’ involvement he still pursues further investigation without the littlest consideration at his own guilt. This lack of foresight, and understanding again is another cause to Oedipus’ self-inflicted downfall. However, there are many factors that contribute his downfall that he could not have prevented and were truly acts of fate and destiny. His self-assurance to his wisdom that was bred by his “mother-wit and not by bird-lore” (as he takes a stab at Teriesas pg 37) really comes to surface during his encounter with a riddling Sphinx. This inflated view of his wisdom later leads to his downfall. But it was only by fate that he ignorant Oedipus was awarded a IQ freebie from the

Creon came into power when Oedipus was exiled and died. Throughout the play, Antigone, Creon exemplifies many characteristics. Some are selfishness, stubbornness, and pride. He is selfish because he does only want he wants to do and listens to no one else. He shows his stubbornness when he is unwilling to let Antigone live even

Creon has no toleration for people who place personal beliefs over the common good. He believes that government and law is the supreme authority, and civil disobedience is worst form of sin. The problem with Creon’s argument is he approaches He approaches every dilemma that requires judgement through descriptive generalizations. In contrast to the morality defined by Aristotle in his Nicomachaean Ethics, Creon shows that he is deaf to the knowledge of particulars--of place, time, manner, and persons, which is essential for moral reasoning. In short, he does not effectively bring together general principles and specific situations Creon does not acknowledge that emotion, and perception are as critical to proper moral consideration as reason. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon. Throughout the whole play, Creon emphasizes the importance of practical judgement over a sick, illogical mind, when in fact it is him who has the sick, illogical mind. He too exhibits pride in his argument. To Antigone and most of the Athenians, possessing a wise and logical mind means acknowledging human limitations and behaving piously towards the gods. Humans must take a humble attitude towards fate and the power of the gods, yet Creon mocks death throughout the play. He doest not learn his lesson until the end of the play when he speaks respectfully of

In Oedipus Rex, Oedipus believes Tiresias and Creon are working together to overthrow him. During this time Creon gives a prolonged speech, how he doesn’t want to be the King, but in Antigone, Creon is seen as a unswaying sovereign, unwilling to listen to anyone. Creon is likewise blinded by his own corruption. His excessive pride gets the best of him. Antigone, Haemon, and Tiresias warn Creon

     At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other

"Oedipus the King" written by Sophocles, is a powerful Greek tragedy story. The protagonist, Oedipus is a heroic mythical king who had it all. Oedipus pursues to find the true answers to his identity and destiny, while at the same time trying to avoid fulfilling his destiny.

Hubris is defined by the Webster-Miriam dictionary as “Exaggerated pride or confidence” (Miriam-Webster Dictionary) in Oedipus the King, by Sophocles, In Oedipus The King, by Sophocles, the onslaught of pain assailing the protagonist is a result of his tragic flaw. Sophocles often used a characters’ flaw to alter or influence the outcome or future of the hero. Oedipus' hubris influences him to fulfill the oracle and further intensify his punishment from the Gods.

Creon, unlike Antigone, shows all of the characteristics of a Greek tragic hero. He is an ordinary person, with way to much power. This is one situation as to why the sole ruler form of government was soon diminished. Creon’s actions derived from his human flaws or his fear of loosing his place as king. Creon also ends up facing suffering because due to his prideful attitude, it caused the death of three loved ones, his son, niece, and wife. Even though a tragic hero is nothing like a hero we would hear being describe today, they both teach important lessons. A hero teaches the reader right decisions and the correct course, while a tragic hero

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

In his “Poetics,” Aristotle originally identified a tragic hero as someone who possesses an arete, hamartia, peripety, and anagnorisis. An arete shows human excellence or nobility in a character. On the other hand, a hamartia reveals a character’s major flaw. The tragic hero also undergoes a change in fortune from good to bad known as a peripety. Through the peripety, the character realizes his hamartia. In the Greek playwright “Antigone” by Sophocles, Creon, the King of Thebes is a tragic hero because he possesses all four of these traits.

As one can surmise from the tumultuous situations he is forced into over the following years at sea, Odysseus endured great hardships all due to his hubris. His crew was decimated and he was forced to live without his wife, Penelope, and son, Telemachus, for far longer than he ever expected. However, like Gilgamesh, Odysseus is ultimately not ruined by his hubris. Instead, Homer decides to end his tale by finally allowing him to arrive home with “More [gifts] than he ever would have taken out of Troy / Had he come home safely with his share of the loot” (13.142-143), suggesting good fortune in the end for Odysseus. Although he indeed finds trouble at home as his wife has many suitors competing to win her hand in marriage and hoping to kill

Before advancing to the throne, Oedipus had unknowingly killed Laius, his father and the king of Thebes. Shortly after killing the king, he married the dead king’s wife, his mother. He had committed incest by marrying and having children with his own mother. As a result he became father of Polyneices, Eteocles, Antigone, and Ismene. Oedipus stabs his eyes out and his sons, Polyneices and Eteocles killed themselves in combat, over the power of the throne. Creon was in the process of reconstructing Thebes from the ruins that his own family created. He also had to make a name for himself, after all the chaos the past rulers had made. If Creon did not set an example for civilians they would simply rebel. Creon was to stand firm by his word because no one is above the law, no matter who committed the act. In other words Creon was not a villain; he was the antagonist of Antigone. Imagine how biased Creon would appear to the Theban population if he did not pursue the punishment that he himself had instituted. In agreement to his law, Creon’s intentions were just. There’s no doubt about it, Creon’s law was harsh but when truly analyzing the situation, Polyneices was a traitor because he allied with other cities and attacked his homeland. Creon’s strong and steadfast attitudes were to support Thebes. But unfortunately, he was a little too late to understand that his fierce dedication to his decree was an error on his part.

A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.