Herman Melville (1819-1891) was an American writer considered one of the great authors of universal literature. Being just twenty years old, he began a series of trips around the world that would later serve as the base and inspiration for some of his novels, including several years working as a whaler and spending numerous adventures in the Pacific Islands. Hence, the sea and its environment are fundamental in the work of Melville. The origin of his novella, ‘Benito Cereno’, is a real fact collected in a chapter of A Narrative of Voyages and Travels, in the Northern and Southern Hemispheres, chronicle of trips published in Boston, in 1817, by the North American captain Amasa Delano (1763-1823). As a matter of fact, Melville even preserved the real name of the captain so as to assign it to one of his characters. Melville reproduced the anecdote almost literally, and only altered a few details of the chronicle. Perhaps his intention was not to write a plain account of marine adventures, but to take advantage of the singularity of this fictionalized fact to express his personal moral reflections on human behaviour. Through his main characters, Melville portrayed human behaviour common to every person without distinction of race, nationality, language, culture, or social class. Conducts that, on occasions, are worthy of praise; while in others, it is illustrated the cruel testimonies of the vile condition of human nature. Behaviour is conditioned according to one´s doing and perspective. Like some scholars have stated, “many find Babo evil, just as others find the captain of the slave ship, Benito Cereno, and the liberal, Delano, evil. Defenders of a culture based on slavery will necessarily find the struggle against slavery evil” (Leslie and Stuckey 297). Generally speaking, conduct is a subjective issue which depends on the eye of the beholder. What determined Babo´s and his fellows’ behaviour was their situation of slavery, which triggers all the problems that the San Dominick goes through, and not the supposed ‘evil’ of the blacks, torn from Africa. The perception of what is good and what is bad is ambiguous and changeable, it is attached to several factors and experiences that are involved in the discovery
Equiano’s rhetorical devices which include ethos, pathos, and logos abet to define and accomplish his rhetorical purpose. His ethos, or ethical assurance, is conveyed in his level of education portrayed by his sentence structure and high diction. Furthermore, as proven in historical documents, Equiano was a slave aboard one of the many slave ships. With this, the reader can accredit Equiano’s narrative to be a reliable and first-hand source to the journey of the “Middle Passage.”
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the
Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his
Herman Melville 's Benito Cereno (1856) and Frederick Douglass 's The Heroic Slave (1852) provide social commentary on the evils, injustices and dehumanizing effects of slavery. Melville 's "Babo" and Douglass 's "Madison Washington" are similar in motive—the pursuit of liberty and destruction of slavery. The ways in which these characters are perceived, however, differ and stem directly from the author 's construction of the narrative. By examining the slave uprisings within the both texts, it is clear that Melville creates a story that depicts “Babo’s” rebellion as maliciously calculated, while Douglass paints the portrait of Madison 's resistance as rightfully deserved and necessary. Douglass 's novel is overtly an abolitionist narrative, unlike Melville’s Benito Cereno, which is quite ambiguous in its didactic message. Critic, William L. Andrews, notes that “The Heroic Slave uses the techniques of fiction to remodel the raw materials of history into a more meaningful and usable truth ” (Andrews 11). There is transparency in Douglass 's goal for the novel—to expose and unveil the atrocities of slavery (separation of families, murder of loved ones, perpetual subjectivity, etc.) and denounce preconceived notions of black inferiority. Madison Washington is a slave, but also a human being—not
There are many subtle clues that hint at the notion of Melville spinning a web of deceit in Benito Cereno, but the most revealing clue that best exemplifies this is when Babo attempts to stab his beloved “master”—Benito Cereno. In what seems to be an emotional ending to the novella, Benito Cereno bids his emotional adieus to Captain Delano while holding his hand; however, after Captain Delano and his crew are settled in their boat and the bowsman pushes the whaleboat off of the San Dominick, Benito Cereno suddenly springs into Captain Delano’s whaleboat and is then swam after by three Spanish sailors who attempt to climb on board. Still unsure on what to make of the situation, Captain Delano spots Babo with a dagger in his hand, and believes that his intent is to stab him. With this in mind, Captain Delano flings the boarded Spaniards aside and grapples the dagger that is aimed at his heart away from Babo.
Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman
Several comparisons and contrasts can be made concerning the two stories, Billy Budd and Bartleby, written by Herman Melville. The setting of the two stories reveals an interesting comparison and contrast between the British Navy on the open sea, and the famous Wall Street of New York. The comparison and contrast of characters, Billy Budd, Captain Vere, and Claggart in Billy Budd, and the `narrator' and Bartleby in Bartleby, at times are very much alike, and also very different. The conflict, climax and resolution of the two Melville stories contain similarities and differences. These two stories, on the exterior, appear to be very different, and on the interior
In Melville’s “Benito Cereno,” Captain Delano’s perspective of the happenings on the San Dominick ship is skewed through the deceptive actions of Babo and his captive Don Benito. Delano’s belief that every human being is inherently innocent and honest causes him to misread the situation and leaves him unaware of the impending danger that he and Don Benito are in. Filled “…with a qualmish sort of emotion,” rather than investigating or confronting Don Benito when faced with compromising, unsettling facts, Delano chooses to continue his stay on the ship “…as one feeling incipient sea-sickness, he [strives], by ignoring the symptoms…” (Melville 64). It is this quality of Delano’s, choosing to ignore what is a blatant issue and opting to believe that everyone is a decent person at heart, which ultimately causes this veil to cloud the reality of the situation to him. Though his suspicions that
Shima’s work expands on Benito Cereno and its symbolic allusions; “Melville changed the date of the mutiny to 1799 to evoke memories of the revolution in Santo Domingo (303 Shima)” arguing that Melville changed certain details in order to implicitly bring back memories and for us to keep in mind the correlation between the revolts at the time in order for us to see the larger picture. Shima believes that in order to create interpretive complexity Melville uses literary figures such as “mourning weeds” and “hearse-like roll of the hull” used as signs to reference death-foreshadowing the casualties and helping distinguish between narrative and interpretive complexity. Moreover, he believes Melville uses specific diction in order to create moods for the readers. Noting Melville’s use of the word “or” repeatedly in the “Seguid vuestro jefe (40)” scene he believes is used to maintain a sense of ambiguity throughout the text. Addressing my central question (How do different positions of power impact one’s impression on morality?) Shima states that Delano having had a prejudice ideology beforehand he allowed himself to be fooled by Babo’s “mimicry”; Babo played the role that was expected of him thus not alarming Delano.
Captain Amasa Delano is an interesting embodiment of white complacency about slavery and it's perpetuation. Delano is a human metaphor for white sentiment of the time. His deepest sensibilities of order and hierarchy make it impossible for him to see the realities of slavery. Delano's blindness to the mutiny is a metaphor for his blindness to the moral depravity of slavery. The examination of Captain Delano's views of nature, beauty, and humanity, allow us to see his often confusing system of hierarchical order which cripples his ability to see the mutiny and the injustice of slavery.
A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.
Benito Cereno is a story about an American sailor Captain Delano, running into a troubled Spanish cargo ship with incessant uncertainties. In the very beginning of the story, Delano is described as “a person of a singularly undistrustful
Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby
Donald Yannella, author of New Essays on Billy Budd, says that “at the heart lies an obsession with justice," as is exhibited in Herman Melville’s classics, Moby Dick and Billy Budd, Sailor. Herman Melville was an American author born on August 1, 1819 in New York, New York. The author wrote many books and penned poetry in his later years. Best known for his novel Moby Dick, Melville was not regarded as one of America’s greatest writers until after his death on September 28, 1891. Not achieving his dream job, and with his family in shambles, he boarded the St Lawrence in 1839. His time spent at sea would prove to be useful, as the majority of his books take place on the high seas.
In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.