Human Centered Design Is The Most Popular Two Methodologies

If we examine our existence through a dichotomous lens of internal and external experiences, it is easier to understand the importance of graphic design. Everyone, to some extent, is trapped within themselves. There is me in here, and you in there—a separation exists. We find common ground in the external world where there are certain rules that most of us have agreed to play by. Graphic design functions as a catalyst for either strengthening or disintegrating these rules. It screams, “Continue! Begin! Stop!” The graphic designer must work through the external world, understand its rules, and journey through their internal world in search of a project’s solution. If the solution is successful,

The fact that technology is evolving every second means that the way we design, create and even advertise it is changed. Designer can go a long way, in many different directions. Even though the innovations introduced have a major positive impact, they do have a negative one as well.

According to Richard Buchanan, in his article “Declaration by Design: Rhetoric, Argument, and Demonstration in Design Practice,” communication, or more specifically, rhetoric, is a central component of all design. Rhetoric, in this case, means persuasive communication, or an “art of shaping society, changing the course of individuals and communities, and setting patterns for new action.” The rise in technology has caused it to be a vital aspect within design and rhetoric. A more prominent aspect of this article, however, is the three elements of design argument. These elements are logos, or technological reasoning and bridge between natural and social sciences, ethos, or the character and bridge between ethics and politics, and pathos, the

But in contemporary society, there is no single definition that covers design completely, or even fields of professional practice as graphic or industrial design that adequetly cover the diversity of ideas and practices as once existed. (pg3 wicked problems in Design thinking book THE IDEA OF DESIGN)

The core concept behind ‘Design Thinking’ revolves around attaining a goal rather than simply fixing a problem at hand. Since focusing on an objective already helps address any unmet needs, goal-oriented solutions lay the groundwork for other improvements including future ‘Design Thinking’ solutions. As such, solutions of this nature need to be socially fluid, tangible in nature, and broadminded in approach.

User experience is the art of understanding your user and strives to provide the best possible experience. UX design is the process of designing (digital or physical) products that are useful, easy to use, and delightful to interact with. It's about enhancing the experience that people have while interacting with your product, and making sure they find value in what you're providing.

Devices are changing people’s lifestyles. People work and communicate with devices, which people couldn’t have even imagined 100 years ago. Interaction Design makes users’ lives more convenient by analyzing the relationship between people and devices. Interaction Design will mostly used for web and mobile applications now because users always interact with them in daily life. Especially, the navigation in a mobile application can make people’s life easier. For example, in Gmail mobile application, emails can be achieved by swiping, so that people don’t need to waste their time to read those unimportant email. Also, the designers can attract more users by unique Interaction Design. For example, snapchat’s face filters help them increase users’

An information system is only useful to all of its stakeholders if targeted users consider it usable. The importance of usability in technology adoption and usage is underscored by the dedication of substantial amount of HCI research to provide definitions, propose techniques, methods and guidelines for improving it [1, 6]. Although there is no widely agreed upon definition for usability, in this paper, we adopt the ISO definition given as: “the extent to which a product can be used by specified users to achieve specified goals with effectiveness, efficiency and satisfaction in a specified context of use” [21].

I have loved design for as long as I can remember. As a child, my favorite playtime activities were drawing, crafting, building with legos, or assembling my erector set; I always liked creating the scene more than playing the game. I am attracted by diverse facets of design; whether I am creatively arranging spaces within a structure, fitting together the wooden limbs of a table I have crafted, or laying the pages of a book, I love the challenge of taking a jumble of ideas and making them into something cohesive and beautifully presented. What attracts me most to design, however, is the human aspect. I love collaboration and I have spent my education and career as a designer focused on bringing people to the center of my work. The best kind of design is multi-disciplinary, participatory, and hands-on; when everyone contributes ideas and gets their hands dirty, the end result is more likely to be both

The appropriate paradigm for this study is the Design Science Research (DSR) paradigm. The study demands development of an artifact to evaluate its value and usability. The research will also include interpretive paradigm and qualitative methods to collect data for genuine understanding of my research.

The main principles in operating Universal Design into our everyday environment is to expand the range of users by making it easier to use and allowing it to be available for all users. Universal design encourages an integrative approach rather than multiple separate solutions, for the increasing amount of people whose needs are being addressed in a single design solution. It is this integrated approach that makes universal design cost effective and results

My desire has always been to venture into the field of arts and design. In the process of exploring the right life and career path from the unprecedentedly prosperous diversification of art and design, I have realized that since we live in the era of digital technology innovation, the rising demand of “applied arts” (multimedia and industrial design) is far beyond the range of “traditional arts”(drawing, painting, sculpting, etc.) in our society. With this observation, I have made a decision to target one of the most recently emergent and burgeoning design discipline, human-centered interaction design, after making a comprehensive analysis of my

Over the last two weeks we have read multiple articles related to cognitive load theory and user-centered design processes. I find these two weeks’ worth of readings very interesting in that I did not know there were two different user-design processes that could be utilized when creating designs. I also found it interesting to learn about the various loads in the cognitive load theory. While I think I understood the basic idea of not overwhelming the user, I never knew the theories behind the process.

starting point, rather than part by part. This human-centered umbrella approach is significant to design

the interaction with the people and their needs. And accordingly the design which I made takes