“I have understanding that you have not”: Constructing Humanity in Gilgamesh
In Tablet VII of The Epic of Gilgamesh, Enkidu’s last days on Earth are marked by anguish and self-pity. This outburst of anger is a uniquely human response to trauma, acting as a bookend for Enkidu’s transformation from wild to civilized through his relationship to humanity. In his rage, Enkidu “lifted [his eyes as though to the door,] / he talked with the door as if [with a man:]” (p55). The cedar doors that he and Gilgamesh fastened on the exterior gates of Uruk taunt Enkidu, reminded him of how he is responsible for his own fate, and his mistakes are his alone to make. The cedar doors had been constructed to serve two purposes for Enkidu and Gilgamesh: as a trophy of war celebrating their defeat of Humbaba, and as a means of securing their legacy by contributing to the safety and grandeur of Uruk. Enkidu’s spiteful tone towards these doors, then, symbolizes dual aspects of humanity: the desire to dominate nature in order to facilitate creation, and the eternal conflict between creators and their creations.
This first aspect of humanity revealed through Enkidu’s interactions with the cedar door is the process of dominating nature in order to create something grander. Enkidu’s background is that of a wild creature that became civilized in order to be Gilgamesh’s equal. At different points in the epic, Enkidu both civilizes Gilgamesh and encourages him towards restlessness and adventure.
Enkidu is weary of Gilgamesh’s plan and is not in agreeance to join him initially. He questions Gilgamesh’s idea about the quest to kill Humbaba. Enkidu says, “How shall the likes of us go to the forest of cedars, my friend” (line 155). Enkidu is not confident in his abilities to conquer Humbaba. The author includes this line to symbolize Enkidu becoming more civilized. Enkidu shows fear for someone he used to live amongst in the forest, and he is starting to realize that nature is something to be feared. Gilgamesh
Enkidu and Gilgamesh can only win against nature and even gods by cooperating, which again is a sign of culture. It shows us that a civilization can withstand everything and even fight the Gods plans.
In the epic of gilgamesh, Gilgamesh is a man and a God. He built high walls and had orchid fields around his city. He also wasn’t respectful. He touched women whenever he wanted to, He never gave his servants any type of love. Enkidu is a man who was created to tame gilgamesh. He was created by the Gods. The Gods wanted to tame him so they sent an equal power which was enkidu. A wild man who becomes Gilgamesh 's best friend. After being visited by Shamhat, the prostitute, Enkidu is civilized and leaves the animal world behind to journey with Shamhat to Uruk. Enkidu accompanies Gilgamesh to defeat Humbaba before he passes away. Gilgamesh journeys to the Underworld to try to bring
In the Epic of Gilgamesh, Enkidu helps act as a catalyst for the transformation of Gilgamesh’s character from an undefeatable god-like brute into a complex thinker. In the eyes of Gilgamesh, he is unstoppable and is willing to challenge death itself so long as he is remembered as a hero by his subjects. With Enkidu’s help, Gilgamesh learns to become a better person as a ruler, not as a better warrior. Although not blood related, Enkidu was like a brother to Gilgamesh and the duo shared an inseparable bond. Throughout the epic, Enkidu teaches Gilgamesh that he is not unstoppable, being stubborn will not stop him from dying, and that there are no easy solutions to life.
The relationship between humans and the divine are prevalent in Genesis, and The Epic of Gilgamesh. Evidence is seen at the beginning of both books; in each story one can make the statement that neither culture is secular. Evidence such Genesis opening line reading, “When God created heaven and earth … ”, and how on page 3 of The Epic of Gilgamesh, it describes that Gilgamesh was blessed to have “the Lady of the Gods drew the form of his figure, while his build was perfected by divine Nudimmud.” Both cultures believed in a divine power, however there are stark contrasts between the culture’s relations with that power.
“Who says Gilgamesh ever died?” (Ziolkowski 57). The Epic of Gilgamesh has remained a widely read story throughout the years. The Epic of Gilgamesh is a story of an imperfect hero on a journey for everlasting life. It features Gilgamesh, the king of Uruk, and Enkidu, a wild beast man, on a journey of heroic quests and misadventures. This story has inspired many new literary and visual works in many languages; it has also inspired modern archeologists to learn all about the ancient city from the epic.
However, Gilgamesh befriends Enkidu and the two of them form a bond surpassing that which Gilgamesh has felt for women. Through his physical overcoming of Enkidu and his civilization of the other man, Gilgamesh begins to show more of an inner life than he did
The Epic of Gilgamesh is a historic story of the king of Uruk, Gilgamesh. The story depicts the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the harlot seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried “vainly to dissuade” (18) Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their voyage to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
One of the most fascinating pieces of literature, The Epic of Gilgamesh, deals with and explores many of the problems humans have wrestled with for thousands of years. Even though the text does not explicitly answer any of the questions it poses, it gives clues that point to the answers. One of these questions, the dilemma of whether to act based solely on a person’s intuition or act based on reason and advice, occurs regularly in the text. Throughout The Epic of Gilgamesh, characters have success and failure when they act based on either their intuition or using reason, but the epic clearly points out, through examples, that acting based on reason instead of intuition constitutes more success in all facets of life.
The maturation of Gilgamesh and his desire to acquire wisdom throughout his journey is quite apparent. By overcoming difficulties such as upholding Uruk, becoming friends with Enkidu, and various other scenarios, Gilgamesh proves that he did in fact grow up throughout the epic.
The epic Gilgamesh was originally from 2000 B.C. and the story at first was told orally. The first written form of the story was from ancient Sumerian in cuneiform on clay tablets. It was later translated by Herbert Mason in 2003. This poem is about a king named Gilgamesh, who wants to have supremacy and authority over everything in his environment. During the his journey he learns important lessons about the outcomes of this yearning for power over life. Furthermore, the book Ishmael written by Daniel Quinn in 1995, discusses the concepts of authority that relate to people’s appetite for control. Gilgamesh’s quest demonstrates that humans find that control is necessary to succeed on the voyage of existence. It also displays that curiosity is a key trait that drives humans to push boundaries. Gilgamesh learns that the ability of humans to overpower their surroundings may have unintended consequences. According to this epic, humans seek to conquer and subdue the natural world, and make it fit to human needs and desires, which ends up destroying the world.
In the Epic of Gilgamesh, Gilgamesh was mostly divine but shared minimal characteristics of a god. Such characteristics were bold physical structures and the strength of a wild bull which he inherited from his mother, Ninsun, the cow goddess. Everything else such as his characteristics, mentality, and actions mirrors ours, humans which makes him more like us than a god. His actions portray the burden of the flawed human nature that we all carry such as being aggressive, competitive, and running away from our fears.
Two understand how the gods influenced our hero, Gilgamesh, one must first look at the various ways the gods meddled into his life. The Epic of Gilgamesh is a tale of a half-mortal man whose quest to break his own boredom turns into a tale of friendship, immortality, and kingship. However, his tale would not have been able to happen if it was not for the influence of the various Sumerian deities. After the people of Uruk complained to the gods about Gilgamesh’s child-like behavior, the goddess Aruru creates the man that will become Gilgamesh’s closest friend, Enkidu. Enkidu was created as an equal to the king so that Gilgamesh would have a way to occupy his time. Unfortunately, after the two friends defeated the giant Humbaba, a terrible demon creature, the god Enlil becomes enraged, but despite Enlil’s best effort, he is unable to punish the two.
Upon arrival, Enkidu wimps out and says “Do not go down into the forest; when i opened the gate my hand lost its strength.” (76), to which Gilgamesh replies, “ Dear friend, do not speak like a coward. Have we got the better of so many dangers and travelled so far, to turn back at last?” (76-77). This dialogue between the two friends shows the huge difference in their personalities and highlights Enkidu’s cowardice and tentativeness and Gilgamesh’s bravery and strong will.
While many believe inhabitants of early civilizations, like the Sumerians, were at peace with their environment and community, The Epic of Gilgamesh has challenged that idea and suggests that whether or not a Sumerian was civilized or not, determined their relationship with the environment and community. In The Epic of Gilgamesh, representation of the best and worst of humanity is presented through the characters, Enkidu and King Gilgamesh. From the beginning, Enkidu is portrayed as an uncivilized, wild man who is living harmoniously with the environment in which he resides, whereas King Gilgamesh is portrayed as a man of great wealth and stature, who is two-thirds God and one-third human and believes that the environment is at his