Erasmus Praise Of Folly Essay

In his work, Candide, Voltaire uses satire as a means of conveying his opinions about many aspects of European society in the eighteenth century.  Voltaire successfully criticizes religion, the military, and the philosophy of optimism.

Voltaire successfully uses satire as a means of conveying his opinions about many aspects of European society in the eighteenth century.  He criticizes religion, the evils found in every level of society, and a philosophy of optimism when faced with an intolerable world.

In Voltaires?s Candide, the main character, Candide, fails to live happily because he is looking outside of himself and his circumstances to do it. Voltaire says through Candide's ultimate discovery that happiness in many ways depends on a person's attitude. Voltaire's philosophy expressed through Candide's final realization is that "We must cultivate our garden," which is the key to happiness(p.585). By cultivating our garden, Voltaire means that we must make the best of our situation in the present moment. We accept what we are given in life and work to make the best of it. It all has to do with our perspective on life. We do not find happiness somewhere else or by philosophizing about it, we open our eyes to the

-The Fool is showing the error in Lear's way. He hinting that whoever put such a stupid idea in Lear's head should be punished according to Lear's future suffering.

  In its time, satire was a powerful tool for political assault on Europe's corrupt and deteriorating society. Voltaire's Candide uses satire to vibrantly and sarcastically portray optimism, a philosophical view from the Enlightenment used to bury the horrors of 18th century life: superstition, sexually transmitted diseases, aristocracy, the church, tyrannical rulers, civil and religious wars, and the cruel punishment of the innocent.

Voltaire’s satire contains a strong sense of witful irony and parodies meant to elicit disgust at the topics he is criticizing. “Candide’s” sense of satire is largely derived from the Juvenalian satire which was created by the Roman satirist Juvenal. By using absurdist and ironic images of characters, satirists intend to invoke disgust or laughter at a topic to the point where it is rejected a legitimate. Thi is the point with Voltaire’s mockery of optimism in “Candide”.

In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society

Erasmus ridiculed those who thought this way, a tactic he used skillfully in order to gain more followers. He published a book named Encomium Moriae, translated as The Praise of Folly. The book was originally created to amuse Erasmus’s friend, Thomas More. The book includes a bantering tone and clearly attacks theologians of this time period. The mere thought of this book angered the priests and of course, this did not stop Erasmus from spreading his statements of ridicule across the lands of which he travelled. It did not take long for Erasmus to target Pope Julius II, nicknamed “The Fearsome Pope” and “The Warrior Pope”. Erasmus produced a skit that was created to ridicule Pope Julius II to all extents; it was named Iulias exclusus. Soon after Pope Julius II’s death, the skit spread like wild fire amongst the communities, quickly becoming the hot topic of various cities. The Roman Curia of the Holy See were very displeased with Erasmus and his actions. The Curia acted in the name of Pope Julius II, so when they learned of Erasmus’s cruel jokes, they longed for Erasmus to stop his nonsense and spend the rest of his days in remorseful piety (Manchester 126).

There is a tremendous difference between a fool and a jester. Fools are regarded as light-hearted, dim-witted, and absent-minded people whose outrageous stupidity amused the rest of the population. These jovial folk represented the lowest in society: too carefree to get ahead in society and too stupid to care. Many people believed that Jan Steen, a prominent and well-educated artist of the Dutch Golden Age, was a fool. It is not a far-fetched assumption to make since he donned the appearance of a fool in his own paintings. However Steen was no fool. Much like the history of jesters, Jan Steen’s unsavory appearances in his own work is often misunderstood and

On November 21, 1694, Francois-Marie Arouet, otherwise known as Voltaire, was born in Paris. The youngest of five, son to Francois and Marie Arouet, Voltaire grew

"What is fame? Fame is but a slow decay  Even this shall pass away."  Theodore Tilton     The Divine Comedy, by Dante Alighieri, is a poem laden with such Christian themes as love, the search for happiness, and the desire to see God. Among these Christian themes, however, is Dante's obsession with and desire for fame, which seems to be a surprising departure from conventional medieval Christian morality. Indeed, as the poem progresses, a striking contradiction emerges. Dante the writer, in keeping with Christian doctrine, presents the desire for fame and glory among the souls of Inferno in order to replace it with humility among the souls of Purgatorio. Yet this purification of desire is not entirely embraced by Dante,

In addition to using irony to attack religious hypocrisy, Voltaire’s Candide uses irony to contest the ineffectiveness of logical conjecture, the demoralization of people by greed, and

Dualism exists in human nature. Voltaire, an Enlightenment writer explores the tendency of humans to seek out good, but also the acts of evil that continue to happen. Voltaire catalogs a diverse cast of flawed characters in his signature satire Candide. Many of these characters contrast other characters in different aspects. These character foils highlight the weaknesses and limited strengths of its counterpart. These flaws are inevitably a human characteristic that corrupt humanity but also essential in development. By intertwining vice and virtue within characters, Voltaire intones that humans are all intrinsically flawed, but the distinction between the antagonistic dichotomy of evil and good is ambiguous.

Satire is a literary genre that uses humor, sarcasm, and irony to express and mock contradictions between what is real and the value in ones ethics. One of the works in which Desiderius Erasmus used satire would be, in his writing of “Julius Exclusus” (Pope Julius Excluded from Heaven). Desiderius anonymously depicted the recently deceased Pope Julius II in a hypothetical, comic conversation with St Peter at the gates of Heaven. Pope Julius II, also known as the “warrior pope,” defined his place as bishop through wars and splendors of temporary ceremonial honors, ignoring his pastoral duties to the people. Upon arriving to heaven, St. Peter comments to Julius on how he sees a flood of soldiers with him smelling of brothels, drunkenness, and

Today, Candide is used in the study of European Enlightenment thinkers and philosophers as a first-hand account of the faults within the value systems of government, religion, and society during the 18th Century. Through its sarcastic portrayal of seemingly absurd customs and traditions, Candide illustrates Europe in all of its flawed glory. As a prominent figure of the Enlightenment, Voltaire sought to publicize his views on society in a digestible, entertaining, and condensed medium like Candide (“Voltaire”). Written in a period of exile and fear in his life, Candide acted as Voltaire’s biting response to the crushing weight of outdated societal customs.