Hurston's Juxtaposition Of The Dreams Of Women Essay

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

Then, Janie finally stands up for herself and tells him that he was always trying to change her and control her. She yells at him until she dies. When Jody dies, Janie lets her hair down, symbolizing her newfound freedom.

Throughout the book Janie struggles to find the true definition of love and how to make herself happy with her relationships. She goes through several different ideas of love before finding that it is mutual compassion, understanding, and respect that makes her the most happy.

Joe constantly felt the need to make Janie feel horrible about herself. He would take control of everything she would do and Janie couldn’t do anything but feel sad. Hurston says, “The years took all the fight out of Janie’s face. For a while she thought it was gone from her soul. No matter what Jody did she said nothing” Saying nothing showed her husband that she let this mistreatment happen to her without speaking up for her rights. Being gone from her sole shows that Janie didn’t even know who she was anymore because she couldn’t even make simple choices for herself. This becomes a problem because Janie couldn’t even find happiness in her relationship, which is far from self-actualizing. These two quotes both show Janie’s passivity through silence and the feeling of worthlessness. This may be an example from Janie’s life, but this became a problem for many women whose husbands follow gender hierarchies to feel like they have more power over their wife. Society always views men to have more power and to be a more powerful figure than women which causes uncomfort in relationships. This strive of power stops people from reaching self-actualization because they are always looking for others to be better than instead of looking to reach their fullest potential. Reaching self-actualization is a big goal for many people because you

This loneliness was supposed to be filled by another man, her second husband Joe Starks. She continued her development as a woman especially in the beginning of the new relationship when Joe “spoke for change and chance” (28). The problems Janie had to face in this marriage were that her husband did not treat her equal but rather treated her as an ornament. She found out that the love he provided to her in the beginning was rather part of the ulterior moves Joe had about becoming an important landlord and major. Joe gave only material goods to Janie who felt again as if something misses in her life.

Janie's hair along the story represented more than her beauty, it helps show her identity and how women are unfairly treated. Hurston states, “That night he ordered Janie to tie up her hair around the store”(page 52).Jody shows his jealousy by making Janie cover her hair because he believed that he is only one who should see it. She states, “That was why she sought out Janie to friend with. Janie’s coffee-and-cream

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.

In Janie’s marriage with Jody Starks, her hair is representative of her power when Jody represses it and when he indirectly liberates it by dying. At first, Jody draws Janie in with his own authority, self-confidence, and good looks. Janie seems infatuated with these characteristics; yet, ironically, she comes to loathe them, since she realizes that authority creates an air of condescension, self-confidence causes arrogance, and good looks eventually become mundane. Jody, in addition, seems to be extremely misogynistic and treats women like property. He accordingly believes that oppressing them as he sees fit is an acceptable manner of treatment, which is shown when he forces Janie to constantly wear a head-rag in

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

Following her Nanny’s death Janie began to pursue her own romantic desires more freely. Before long, she meets her soon to be second husband Joe "Jody" Starks. Initially Jody is a gentleman. He showers Janie with compliments and promises in order to flatter her out of her first husband’s arms. Still new to the world, Janie mistakes flattery for love and succumbs to her need to absorb more about life and love, leaving behind her substandard life with Logan in lieu of personal development. She anticipated that “from now on until death she was going to have flower dust and springtime sprinkled over everything. A bee for her bloom" (31).After Jody has convinced Janie to run away with him, however, his affection begins to waver. This leads Janie to understand that "[Jody] did not represent sun-up and pollen and blooming trees.” However, “he spoke for far horizon” (50). “Janie knows that Joe does not fulfill the promise of the pear tree; but she intuits that she must travel in order to grow, and Joe is going places, first literally and then figuratively” (Chinn).

Janie is a black woman who asserts herself beyond expectation.  She has a persistence that characterizes her search for the love that she dreamed of since she was a girl.  Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14)  laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.

1. The metaphor used to describe Janie is very symbolic. Earlier in the novel she is described as a tree with beautiful branches and floweers, now she is described as, "a rut in the road. " this is very symbolic because it shows the contrast of something very beautiful and natural changing into something industrialized and out of place. 2.

She [Janie] knew the world was a stallion rolling in the blue pasture of ether. She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman

Rebirth and freedom is a major theme in chapter seven through twelve. After her husband dies she begins to love the freedom of being single. As soon as Jody died, Janie took her hair town and she then threw out every hair wrap. This is a symbol that she was not long under the control of Jody, and she didn’t have to please anybody but herself. For a long time Janie was interested in no one because she enjoyed the freedom and the presence of herself. Many men would come along and try to get with her, but the men were turned down. After Tea Cake and Janie started dating, Janie was seen going and doing things that would’ve made Jody turn over in his grave! In these six chapter, Janie finds out what she like and exactly who she likes. Janie