Hypocrisy in the Scarlet Letter

When Hester fixed the onerous scarlet letter back onto her bosom, “the warmth and richness of her womanhood departed, like fading sunshine,” leaving behind only a “gray shadow” in its place (145). As a result, the beauty Hester once held with such alacrity was snatched away by the venomous stigma society had placed on her. Moreover, society, by humiliating Hester with the scarlet letter, destroyed her very sense of self, thus causing her to grow into a character filled with woe; the infectious remorse placed by society consumed Hester - eating away at her beauty and humanity. Over time, Hester’s face began to incorporate the “frozen calmness of a dead woman’s features,” and Hester seemed “actually dead” (155). Hester, similar to a dead body, was unable to return to the living; she lost everything that once made her a beautiful lady. The woman whom society once viewed with esteem no longer existed, and in her place was a ghoulish, empty shell of a human who could never return to its original form. Hester is comparable to the rose bush with its “delicate gems,” and “fragile beauty,” caged behind the prison door “studded with iron spikes” (33). Hester’s allure is restrained by the pernicious barbs of society’s harsh punishments, so that she herself is an object not of admiration, but of scorn. Shackled by the chains of an immoral

In The Scarlet Letter Hypocrisy is evident everywhere. The characters of Hester, Dimmesdale, Chillingworth, and the very society that the characters lived in, were steeped in hypocrisy. Hawthorne was not subtle in his portrayal of the terrible sin of hypocrisy; he made sure it was easy to see the sin at work , at the same time however, parallels can be drawn between the characters of The Scarlet Letter and of today’s society.

Without an honorable reputation a person is not worthy of respect from others in their society. In Nathaniel Hawthorne’s novel, The Scarlet Letter, the struggle to shake off the past is an underlying theme throughout the novel. Characters in this novel go through their lives struggling with trying to cope with the guilt and shame associated with actions that lost them their honorable reputation. Particularly, Hawthorne shows the lasting effect that sin and guilt has on two of the main characters in the book: Hester Prynne and Reverend Dimmesdale.

This ridicule has a trickle down effect on Hester as she too is banished from her own community for committing adultery. The comparison between Hester and Hawthorne defines the external struggle for the reader to fully understand the effect of opinions from society on them Although reluctant to allow Hester to leave prison, the members of the town suggest that her punishment be to wear a scarlet red letter A on her bosom, thereby allowing all to know of her crime. The scarlet letter “ was red-hot with infernal fire, ” (Hawthorne 81) and defined the state she was currently in, that being eternal hell. Though she was forced to marry an older man at a young age, her rebellion to have an affair is not seen as an internal struggle that she overcame; rather, it is merely seen as a woman who sinned, a woman who shall therefore endure the punishment for the sin, rather than a woman who was never given a say in what she wanted with her life. Time and again, Hester Prynne is seen defying society by allowing herself to stand out from societal norm just as the roses “with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner“ (Hawthorne) did. Instead, she returns to the community and is observed aiding those in need, all with seven year old Pearl by her side.

The author, in lines 24 to 29, compares Hester’s scarlet letter to a “passport into regions where other women dared not tread,” and later mentions how the mentors of her life—shame, despair, and solitude—taught her strong but amiss, different from other women. These metaphors depict the dual nature of Hester: the sinful bearer of the scarlet letter and audacious woman of brooding resilience. In spite of her emblem of shame, Hester boldly continued to hold her head high, resisting all the consequences of her adultery. The metaphors employed here, therefore, provide a thorough inspection of Hester’s state of mind and paints a deeper and more poignant picture of Hester Prynne’s

In his essay “On the Scarlet Letter,” D.H. Lawrence criticizes Hester’s immoral behavior for her adulterous actions. Lawrence views her as a shameful member of Puritan society and centers his argument on her sin and its effects on the story’s plot. D.H. Lawrence’s use of different literary techniques strengthens his claim that Hester is not the heroine through his sarcastic tone, abrupt syntax, and biblical allusions.

“Reality is easy. Deception that's the hard the hard work” -Lauryn Hill. In the novel the Scarlet Letter, Nathaniel Hawthorne uses literary elements such as symbolism, irony and conflict to show deception and secrecy can lead to self-destruction. This relates to the Scarlet Letter because in the book the protagonist character commits an act of sin that was more than just frowned upon. Not only does the community gossip and turn their cheek to the sinner but a sickness comes along from keeping a secret from the community.

In his work “On the Scarlet Letter,” D.H. Lawrence addresses the controversial character of Hester Prynne. He is just one of many critics who have analyzed Nathaniel Hawthorne’s fictional character, where some look to her as a hero and others blatantly shame her for her sin. Lawrence makes up the latter of this crowd, and is able to prove his case in a very meaningful manner. The critic believes that Hawthorne sugarcoats Hester’s image, and tries to make it look as if she is the victim of the tale. Disregarding this sympathy, he addresses the root cause of her sin rather than its consequences. As he writes, he uses a multitude of literary techniques to help convince readers of Hester’s seemingly evil character, using descriptive diction, a

The Scarlet Letter by Nathaniel Hawthorne presents the reader with the harsh, life changing conflicts of three Puritan characters during the 17th century. Hester Prynne, Arthur Dimmesdale, and Robert Chillingworth must endure their different, yet surprisingly similar struggles as the novel progresses. Despite their similarities, Hawthorne shows these individuals deal with their conflicts differently, and in the end, only one prevails. Nathaniel Hawthorne’s intricately critical diction helps determine his didactic tone; during the course of The Scarlet Letter, Hawthorne reveals that happiness can be harnessed through one’s perseverance.

Nathaniel Hawthorne’s novel, The Scarlet Letter, is a compassionate yet riveting piece of English literature that supports the movement for equality of suppressed women during a most tumultuous time during the 1800’s. Hawthorne’s use of emotional diction and imagery throughout his novel employs a deplorable tone upon the story. It serves as a stark representation of an imaginative yet realistic example of the indifference of men and women during these changing times. Deeply held Puritanical beliefs led countless of people to believe that individuals, especially women, who committed sins of any type would never reach heaven upon their passing. Men, on the other hand, were judged less severely if accused of a crime. Hester Prynne, the

All of the major characters in The Scarlet Letter by Nathaniel Hawthorne are dynamic and go through some form of character development. Hester Prynne and Arthur Dimmesdale, who are at the forefront of the central conflict in the plot of the novel, are no exception. While their respective evolutions in character were noticeably different, each was emphasized by the three scaffold scenes. The differences of Hester and Dimmesdale’s respective character developments are highlighted and emphasized by the three scaffold scenes in the novel.

In D. H. Lawrence’s essay “On The Scarlet Letter,” Lawrence analyzes Nathaniel Hawthorne’s portrayal of the adulteress Hester Prynne. He argues that Hester’s character is not worthy of the praise she receives in The Scarlet Letter because of the severity of the sin she commits in the novel. Instead of focusing on Hester’s character after the sin, he bases his argument on the sin itself. Lawrence uses terse syntax, an accusatory tone, and biblical allusions to depict Hester as the sinner of the story.

The title of Nathaniel Hawthorne’s The Scarlet Letter refers to the literal symbol of ignominy that Hester Prynne’s community forces her to wear as a reminder of her sin. Though the word “ignominy” is used in sympathetic passages that describe Hester Prynne’s disgrace as an adulteress and out-of-wedlock mother, its use at the same time reveals an extremely critical description of Hester’s community; Hawthorne finds that what is truly disgraceful is the way the community relishes and exploits the opportunity to punish one of its members.

Together with the transformation of Hester, the scarlet letter once again symbolizes her identity as pure as an angel. Though she committed adultery and had to suffer a lot from this sin, her soul still remains in an original shape of purity. And the red color of letter A on her bosom, which once was the call of scorn, hate and bitterness towards Hester, now attracted people's warmth, admiration and love as if it were a red burning color deep inside her heart. Hester deserves the highest recognition that the scarlet letter has done for her: a woman with a pure heart and soul of an angel.

To make a decision, one weighs the benefits and the downfalls, and concludes by judging the factors of each alternative. One's choice of whether to conform to society's demands or submit to personal impulses is difficult, especially under strenuous circumstances. Nathaniel Hawthorne's The Scarlet Letter is a profound romance in which the characters must make such a decision. A reconciliation of the two forces is not seemingly feasible. Reliance of self consumes Hester Prynne, while denial of self engrosses her partner in the crime of adultery, Reverend Arthur Dimmesdale. The roles of Hester's daughter, Pearl, and her estranged husband, Roger Chillingworth, as individual beings are less evident than that of their impact on Hester and