India Arie was one of the artists referenced to a room filled with students because of her bold but relatable message when she sang “Good hair means curls and waves, bad hair means you look like a slave. At the turn of the century it's time for us to redefine who we be. You can shave it off like a South African beauty, or get it lock like Bob Marley, you can rock it straight like Oprah Winfrey if it’s not on your head it's what's underneath and say, hey, I am not my hair.” The discussion of hair is relatable to everyone because it is something we all have to deal with in our life. However, Blacks in particular have struggled with accepting their hair as it is because Black hair does not fit the description of what the media projects to be beautiful or professional. Instead, the media tells Black women that the more European your hair looks or you look, the more beautiful you are. Fitting in to the European standard of beauty has been a struggle for Black women. In the Black community, Black women wear their hair in many different styles. While there is nothing wrong with these styles, the discussion that took place Feb. 6, 2017 in Twombly lounge, “I am not my Hair… Am I” addressed loving oneself inside and out, loving black hair and being proud of every kink, …show more content…
Some agreed that they find themselves straightening their hair just to get and keep a job. Assistant Dean of Students for Residential Education Sandra Gilot-West who also teaches University 1002 Prep for Professional Life on campus said that in her training for this course, she made it a point to project that the course and instructors need to talk about intersectionality. “There are many things that are unprofessional that has nothing to do with professionalism but cultural competencies. We have to start changing the norm and it starts at home but it has to be taken into the classrooms,” said
The attitudes and arguments towards and against black hair in “Balm” by Lonnae O’Neal Parker and “My First Conk” by Malcolm X are contingent because they express two distinct views on black hair. Malcolm X pleads that manipulation of our hair by straightening or covering by wig is self- degradation. While Parker believes that the time she spent doing her daughters hair is translated to the love she has for them. This time not only assures the girls that they have a loving mother, it assures Parker that she could send them out into a world that would appreciate them because they had someone who put time (love) into the girls. Parker is aware of the scary truth that our worth by outside world is one dimensional and fuel by aesthetics. Both Lonnae O’Neal Parker and Malcolm X have analyze the importance of hair in the black community. Parker praises the “black hair ritual” while Malcolm criticizes it. Even though their topics differ, both essays share the act of taming natural hair, and the motifs of love and pain
“Janie ties her hair up in the store un- der her husband’s orders so that other men will not touch her. Hair is a tool for sexual desirability across races and ethnic groups; however, the issue within the African community is that the “type” of hair that is often de- sired. However, hair is a marker of femininity, so to restrict or demean one’s hair is a direct attack on women’s being. This implies that when the hair is covered—as it had to be on the plantation or other places where African women existed, they were deemed less feminine and thus less womanly”
The researcher interview with African American women with natural hair and examination of social media. The researchers explain that in the natural hair community a curl texture is more attractive than kinky hair texture and lengthier hair more desirable than short hair; also having manageable hair is dynamic to African American women’s effective performances of Black femininity. This research expands the discourse in African American Studies that theorizes the experiences of African American women with natural hair compared to those of African American women with relaxed hair such as perms (Howard, 2015, p.
Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set
African American women's health, hair politics, and physical activities. Studies show that African American women tend to pay more attention to their hair instead of their health issues. Researches came up with a theoretical argument to figure out why hair matter for some women. They discover that hair presents a barrier to exercise in that the time and economic restrictions involved in maintaining a hairstyle post exercise for physical activity as prohibitive. This study provides some perception about the relationship between hair and health for African American women and suggests that extra attention is justified to address views about beauty ideals and hairstyles as a barrier to exercise (Versey, 2014, p. 2015)
They were taken from their home and forced to work as slaves in a place they have never seen before. They were dehumanized and ripped of their culture by getting their hair shaved or cut off, trying to make them forget where they came from and who they were. After having to work under the hot sun, in a field, they never had time to take care of their hair nor did not have the same products that they have always used, so they were forced to wear scarves and forget about taking care of their hair. Due to not being able to properly take are of their hair, African American women hair were mocked and turned into jokes, which lately turned into not being social acceptable due to their hair. Resulting in Madame C.J Walker creating a cream to turn their hair from kinky curls to bone straight. Fortunately, years later African American women waned a change and felt that their hair should not be hidden. Slowly but surely African American women started to follow this wave and started to become natural, but another obstacle stood in their way, learning what to do and getting ahold of the needed items. Social media was the only way to gain the information that was needed to learn how to properly take care of their hair. Without the use of social media, it would be difficult for African Americans to get the natural hair care products that they need because in major department stores, the sections for black hair is very vague and even if they did have the item one was looking for, it is usually not in stock. More research should be done to understand why is it still difficult in some areas, Nationwide, for African Americans to get access to the hair care products that they need but not the same for other hair types? The sales for natural hair products are growing online, yet still not occurring in stores. Why is
The African-American culture includes many things such as clothing and music. However, the highest beauty standard for black people is hair. Kinky, curly in other words “nappy”, is an important aspect of the culture. It is as if it tells a story about where we came from and the troubles our ancestors faced on a day to day basis. Their hair is multicultural, meaning that there are several types varying from straight to extremely tight curls.
(“Hair Evolution: 100 Years of Black Women and Hair”). The Harlem Renaissance, a movement from 1918 to 1937, played a vital role in shaping African American culture and identity during a time of migration to the North. Harlem, New York City, served as a focal point for this cultural revolution, incorporating African American art, music, literature, and lifestyle into everyday
As an African American hair plays a vital role in our society. The ideal of Black hair is one that allows you to explore your inner feelings, attitudes and sense of style through the facet of hair. However, this freedom of expression becomes questioned as you try to pursue a professional career. As an African American woman pursuing a career in the field of broadcast journalism, your freedom of expression through hair is often limited by corporate policy. By pursuing a career in this field and attaining my first internship in a top 10 market. I have already faced some challenges. Due to the fact that I was only an intern, I did not receive pressure from corporate level to change my look. However, I placed internal pressure on myself to assimilate to white culture standard of “professionalism” by straightening my hair for an intern newscast. I decided to elongate my naturally, kinky curly hair in order to fit the bill of a typical news anchor. Who declared black hair of any style to be unprofessional?
There has been a notable amount of conversation on the internet on the rebirth of the natural hair movement. Cherise Luter (2014) states that despite afros and the natural hair movement not being a new concept (i.e. the Black Power Movement), it has gone under what she calls a “refreshing change”. Furthermore, what used to be “I’m black and I’m proud”, has been replaced with “I’m me and I’m proud” (Luter 2016). So, what is the natural hair movement? It is defined as a movement where black women decide to not conform to the social norms of chemically altering their hair and wearing it in its natural, kinky, or curled state (Joignot 2015). The movement could also be considered as an outlet for black women to display their racial and cultural pride or to articulate their “political position (Brown 2014:297). However, simply the terminology “movement” is something that should be shocking to many. There is a great amount of historical context behind the continuous influence Eurocentric beauty ideals have had on black women for centuries. According to Nadia Brown (2014), Black natural hair throughout history has proven to be recognized as “either unintended or intended personal and political statements” (298). the beauty standard in Western society which praises European hair textures, has influenced many black women to be critical of other black women who choose to chemically straighten their hair, accusing them of being subservient to the dominant and pervasive racist
Chris Rock’s documentary, Good Hair, investigates the notion of what good hair is. Dominant society views good hair as straight or essentially caucasian hair. This is not only problematic to the self-esteem and confidence of black women, but it can also cause black women to appropriate Asian culture. Black women unfortunately take advantage of Asian culture in search of what society believes is good hair. Many black women wear weaves in order to align to what society believes is good hair. However, when they buy this hair, they do not realize what Asians go through. Likewise, Asians who give up their hair do not know where or who this hair will be going to. Thus, this desire for good hair further perpetuates the lack of understanding that black
A common argument against the existence of cultural appropriation is; “Well, how about when Asian people who dye their hair blonde, or when African Americans straighten their hair?” This is not appropriating ‘American culture’ but assimilating to it. Assimilating is adopting the dominant culture in order to be successful and carry out day to day life. Instead of questioning why people of color are forced to fit in, we should be asking why the American standard of beauty is so
Feeling beautiful deals with many factors but it has become incumbent with focus being placed on the physical aspects of person Una Marson writes about beauty and how it drives many women into changing their features and making those features fit into the standard of beauty. Her poem, “Kinky Haired Blues” speaks about that notion, of women wanting to assimilate to what the norm is. Specifically women of ethnic minorities, she talks more about Black Women and the pressure for them to bleach their skin and to iron their hair. Matters such as race are at forefront of the issues in her society and of the society we currently live in today. Una Marson’s poem “Kinky Hair Blues” speaks to the idea of beauty and the standard of beauty. And how many
In today’s society, we live in a heavily social media world that blurs The lines between heritage and trends. The question often arises if someone is solely trying to imitate something without paying homage to other or stealing it without giving the entitled background of where it originated from. What caused these hairstyles that are rooted from Africa to somehow be manipulated and transition to America. The alteration affects the way we view appropriation and what is considered to be a personal identity of a specific background. Our personal identity is connected to the folkloric aspect of traditional customs that are passed on for generations to generation. Having the customs gives people a sense of roots to grow from and always have something to apply in their daily life. It’s important to have something to look onto for guidance having folkloric customs of tradition Africa hairstyles gives that to African American people.
I love doing my hair i get up two hours early just so i can do my hair no ponytails or braids i'm talking prom hair everyday with lots of curls and millions of bobby pins my friends tease me about it like why would anyone wear that kind of hair with a pair of jeans and a sweatshirt I don't mind infact i say why not have an awesome pair of jeans and a sweatshirt .