I Am the Grass Essay

As stated in the thesis, Timothy O’Brien also writes his short story, “How to tell a True War Story,” in the first person narrative, although the style in which he narrates is quite different than from the style in “A & P.’’ O’Brien, who was an actual soldier in the Vietnam War takes on more of an autobiographical approach to telling his “true war story.”

Then the plot takes us on his journey back to Vietnam on a trip to repair the cleft palates and lips of children on whose land “he once wreaked havoc, whose parents and grandparents he murdered”, the people he stills holds contempt for deep inside himself. At their first meeting, it is contempt that he feels toward Dr. Lieh Viet Dinh, the director of Khanh Hoa Hospital. This doctor was also in the war. He was a surgeon for the North Vietnamese. He was taken prisoner by the South Vietnamese Special Forces who starved and tortured him, eventually cutting off both of his thumbs. He can no longer perform surgery or even eat with chop sticks because he has no thumbs. The narrator becomes immersed in his work on the children and after the first week realizes he is beginning to like the nurses and doctors in the operating room. His feelings of guilt and ambivalence are replaced by a sense of good will and atonement, “as if Vietnam and I were two bad people who had unexpectedly done something nice for each other.” While he was performing surgery during this first week, Dr. Dinh, came every day to observe him. The plot takes an unexpected turn when Dinh asks him to transplant one of his toes onto his hand to make a thumb. The surgery is finally agreed upon and performed. Sadly, the surgery is not successful and the transplanted toe has to be removed. He is not able to undo or repair all the damage done by the war

Whitman uses the grass as a metaphor to imply that all people are connected. Whitman uses the grass to represent things he cannot explicitly name. People are all different, individual, but the blades function together. Everyone is needed to make up the grass; one blade cannot stand-alone. The grass encompasses all of America, regardless of race, gender, or religion. Grass grows everywhere there is water and touches everyone. This is one of the ways Whitman seeks to appeal to everyone through language.

He starts out realizing his mistake of joining the war; how there was so much misery, hate and fear but after many

War is a destructive force whose nature is to destroy all things and change lives forever. It is a whirlpool that sucks everything in and is fueled by hatred and violence. Whether one is directly involved in the battlefield or waiting to see the outcome, war has the capacity to affect all people. It can harden one beyond their years and force them to grow, seeing conflicting sides of good and evil. A Separate Peace by John Knowles narrates the story of young boys growing up with World War II as the backdrop. The war impacts them dramatically and is constantly thought about as they are coming of the age since they will soon be enlisted. However, not only are they living during an era of war but are also struggling with the war inside of themselves as they search for the truth within. Knowles depicts the ability of war to affect teenage boys in Devon, an English preparatory school, and transform them from carefree boys to troubled young men in search of their own separate peace.

A true war story, if truly told, makes the stomach believe." (560) In this writing, Tim O’Brien explores what it means to have a “true war story.” He uses a contemporary style of writing, such as explaining ideas through stories, using frequent repetition, and having an informal tone, which helps the reader achieve a thorough understanding of a “True war story.” O’Brien is specific in saying that “was is hell,” (561) which simply has no impact because it is so general and clichéd. A true war story is not about valor, but is simply about the outrage a soldier faces during a

The Vietnam War was a long conflict lasting between 1955 to 1975 between the communist North and the democratic south with help from the United States. More than 3 million people, including 58,000 American troops were killed in the conflict. Tim O 'brien 's short story “The Things They Carried” follows a platoon named alpha company during the peak of the Vietnam war led by first lieutenant Jimmy Cross who is very charismatic but in his mind he is unsure how to lead his squad because his mind tends to wander to a thought of a girl back home. Throughout the story he has overcome with emotions and guilt because he believes he his the reason for some of his squadmates death. “The Things They Carried” Embodies the hardship, reality, and price/toll of war, ultimately Tim O’brien writes this masterpiece as not of a war story, but as a love story and how that love changed a man.

The image that is firstly drawn in the first stanza is that of a blade of grass amid a field and the

War is often misinterpreted as an exciting occurrence filled with glory and acts of terrific heroism. In reality, it is brutal and serves as an effective simulation of hell. Timothy Findley's The Wars depicts an inhumane world where individuals are taken out of their elements and are forced to struggle to hold onto their humanity amidst the horrors. The lack of rules in war targets and destroys every aspect of what it means to be human. It heavily interferes with one's motivations, desires and purpose of living. The war also targets one's innocence and brings about suffering both physically and mentally.

Hundreds of bodies littered the ground. Sounds of explosions and endless gunfire filled the air. Soldiers, with their uniforms splashed in crimson, fought viciously and ruthlessly. Their main objective, which was to win the battle, took a backseat to their newfound desperation to stay alive. After all, war is not a game, especially one such as the Vietnam War. The Vietnam War claimed hundreds of thousands of lives, and left its survivors haunted by a multitude of atrocious events. Terry Erickson’s father and George Robinson, who were two fictional characters from the short stories “Stop the Sun” and “Dear America”, respectively, were veterans of the Vietnam War. The differences and similarities between Terry’s father and George Robinson are striking, and they merit rigorous scrutiny.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.

Bao Ninh’s novel The Sorrow of War tells a very realistic and explicit story of Kien, a North Vietnamese soldier and writer, during the Vietnam War. Kien manages to survive, usually by luck, through battles and

At the beginning of the story the narrator, Tim, gets affected by committing an act of violence when he was in the Vietnam War, killing an enemy Vietnamese soldier. Many thoughts began flowing in his head, all the time thinking about the man he killed. “He had been born, maybe, in 1946 in the village of My Khe near the central coastline of

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.

In his first anthology of poems entitled “Song of Myself”, Walt Whitman reveals some of his views on democracy through the use of symbolism and free verse poetry. His use of symbolism and free verse poetry creates indeterminacy, giving the reader hints rather than answers about the nature of the poem. In the sixth part of “Song of Myself”, a child asks the narrator of the poem, “What is the grass?” (Whitman). Instead of simply giving an answer, the narrator cannot make up his mind, and stumbles on how to explain the grass to the child. Through the use of specific symbolisms, Whitman, as the narrator, explicates his views while remaining under the façade of explaining grass to the child. The views Whitman conveys remain indeterminate and