I Attended A Live Concert At Founders Hall

On Sunday, 14 October, Jeffrey Phelps, cello and Lee Jordan-Anders, piano, performed Ludwig van Beethoven’s Sonata in A Major, Opus 69 (1808) and Claude Debussy’s Sonata (1915)

This speech is Karl Paulnack’s welcoming address for incoming freshman students. He addresses that music isn’t apart of arts and entertainment rather music is an invisible force that helps us piece ourselves together. Paulnack believes that music is an essential part of life and goes to prove it by telling his experiences with it. He describes the first moment he truly understood music and the impact it has on people. Paulnack portrays the day after 9/11 after he struggles to find any meaning in being a pianist. After a long time of questioning himself he observes the city and notices something. He sees that in this time of grief and sadness people are singing. From this he learned that music is a form of expression, it allows people to express their feelings when they have no other words to describe them. Paulnack goes on to describe what he says was the most important concert of his life. He and a friend were playing a concert at a nursing home. During their performance, one man began to cry, it was at that time Paulnack knew the man was a veteran. After Paulnack and his friend finished the piece, they announced that the piece they were playing was Aaron Copland's Sonata, which was a work

“A Music Faculty Recital” at Prince George 's Community College was actually the very first concert I’ve been to that included Baroque style. The environment created a nostalgic yet modern and elegant mood; something that made you feel like you were in the late 1700’s yet still in modern times. The songs were mostly enjoyable and we 're all well played. This concert included an ensemble: the flute, the cello, the piano, and the harpsichord. Peggy Bair, who played the flute, was very enthusiastic. Irma Cripe, who played the cello, was quiet for the first part of the concert but gradually became more important throughout the concert. And lastly, the virtuous Gary Kirkeby, who played the piano and harpsichord, served as the backbone of all parts of the concert and made this concert very enjoyable.

On March 30th, 2017 I attended a wonderful jazz concert at Prince George’s Community College. The concert was performed by a group titled The Reginald Cyntje Group. The Reginald Cyntje Group was comprised of five talented musicians: Herman Burney, Reginald Cyntje, Lenny Robinson, Brian Settles, and Hope Udobi. The group performed a song cycle of seven songs: “The Rise of the Protester,” “Ballad for the Masses,” “Chant of the Revolt,” “Descension and Ascension,” “No Justice No Peace,” “The Piece of Resistance,” and “Blues People vs the Deplorables.” The piece titled “The Piece of Resistance,” my favorite song from the recital, and will be the focus of my concert report.

I attended the Temple College Vocal Point concert on November 1, 2016 at 12:30 pm in the Jackson-Graeter Backstage Theatre. The Theatre, located in the Mary Alice Marshal Performing Arts Center, at Temple College is small, seating approximately 100 people. Since the setting is quaint, it makes for a personal experience, allowing the audience to truly see and hear the entertainers character. The stage size also has a downside, at times the actors would trip over each other while dancing.

As the piece ended, the performers smiled. Having put 7 years of work into this score, they stood proudly and bowed. The audience erupted in applause. The Rite of Spring was reborn as the performers were re-invited on stage three times. Considering the already high expectations of the performance and the applause they received, it is obvious this performance is by far the most memorable UWA Lunch Time Concert this

There’s no better feeling than being at a concert and jamming along to songs that you love while surrounded by people who share the same love for the music. Music concerts are majestic environments where a variety of different people come together in order to share their love of music. A few weeks ago I attended a Zac Brown Band concert for the first time and I was truly inspired by the band’s artistry and skill. The band was fully able to captivate their audience with their soulful tunes and obvious passion for performing. One moment of the concert that particularly stood out to me was when the band performed a cover of The Beatles hit song “Let it Be.” Zac Brown Band was able to stay true to the original song while bringing a whole different level of soul to the music through the addition of a gospel choir. The audience immediately related to the song and came together to sing along to a song by one of the biggest bands in music history. Zac Brown Band was able to successfully deliver such a powerful song as “Let it Be” which was off of The Beatles final studio album.

As a University of Northern Iowa College student taking Soundscapes, I attended a recital by Annalea Milligan on Wednesday Oct. 19th, 2016 at 8:00 p.m. in Davis Hall, a small auditorium, at the Gallagher Bluedorn. Annalea Milligan received her Bachelor of Music degree in performance at Pacific Conservatory of Music, and is currently a first-year graduate student pursuing a Master of Music degree in bassoon performance at University of Northern Iowa. For the first half of the program she played the bassoon in Rhapsody composed by Willson Osborne and then she was accompanied by Mariya Akhadjanova on piano playing Variations on Theme of Pergolesi composed by Otmar Nussio which included I. Arietta, II. Scherzetto, III. Tamburino, IV. Lamento, V. Ostinato, VI. Rapsodia, VII. Elegia, VIII. Barbaresca, IX. Stornello, and X. Danza. Then after a brief intermission Milligan played the bassoon and was accompanied by Serena Hou with the harpsichord playing Concerto in G Minor, RV 495 composed by Antonio Vivaldi which included Presto, Largo, and Allegro, not to mention she also played Bachianas Brasileiras No. 6 composed by Heitor Villa-Lobos and was accompanied by Azeem Ward with the flute which included I. Aria (Choro), and II. Fantasia. I will depict the first and second part of the recital and describe my reaction and total opinion about the overall concert.

On February 25, 2016, I was able to see the Mid-Year Band Concert in the PAC. The pieces I have chosen to review were performed by the Varsity, Symphonic II and Symphonic I Bands and conducted by Mr. Bailey and Mr. Hillhouse. “King Cotton,” “Amparito Roca,” and “Valdres” were among my favorites in the program and are all coincidentally, marches.

On Wednesday, February seventeenth, I had the pleasure of attending Noteworthy’s concert at the Meyer-Mclean Theater. Noteworthy is an a capella group from Brigham Young University, and is composed entirely of female students. Though only one of the girls is a music major, all share an incredible love of music, and it showed in their thoughtful, energetic performance.

On November 1st at 7 pm, I attended the Stars at Night concert series performed by Texas State University’s jazz ensemble in San Marcos, Texas. They had Steve Houghton as their guest artist. I was excited to attend because I had yet to see the inside of the new performing arts center or go to a live jazz performance.

On June 15, 2016, I watched An American Night with Ingo Metzmacher and Pierre-Laurent Aimard, where Ingo Metzmacher and the Berliner Philharmoniker preform George Gershwin’s Cuban Overture and Leonard Bernstein’s Symphonic dances from west side story.

On the evening of Sunday, December 16, 2012, I had the pleasure of attending a concert I’d wanted to see for quite a while. I was delighted to attend Tchaikovsky’s The Nutcracker, performed by the Richmond Symphony Orchestra and the Richmond Ballet. The performance took place at Carpenter Theatre in Richmond Virginia. As I entered I felt a bit out of place. I’d never attended a performance quite like this one and I was a bit nervous. I took my seat to the left of the orchestra pit. I was thrilled to see how close I was. I had arranged for a seat near the orchestra so I could observe them as they played.

On Wednesday March 8, I went to watch Jennifer Trost's soprano performance. This performance was a monodrama of Beethoven's Slippers, which was composed by Judith Cloud. Based on the pamphlet, this southwestern composer used a combination of mezzo-soprano, piano, and string trio to create this oooo. The setting took place in a living room of an adobe house in Santa Fe, NM on December 16th, which was the date of the celebration for Beethoven’s birthday in the mid 1980’s. In this ooo, Trost played a wealthy southern spinster that is entertaining some friends one late afternoon with a few martinis. Her character was reminiscing about her great love, Charles, and their time together in Paris. The only memento she had from her relationship were a pair of slippers that Charles once bought her, which

On Wednesday July, 8 I attended a concert at the Mimoda Studio located in Los Angeles the concert started at eight o’clock. On that day there was a group of four Instrumentalists performing a cello concert. The performances consisted of acts of big composers such as David popper the cellist also Alexander Konstantinovich ,it last about an hour. The show did not include programs so I will have to go off my notes some of the pieces that were played for David popper were Serade, Ballet scene, Gavotte, and La Chanson villageoise. The pieces played from Alexander Konstantinovich were impatient, land of heroes. There were also some Armenian chants played from the medival times, that were either composed by Sahakdukht orkhosrovidukht.