I Chose Roses And Birds Number 5 By Kiki Smith Essay

In today’s society, we are constantly being bombarded with visual art forms. Whether they be classical paintings from the Renaissance, a towering and modern skyscraper, or even a cheesy 90’s R&B music video, they all have one thing in common. According to Carolyn Dean’s definition, these would all fall under the category of “art by intention.” In her essay “The Trouble with (The Term) Art” she advocates a distinction between art by intention and what she deems “art by appropriation.” The difference is that one work was created with the intention of being consumed for visual pleasure, while the other was not. However having been educated in the Western school of thought, many art historians cannot help but project their rigid definition of art onto civilizations that may have

Margaret Lazzari (Author),. "Exploring Art: A Global, Thematic Approach 5th Edition." Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 29 June

In the contemplation of art, or rather the conceptually intangible definition it currently possess, it is imperative to be mindful that “art” has been utilized as a promotional device, ceremonial item, aesthetically purposed article or perhaps none of these or all. It is because of this vague term that Carolyn Dean, in her text, “The Trouble with (The Term) Art”, makes a case for the consequences of applying the term “art” in societies that lacked such a notion which also accounts for the Western-centric lens the field intrinsically utilizes when viewing non-Western art. The claim is deftly supported by the utilization of expert accounts in the subject, alternative perspectives for what is considered the current norm, and self-examining questions,

Kleiner, Fred S. Gardner's Art through the Ages: A Global History, Fourteenth Edition, Volume II.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Prompt: Select and fully identify two paintings from different art historical periods and cultures that depict the same subject or theme.  Then discuss how the presentations are a reflection of the culture and style in which it was created.

Nation's history and culture have definitely a great effect in the art conception in every country. The same way it has a bigger meaning and influence in people that share their traditions. I found really interesting how this empathy multiplies when people happen to be far from their homeland. This is why I chose “Jose Marti” by Roberto Fabelo for this report. “Fabelo”, as he is best known, is a painter, sculptor and illustrator, he was born in Cuba in 1951.

Two art works, The Snake Charmer (1870), by Jean Leon Gerome and Large Odalisqu (1814), by Ingres are two depictions of the eastern world in a Western viewpoint. Both paintings where painted by French artists who were portraying a culture and life they have never seen or experienced. Both artworks were created from the expanding French empire. However, the works are inaccurate representations of this “exotic” land, but both are rendered uniquely in their delineation.

The goals of my paper are to cover the differences in methods of Western culture as well as how the appearance of each piece differ due to different time periods. The Great Wave off Kanagawa by Katsushika Hokusai In 1826, Katsushika Hokusai created The Great Wave off Kanagawa which was one of his most notable pieces specifically in Japanese art. Further, this piece was among Hokusai’s art series Thirty-Six Views

By reviewing Julian Bell’s text, there are two principal accomplishments and two principal disappointments. Bell’s two principal accomplishments are his capacity to move quickly between continents, from a mournful crucifix in Cologne cathedral to a loving Indian couple on an erotic temple fresco at Khajuraho, allows him to make unexpected, cross-cultural comparisons at every turn. Tracing art history mostly in chronologically across the whole world and exploring connections between different cultures. Furthermore, like the time span runs from the emergence of art-like acts among the hominid ancestors of Homo sapiens to the present. The interpretation of the artworks from the world art, in Mirror of the World, are mapped onto a geo-chronological

She was born in Nuremberg, Germany in 1954. Smith is the daughter of the American sculptor Tony Smith (Art:21). Her family moved to New Jersey where she attended school with her

It is important to evaluate artwork of different cultures because it enlarges the artistic vision and it brings new perspectives into the study of arts. Historical and cultural contexts differentiate from regions and they influence the society, it creates major differences between people from one side of

Each artist selected because of their thinking and approach to culture, media and a narrative that would hopefully shine light on topics such as colonialism, assimilation, and current trends in popular culture. TRACES aimed to broaden the conversation in order break barriers of cultural essentialism by inviting artist from 1st - 4th generations to highlight or eradicate such influence of Western Culture found in their own work and lives.

In the study of the Humanities one can find a vast list of the different styles and periods of artwork. The dilemma comes in when taking two different artist with different styles from different time periods and comparing and contrasting them. The ability to contrast would be facile, but the truth hides behind the ability to compare such divergent artwork. Artwork that one may look at first glance and find more dissimilar, then finding the juxtaposition of the two pieces of artwork.

Non-western art was equally as exceptional as each countries art had a significant way of incorporating their culture into each piece. Li K’an’s 14th-century ink-on-paper painting titled Bamboo displays the beauty within a single form of art, ink. Although simplistic, the ink has been manipulated into fine lines that show the foliage of the leaves on the background. This intricate calligraphy work enhances the piece and allows the artwork to reflect peace and delicacy. Unlike work from the 17th century Italian Baroque, the Chinese culture does not depict naked women but rather aims towards the ideals of nature.