I Don 't Like The Most Is Black Pink

In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.

Director Sut Jhally, in his documentary film, “Dreamworlds 3: Desire, sex, and power in music videos”, analyzes the issue of how women are portrayed in the music world. Jhally, in his film argues how music and media has become a proud industry when it comes to advertising women, all for the benefit of popularity and record sales. Jhally believes these videos both inform and misinform our culture about our dominant attitudes regarding femininity masculinity, sexuality and race. He uses an empathetic tone in order to appeal to pathos, the feelings and experiences in women when he presents video clips that are somewhat offensive to watch as proof that women have become a common necessity shown in music videos. Often presented as being sexually aggressive and submissive, being objectified by men. He also intentionally wants to try to stir up emotions as he introduces song lyrics of women being called inappropriate names and images of women being fondled by men throughout the film. Sometimes, aggressively without consent.

You would think that girls would condemn this song, but most of the girls I know have this song on their spotify playlist. This song degrades women and explicitly promotes rape culture. This song does not say anything about Miley’s looks or personality, it reduced Miley to a piece of “ass” that Stitches is welcome to penetrate whenever he pleases. Stitches literally says “Ima put my d*** up in your ass and it ain’t coming out”. So how could so many people like a song that is literally about raping a celebrity? Normalizing this disgusting behavior contributes to violence against women.

Charlotte Church speaks out about this issue saying “The culture of demeaning women in pop music is so ingrained as to become routine, from the way we are dealt with by management and labels, to the way we are presented the public” (Chase par. 9). This leads to questions, for example, must women be sexualized to gain greater earnings? Does sex truly sell? When we examine artists such as Julia Hotter, HAIM, or Polica, we perceive them as strong artists who are unrestricted in their art by their gender or sexuality. However, when comparing their success, sexualized women have dominated the music industry. Chase explains that women are allowed to fill three main roles in modern pop music: One of the Girls’ Girls, the Victim/ Torch Singer, and Unattainable Sexbot. Artists such as Beyoncé would be considered “One of the Girls’ Girls” who are for women power and are considered empowering. Adele is considered a “Victim/Torch Singer” even though she does not use sexuality to sell records, lyrically, she perceives the wronged women and creates a state of despair. An “Unattainable Sexbot” would be, without a doubt, Miley Cyrus, whose main goal is to be the most successful in the music industry by being hyper-sexualized and unrealistic. If an artist does not fit into one of these categories, they generally have a much harder time being one of the most successful in the music

Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous

There are so many talented female artists in music today that it's hard not to think of some right off the top of my head. Not only do they have great voices, but they're successful and confident, not to mention pretty darn rich! Some of these artists knew that they were going to become a star while they were still in diapers. The two females that I will be highlighting are two of the younger musical talents that are out in the industry at this time. They both worked hard to get to where they are today by starting off with many of the same dreams and aspirations many of us women share. These women have contributed so much at such a young age that it's almost hard to believe. Music is such a

Throughout history men and women have played different roles in music. Today is no different. With the development of the music video, these different roles were magnified. From rap to country, men and women play roles. DreamWorlds 3: Sex, Desire, and Power in Music Video explores the world of music video. Women are seen as sex symbols that simply must have sex and will submit to any fantasy that a man may have. This is mostly displayed in rap music. DreamWorlds 3 also talks about the language used. Again, it is mostly displayed in rap, and the language is very vulgar. Country music is different. According to research by Julie Andsager

Charlotte Bunch once said “Sexual, racial, gender, violence, and other forms of discrimination and violence in a culture cannot be eliminated without changing culture.” Our society experiences all of these problems and I would like to focus on the gender perspective in the 21st century and how women have had more of an influence in music than people actually realize. Men have dominated the music industry and business but women have been the underlying reason as for why men and other females have been so successful in the music scene.

*NSYNC’s performances are always action packed and entertaining. Many of their performances include high-energy dancing which *NSYNC spends countless hours working on in dance studios. Much of *NSYNC’s dancing includes acrobatics such as flips, and *NSYNC’s performances always include audience participation.

Rap music is filled with imagery that degrades women. Women are continually referred to inappropriately in many songs, while men refer to themselves and other as pimps or players. Women are not only referred to by derogatory names, they are frequently lowered to sex objects for entertainment. The common idea of a woman in a rap video is one who is half naked while dancing flirtatiously and seductively behind, or in front of the rapper. Many female rappers make public appearances dressed inappropriately, their clothing is always revealing and skin tight, they have unfortunately accepted and entertained this idea. Young girls see these women as role models. As female rappers conform and accept their roles as sex objects they are making it socially acceptable and the young girls who see them as role models and look up to them think

Nowadays, certain style of music are becoming more involve in our society than others. For instance, the R&B and Rap/hip pop are now getting the top on the Medias. We will try to explore those music’s gender. We will try to understand why and how they are what they are now?

While reading Mary Pipher’s, “Reviving Ophelia: Saving the Selves of Adolescent Girls” and Dan Kindlon and Michael Thompson’s, “Raising Cain: Protecting the Emotional Life of Boys,” I got a better understanding of the mindsets of teenagers in todays society. I learned that countless girls and boys have the same inner battles and do not even realize it. The two songs I chose that best represent ideas of woman and manhood are “Unpretty,” by TLC and “Stan,” by Eminem. I believe these songs support many of the stereotypes portrayed in both of the class readings and hold strong messages that can impact the views of girls and boys alike. They address many struggles that teenagers today may be going through but afraid of speaking about openly.

Music can have a big influence on society or a person individually, this can be because everyone has personal feelings and perceives music differently. For this song assignment I choose If I were a boy by Beyonce Knowles. I choose this song because of how gender is seen in society and the differences between men and women and it’s impact in our world. The reason this song makes me think in a sociological manner is because we as people don’t know what it is like to be one gender or the other. Also, there are differences between the genders and we blame society for creating these differences, however we don’t actually stop assuming or agreeing with these differences. I think that personally I don’t always understand how there is such a big difference

I viewed the documentary Nine Muses of Star Empire. The documentary is about a Korean pop group called Nine Muses and their struggles while starting their pop group. From viewing the film it seemed as though that was not the case. There was a lot of sexism throughout the film. From the managers comments toward the girls and the way they made them dress and act. Even the way they chose the girls who were to be in the group. Since it’s a pop group the main focus on finding applicable individuals for the group should be singing, right? “They have to be tall, slim and skinny” as quoted by their manager to even have a shot at being in the group, because apparently image is everything. He even said himself that not all of them are going to be good

Many young people seek to use music to help themselves be more accepted in the world, so that they can be easily categorisable in the mainstream. Many girls of ages 9 – 13 may have an interest in a popular ‘boy band' of the time. This is an example of how, though a girl's identity could be partly influenced by such a band, ultimately, their music and appeal is limited in scope because after four or five years the band is likely to have split up. The media promotes such a band because it targets girls who are seeking to find an identity and because these years