I Have A Deep Appreciation Of Music

This speech is Karl Paulnack’s welcoming address for incoming freshman students. He addresses that music isn’t apart of arts and entertainment rather music is an invisible force that helps us piece ourselves together. Paulnack believes that music is an essential part of life and goes to prove it by telling his experiences with it. He describes the first moment he truly understood music and the impact it has on people. Paulnack portrays the day after 9/11 after he struggles to find any meaning in being a pianist. After a long time of questioning himself he observes the city and notices something. He sees that in this time of grief and sadness people are singing. From this he learned that music is a form of expression, it allows people to express their feelings when they have no other words to describe them. Paulnack goes on to describe what he says was the most important concert of his life. He and a friend were playing a concert at a nursing home. During their performance, one man began to cry, it was at that time Paulnack knew the man was a veteran. After Paulnack and his friend finished the piece, they announced that the piece they were playing was Aaron Copland's Sonata, which was a work

My life would be incomplete without performing music. I’ve spent time, in concert bands, in bell choirs, in school and church choirs, and singing, playing in music festivals, and in pit bands trying not to laugh my head off at the actors’ improvisations. But the art that truly speaks to my soul does not lie in creating music, it lies in dancing to it.

I saw a ridiculous amount of talent exhibited by young musicians that afternoon, but I noticed one thing all the pianists had in common: their faces remained blank throughout their performances. “How are they sitting so still while they play? My piano teacher has to stop me from swaying like a boat when I play the Arabesque,” I thought to myself. By the end of the recital, I realized that my earlier failure was not fruitless. That day of defeat was the day that my passion for music became clearer than ever. Though I was not the best pianist in state by any means, I loved my music. I played because I chose to, not because my parents forced me to practice for hours and hours to perfection. I understood for the first time that if I have passion for what I do, I cannot

At 11 years old, I sat outside Mr. Tilman Singleton’s porch waiting for my piano lesson. From outside the front door, I could hear the frustrated comments and the occasional bangs of his hands pounding on the piano. Slowly, I stood up off the bench and opened the door. “You never improve! This is trash and you know it. Your lesson is over. Next Victim.” I assumed the victim was me. At first glance, my piano teacher Mr. Singelton was a tall, startling skinny, man with thinning hair and a large pair of glasses. I still remember what he wore my first lesson: turquoise dress pants perfectly creased, and a pink plaid button down shirt. Every outfit looked straight out of an 80s magazine. He was the definition of eccentric. Today, I will be commemorating my former piano teacher Tilman Singleton; the man whose character, perseverance, and friendship will forever inspire my musical dreams.

The folk genre has origins all the way back to the 19th century, which in many ways is mirrored by many popular genres in modern musical genres. To make it easy folk music is merely, “ballads and songs which are composed and conveyed vocally, without being written.”(Mclean 12) Though what we distinguish ‘folk’ today as stylistically very different to what ‘folk’ was during the 19th century, at its basic form, it still holds the same standards and concepts, describing the simpler times. Through vigorous research, it’s hard to overlook the past and expansion of folk music originating from the south, and how it could help understand the significance for observing and expanding the dynamics of southern race relationships. Equally, race

The concert started off at a quick and stimulating pace with Brahms’s Sonata for Two Pianos in F Minor. The piece starts with descending arpeggios echoing a sensation of distress or confusion. There are frequent slight pauses, creating a sense of suspense for what is to follow and building on the emotions

I realized that my duty was to share that feeling with people in my community who would otherwise not be exposed to classical music. I shared this idea with the musicians whom I knew from the area, my family. My cousin, siblings, and I, who play string instruments, began rehearsing trios, duets, quartets, and dance music. Each week we would plan where we would bring our music. Sometimes we brought ballroom music to a park, other times Pleyel duets to my elderly grandmother who lives alone. While playing violin duets at a family gathering, my young cousin sat beneath me and my sister’s feet, attentively listening to every duet that we played. An old couple sat and smiled on their bench one calm summer evening as we played a waltz in the park. A hiker asked to take our picture as we played Haydn’s “Sunrise” Quartet under the colossal trees that shaded us from the blazing summer

On April 11th, 2017 in the Louis Armstrong Theatre, I attended the GVSU “University Band”. This up-beat ensemble lasted about 90 minutes; the talented students of GVSU’s university band joined together to perform multiple different songs ranging from a Waltz to a Dixieland Jamboree. All of the songs that the band played for the audience were all well-known, popular songs that they all enjoyed. Having the opportunity to attend this concert has opened new musical paths for myself and has allowed me to enjoy and kindly critique something that I perhaps would have never had the chance to otherwise.

Through weekly private lessons, chamber, wind, and orchestra ensemble playing, and assiduous independent practice, I have improved immensely as a trombonist and musician. My work paid off when I was accepted into Boston University’s Tanglewood Institute. At this nationally competitive program, I spent six weeks with talented, dedicated students while rubbing shoulders with the Boston Symphony Orchestra (BSO). I had never heard elite musicians live before the BSO. Their concerts brought tears to my eyes and my drive to make music at the highest level grew. After receiving instruction from these musicians and hearing their own performances, I refined my technique and made more tasteful musical decisions.

East Carolina’s Concert band and Symphonic band performed on Tuesday, February 16, at seven thirty in the evening in Wright Auditorium. Being a duel performance it included over a hundred of my talented East Carolina peers led by outstanding band Directors Dr. Juchniewicz and Dr. Staub. Along with great students and Directors, the show incorporated a beautiful trombone solo performed by a fellow colleague. Although I have never attended a concert where such style of music was being performed, I did enjoy the music being played and most of them sounded as if I heard them before. The professionalism the students portrayed and maintain to the audience was breathtaking and made me honored to be their peers.

For this assignment, I went to the Basically Beethoven Festival at the Dallas City Performance Hall. The recital was opened with a few pieces played by the rising stars Madera Wind Quintet. The main performance included Rachel McDonald on the viola, Joseph Kuipers on the cello, Grace Wollett on the violin, Scott Wollett on the oboe, and the great pianist Alex McDonald. They performed a compilation of famous composers’ masterpieces.

I attended a Senior Recital performed by Travis Hogue-Smith. This concert took place at Barry University’s chapel on March 28, 2017 at 7:30 PM. The instruments used in this concert are a clarinet, played by Travis Hogue-Smith, and a piano, play Dr. Beverly Coulter. Music from both Romantic and Classical genres were played in this concert.

But Mozart, Beethoven and Chopin are merely the main course in a musical meal including everything from "Piano Man" to "Summertime," set within a dramatic framework that loosely tells the story of both artists’ childhood and teenage struggles to master their musical

Music is defined differently for each individual. It is the universal language that speaks to us all, but in different ways. It is one of the few genres that can instantly transport a person back to the past. Music is also an art of sound which expresses ideas, thoughts, and emotions in significant forms through the elements of rhythm, melody, and harmony. It is the design of giving structural form and rhythmic pattern to combinations of sounds produce instrumentally and vocally. To me, music brings a sense of calmness, happiness, and peacefulness. Music is the absolute bread of life because it feeds my soul.

My first impression was that I was listening to a rock star. I had a notable physical reaction to the music; I felt a rush of adrenaline and my heart rate increased. The music was fast-paced and intense—undoubtedly physically and mentally demanding on Garrett. I am a pianist myself, and I felt a sense of empathy. I was exhausted on his behalf by simply hearing his talented performance. The music would slow down in some parts, only to pick back up with even more intensity and speed. The music aroused a familiar sense of pressure, such as the pressure to complete a difficult yet important task in a short period of time. The pressure and difficulty build to near unbearable proportions until the work is finally finished, and dissipates into the euphoria of accomplishment. If that scenario had a theme song, it could be Paganini’s “Caprice No. 24”. The music was passionate, chaotic, and ultimately satisfying. I felt that I had witnessed true mastery of the art of the violin in both Paganini’s written work and Garrett’s performance.