I M Not Scared Symbolism

We all remember dressing up for Halloween night as children. Getting together with best friends and competing to see who has the best costume or can collect the most candy. For some, this was the best night of the year. Then there are the children who sit at home and go through the motions of what their parents do. These parents inevitably will carve a generic looking pumpkin and then sit down and hand out candy to kids the remainder of the night. The children that are staying at home with their parents are handing out candy to the kids who are living and enjoying their Halloween. As Mac Hammond in “Halloween” stresses, the children that are out having fun on Halloween are the true

The car is one of the most important elements that develops and supports the theme brotherhood. The car is a symbol that is meant to show Lyman and Henry’s close bond, and it holds the key to their definitive separation. The red convertible is also a symbol of success, and a connection to the white world for both Henry and Lyman “ I was

The contrast of the large truck with the visually smaller Lola is used to show how close she came to being destroyed by this machine. This works to emphasise how luck gave her another chance to live and it was really because of chance that she is able to continue with her journey. This is similar to many occurrences in life such as death occurrences which people have no explanation for besides luck and chance. Another technique used is a long-distance shot of Lola in front of the big truck with the casino presents her a great opportunity to fulfil her journey to get the money she needs. This is used to show how chance is not always bad but may also lead to opportunities that will be beneficial in the future. Continuing on with the notion of chance and luck, Lola ends up at the casino and is completely oblivious on how to gamble. By chance again, she walks to a roulette table and bets on the number 20. The close-up shot of the roulette table, spinning and coming to a stop shows suspense when Lola was about to win. This works to place importance on the actual object of chance which in the real world is all casino games. The film is showing how just like Lola’s life afterwards depends on the small play of chance, many of our live depend on other games of chance. Life is essentially a ‘game’ of chance which affects an individual’s personal fate through our own actions as well as others.

can affect the boys them mentally and physically.For these boys, they try to find belonging, love, and support in their friendship.this supports helps them go through their difficulties.They sometimes do things rebellious and immature because of their upbringing.For example, the parallel shot was used when Teddy convinced himself to stand in front of a moving train that was coming towards him, reason occurred that he was in distressed and unstable.His mind was fixated on doing something to escape from everything that involved is family.He strongly stood on the track and waited for the charging train to stop but it kept storming forward.Chris jumped in risking his life for Teddy that shows the loyalty and commitment in their friendship, that shows that friendship comes first.Chris pulls him off the tracks and Teddy's anger strikes towards Chris this shows how Teddy wanted an escape and he was "I don't need no babysitter" Teddy exclaim in distress "You do to" Chris Gasping for air.Chris showed a fatherly figure by grabbing teddy to safety that shows friendship comes in many different shapes for size even if it's helping your friend in a life or death situation.for example These boys have shown compassion for their friendship and connected with each other.Close upshot was used to illustrate the long and risky train track.The high angle was used to display how vulnerable, small and powerless if the train were to come.the mid/close up shot was used to show the expression of

The camera movement from one side of the street to the unknown neighbor's house illustrated how unwilling they were to listen to Will’s reasoning yet determined to inflict violence upon a presumed “terrorist family”. The previous examples revealed that with the correct camera movement you can enhance feelings, and foretell them too. In specificity to these scenes, the reoccurring slanted motion appealed to the feeling of disarray and foreshadowed the mayhem to come. While the camera movement from one house to another depicted the wrath of the mob; proves that the cam movement allowed the viewer to receive a better sense of what unreasonable fear the characters are feeling.

Henry returns from the war damaged not unlike the car after Lyman tries to destroy it. The relation ship between the brothers will never return to its previous state just as the car will never be the same. The car now comes to signify the change in the brother’s relationship. When Henry drowns himself in the river, Lyman lets the car go with them. Henry knows life will never be the same and neither will his feelings about the car. The car will now only trigger the raw emotions of his brother’s transformation and his death, instead of the carefree life he once had with a close brother. The car comes to symbolize death and the death of the close relationship between the to brothers. When Lyman lets go of the car, he is also letting go of his innocence.

Emotional connections between two people can be fortified with an object in which both people can care for and share with one another. In the story “The Red Convertible” by Louise Erdrich, Lyman and Henry have a special bond. This bond is emphasized in the red convertible because it symbolizes the connection that both brothers have with one another. After Henry goes off to war Lyman takes care of the car. Lyman cares for the car as if he were trying to preserve the bond that he and Henry had. Furthermore, Lyman knows to some extent that the bond between his brother and him is fragile because Henry has been gone away to war. The color of the car which is red has a double meaning which includes emotions such as the love that exists between the brothers, but also disaster like war. The war separated them both emotionally and physically, but despite this, at the end, they were able to relive the old days when their bond was at its strongest.

To see what they see, and compare our own thoughts with the evolution of the characters and the story. The dexterity of the images, and the impact that each scene has in portraying this theme, guide the viewer throughout the film with little use of dialogue and action. Our central character “Jeff,” is struggling with his casted imprisonment, his need for adventure is apparent as he watches outside his window. Conflicted with his girlfriend and conflicted with his theories, his character becomes more palpable, we begin to realize what is going on not only on the outside of him, but the inside of him as well. The aspects of the outside courtyard and the visual isolation of each apartment, help depict the humanity of each individual and sympathy for even the darkest characters. Hitchcock uses his camera, just as our protagonist does, to focus with him. The camera angles are depicted in a way to which we react with the character, rather than at the character, and eventually expose the minor elements of the story that bring to fruition the suspense of the movie and the thrills of discovery.

This film is a black and white film and the lighting is more towards dim effect which terrified the audience. Music plays the biggest effect in the film. Bernard Hermann’s theme is used for this film because it uses mostly high-pitched string instrument notes so the suspense and horror mood can be formed to the audience.

This use of colour continues throughout the film, with the bright yellow VW bus, which acted as a motif. We used the colour yellow to evoke feelings of happiness and optimism, symbolising the families journey of re-connecting, of hope, and to reinforce the individual versus the collective action- working together for a change rather then separating themselves as individuals. We chose the ridiculous loud and irreparable car horn to symbolise and reinforce the dysfunction of the family, and convey the initial lack of connection.

The film ‘Boy’ (2010) uses a range of techniques to construct an effective mise-en-scene. Taika Waititi (director) has been able to create aesthetically pleasing scenes to communicate to the audience about the setting, characters, story and themes. The sequence at the beginning of the film is an appropriate example of the good use of mise-en-scene.

Michele and Filippo, even though they are the same age are very different. Their upbringings are contrasting. Filippo is obviously from a rich background. He speaks of his electric train set (pg. 86). His mother, after appealing to his kidnappers on TV, appears to be in ‘a big leather armchair in a room full of books' (pg. 86). Michele's upbringing is the complete opposite. His bike, The Crock, is old and previously belonged to Pino (pg. 6), and he longs for a new one, however understands his family cannot afford it. He shares a corridor-turned room with his sister and his house is small. Despite all the differences in their lifestyle, Michele and Filippo share many of the same personal attributes, like honesty. Their actions and thoughts also depict a very same innocence, and childlike imagination.

This shows danger because these little kids are being left wiothout parental superviwson and have a chance of running onto the road and getting run over by a car. It represents what sam see’s is danger. Danger can keep you aware of the

Suppose you’re going on vacation but you wake up late and miss your flight only to realize later the very plane you were scheduled to board crashed. Would you consider this luck or would you say God was protecting you ? In the 2002 movie “Signs”, director M. Night Shyamalan effectively used the story of Graham (Mel Gibson) and his brother Merrill (Joaquin Phoenix) to portray the universal theme of people struggling with faith and belief in God or any higher power using flashback, symbolism and conflict. In the screenplay M. Night Shyamalan uses flashback to support his theme.

Everything I Never Told You Analysis In the bible Ezekiel 36:25 states “Then will I sprinkle clean water upon you, and ye shall be clean: from all your filthiness, and from all your idols, will I cleanse you (King James Bible 1).” Hence, in biblical terms water is the purification of ones’ soul of all sins. Consequently, water is the ultimate redemption for one’s soul and body.