I Sing The Body Electric, By Walt Whitman

"Why should I pray? Why should I venerate and be ceremonious?……I find no sweeter fat than sticks to my own bones." (pg 40)Nature and all of her wondrous facets, especially the human body, was Whitman's religion. Walt Whitman was indeed an intensely spiritual man in his own unconventional way. His epic classic "Song of Myself" demonstrates these attitudes of his, and in his view how the proverbial "poet" of his America should believe. Humanity yearns for spiritual fulfillment and Whitman believed that everything around us and even ourselves were walking testaments to what true ethereal life is.

Now I intend to turn my attention to concrete examples from Walt Whitman's poetry to provide some evidence of that sexuality played an important role in his poetry, and there are possible readings to find traces for that. Of course, we cannot only rely on selected

In the book Anthem, Equality 7-2521 (Equality) lived in a society where everyone was equal and treated with disrespect. The society had no tolerance for being different and having their own opinion and ideas. People couldn’t even pursue the career they dreamed of having. They were punished for disobeying any of these “rules”. Despite Equality’s strict society, his motivations in conducting his experiments are finding individuality, starting a new revolution, finding freedom, and trying to become a scholar.

Even corporeal objects, such as his body, are known much more distinctly through the mind than through the body.

Whitman wrote broad stanzas and focused on the whole of America as his inspiration. His lines covered a wide range of topics and generated multiple points of view for the reader. He called his life’s work “Leaves of Grass”; stressing the

In “Song of Myself”, grass is the central image surrounding Walt Whitman’s ideology. The idea behind it is grass, in some ways, is very similar to people in society and natures lifecycles. As Whitman was “observing a spear of summer grass” (5), he began to question the human condition. One of Whitman’s first thoughts was that one individual, like a single spear of grass surrounded by more grass, is part of a large community of people. It’s impossible to differentiate from others, for all people are equal despite cultural, religious, or gender differences. Nevertheless, Whitman’s use of symbolism alludes to the idea that grass reflects the thoughts and condition of people in society.

There are many themes present in “song of myself”, but three main themes stood out to me more than any other themes. The themes are the beautification of death, knowledge, and the connection between people and things. The beautification of death, knowledge, and the connection between people and things is apparent throughout the poem.” The poem that would come to bear the title "Song of Myself," the major poem of the original 1855 edition, contains several key passages relating to death, including sections 5 and 6, which offer another example of a scene where ecstatic sexual engagement leads to and is linked with a visionary spiritual transcendence of death.” I put this quote from “"Restless Explorations": Whitman's Evolving Spiritual Vision in Leaves of Grass” to support the claim of death being romanticized and repeated throughout the poem.

Whitman writes that he, as a poet, represents the body and that he is "the poet of the soul" (Lauter, p.2759). In other words, his poetry represents the body and the soul, but since we are more interested in the soul, we will focus on that. Remember, also, Whitman's poetry is often contradictory. He says in the following lines, "The pleasures of heaven are with me, and the pains of hell are with me" (Lauter, p. 2759). I believe what Whitman is saying here is that his soul includes both pleasure and pain. But, in the very next line he says that he has brought pleasure on himself and the pain he feels he "translates into a new tongue" (Lauter, p. 2759). The tongue refers to here is his poetry. To tie this altogether, his poetry represents the soul, particularly pleasure and pain. He takes the pain from his soul and translates it into poetry. Therefore, his poetry represents his soul.

On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.

In his first anthology of poems entitled “Song of Myself”, Walt Whitman reveals some of his views on democracy through the use of symbolism and free verse poetry. His use of symbolism and free verse poetry creates indeterminacy, giving the reader hints rather than answers about the nature of the poem. In the sixth part of “Song of Myself”, a child asks the narrator of the poem, “What is the grass?” (Whitman). Instead of simply giving an answer, the narrator cannot make up his mind, and stumbles on how to explain the grass to the child. Through the use of specific symbolisms, Whitman, as the narrator, explicates his views while remaining under the façade of explaining grass to the child. The views Whitman conveys remain indeterminate and

& nbsp;Divinity, Sexuality and the Self in Whitman’s Song of Myself       Through his poetry, Whitman's "Song of Myself" makes the soul sensual and makes divine the flesh.  In Whitman's time, the dichotomy between the soul and the body had been clearly defined by centuries of Western philosophy and theology.  Today, the goodness of the soul and the badness of the flesh still remain a significant notion in contemporary thought.  Even Whitman's literary predecessor, Emerson, chose to distinctly differentiate the soul from all nature.  Whitman, however, chooses to reevaluate that relationship.

“I celebrate myself, and sing myself / and what I shall assume you shall assume” (Whitman 1-2). These lines not only open up the beginning of one the best poems of the American Romantic period, but they also represent a prominent theme of one of this period’s best poet, Walt Whitman. In Walt Whitman’s Song of Myself, Whitman deals with his time period’s most prominent theme of democracy. Whitman tells readers that they must not only observe the democratic life but they must become one with it. As Whitman states, “For every atom belonging to me as good belongs to you” (3). Democracy provides a connection with all people. It is as if Joseph Stella felt this connection and decided to depict it in his collection of paintings entitled “Americans in the Rough.” The individual is of no greater or lesser worth than anyone else. Beatrice Marovich states that, “It is a song for fellow Americans, about the American body politic” (349). An analysis of Song of Myself portrays that understanding and becoming one with democracy through political collectivity essentially sets the stage for the American democratic self. Joseph Stella does a great job of interpreting and depicting Whitman’s ideals of democracy through his illustrations representing every facet of an American democratic life.

It was a deep poem, because it opened up his perspective on life, and his perspective is unique. In a way he spoke of his own religion, and preached that everyone meets their maker, but everyone is reincarnated as a blade of grass, and he spoke of showing respect for the blades of grass because they could have been part of his ancestory or a person of importance to another person. In general, he wanted people to show appreciation for the world because many generations walked this planet before he did. He wanted people to respect those who have since been deceased, no matter their race, because death is inevitable, and they will soon face it. Whitman’s writing style carried over into this canto, his blank verse style of poetry, although it was not flashy, it made him sound educated and well spoken, but hard to follow. He also revealed that he did believe in a god when he spoke of God’s handkerchief was a gift for Earth, through a

This is another poem that links Whitman to the Romantics. The "birth of the poet" genre was of particular importance to Wordsworth, whose massive Prelude details his artistic coming-of-age in detail. Like Wordsworth, Whitman claims to take his inspiration from nature. Where Wordsworth is inspired by a wordless feeling of awe, though, Whitman finds an opportunity to anthropomorphize, and nature gives him very specific answers to his questions about overarching concepts. Nature is a tabula rasa onto which the poet can project himself. He conquers it, inscribes it. While it may become a part of him that is always present, the fact that it does so seems to be by his permission.