I Stand Here Ironing By Tillie Olsen

Suffering from tuberculosis, Emily was sent away from her mother again to a convalescent home, where she could be better cared for. While Emily is at the recovery center, she is cut off from almost all communication especially relationship with her own mother. Even the letters the narrator writes to her are read to her once and then thrown away. Parents are allowed to visit only every other Sunday, when the children line up on the balconies of their cottages and conduct shouted conversations with the parents who stand below. Emily’s balcony in particular represents the emotional distance between the narrator and her daughter.

Billie Jo Kelby is not a boy. She’s a girl; a wiry, thin, redheaded girl that looks more like her father than her mother. She lives on the Great Plains in 1935, during the great drought known as the Dust Bowl. She lives with her pregnant mother and her father, and life seems good, or as good as it will get in her dusty world.

The short story “I Stand Here Ironing” (1961) by Tillie Olsen is a touching narration of a mother trying to understand and at the same time justifying her daughter’s conduct. Frye interprets the story as a “meditation of a mother reconstructing her daughter’s past in an attempt to express present behavior” (Frye 287). An unnamed person has brought attention and concern to her mother expressing, “‘She’s a youngster who needs help and whom I’m deeply interested in helping’” (Olsen 290). Emily is a nineteen-year-old complex girl who is atypical, both physically and in personality.

In the short story "I Stand Here Ironing" by Tillie Olsen the conflict between a mother whose giving is limited by hardships is directly related to her daughter's wrinkled adjustment. Ironing, she reflects upon when she was raising her first-born daughter, Emily. The mother contemplates the consequences of her actions. The mother's life had been interrupted by childbirth, desertion, poverty, numerous jobs, childcare, remarriage, frequent relocations, and five children. Her struggling economic situation gave way to little or no opportunity to properly care for and nurture her first-born child. In spite of the attention and love Emily craved and never received, she still survived, and even made strengths, and talents, out of the

While James Baldwin’s short story “Sonny’s Blues” depicts the connection between two brothers, Tillie Olsen’s short story “I Stand Here Ironing” represents the bond between a mother and her daughter. Both Baldwin and Olsen focus on family relationships and how emotional support vs neglect have an effect on family members. Also, each author conveys a message of finding self-identity even amidst adversity, while including the symbolism of everyday objects. Furthermore, Baldwin compares light and darkness throughout his story, and Olsen has the mother scrutinize her actions in an interior monologue.

The line between being an acceptable and unacceptable parent is often blurry and is seen on different perspectives when it comes to class, culture, and generation differences. Based on the two stories of Amy Tan’s, “Two Kinds” and Tillie Olsen’s, “I Stand here Ironing” we see these two perspectives that derive from different maternal upbringings of the children in the stories. What is found between them is the conflict of being too little or heavily involved in a child’s life has had more negative outcomes during their childhood than positive.

“A Rose for Emily” by William Faulkner presents yet another example of a woman who possesses feelings of adoration and hatred but is constantly in despair and isolation because of the male influences in her life. Like the woman, Delia, in “Sweat”, she holds these hateful and even fearful feelings held up inside of herself until she acts out and does something drastic, for example, murdering Homer Barron (913). In “A Rose for Emily”, like in “Sweat”, the male figures are characterized as being very authoritative and controlling, in the case of Emily, her father is this male figure. The narrator provides a detailed description of him next to Emily as others pictured them, as a “tableau”. “Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the backflung front door.”(909). The imagery of the father clutching the whip next to the fragile Emily against a such a pure white background brings one to see and acknowledge the dominating and controlling nature of their relationship, better than any passage of conversation ever could

This reality sends panic and fear through her because now she has nowhere to turn and no one to tell her what to do, no one to command her life. Not only is she stricken with the loss of her father but now she is cut off to the outside world, because her only link has passed on. Emily immediately goes into a state of denial; to her, her father could not be dead, he was all that she had and she would not let him go.

I Stand Here Ironing lies in its fusion of motherhood as both metaphor and experience: it shows us motherhood bared, stripped of romantic distortion, and reins fused with the power of genuine metaphorical insight into the problems of selfhood in the modern world. ironing is a metaphor for "the ups and downs, back and forth of pressing pressures to make ends meet and a determination to pass through life's horrors and difficulties by keeping the mind intact and focusing on the beauty and blessings that [lie amidst] the dark times"? So the ironing is like a drug, to keep the mother calm and sedated. The story seems at first to be a simple meditation of a mother reconstructing her daughter's past in an attempt to

“Only help her to know-help make it so there is cause for her to know that she is more than this dress on the ironing board, helpless before the iron” (Tillie Olsen). The last sentence of a story might not mean a lot to some readers however, for most reading this story, the last sentence makes one rethink the whole perspective of Emily’s mother. Is she really this awful mother who only took care of her daughter, Emily, half of the time? Did she actually care for her daughter and didn’t know how to show it until it was too late? In “I Stand Here Ironing” Tillie Olsen uses symbolism, flashbacks, and theme to develop the narrator as an unsympathetic mother who is unable to treat her daughter, Emily, with the attention and care that she needed to blossom into adulthood.

“I Stand Here Ironing” by Tillie Olsen is a depiction of a mother-daughter relationship that lacks involvement and warmth. The whole story composed of the mother’s memory of her relationship with her daughter, Emily. The memory was a painful one comprised mostly of the way the mother was much less able to care for Emily. The forsaken of Emily demonstrates the importance of physical and emotional support.

Emily is a very dependant woman who can’t take care of herself. She is so used to having her father around and to tend to her. At age thirty Emily is

In the story, “I Stand Here Ironing”, written by Tillie Olsen, the iron symbolizes the role of poverty and loneliness in the mother’s life., hence the title. The iron itself represents the mother’s current circumstances; poverty, loneliness, and other misfortunes whereas the actual motion of ironing represents the mother’s train of thought.

Emily is angry and resentful. She is angry at her mother and blames her for her life and the way she has turned out. Her mother has always put her down and constantly tell her that she was

As the story begins, Olsen receives a call from her daughter’s schoolteacher asking her to come to the school to talk with her about Emily’s problems. Olsen draws the reader in as she addresses the teacher in her thoughts. She wonders, "Even if I came in, what good would it do? You think because