I Walk Up Broadway By A Copy Of The New York Post Essay

Growing up in Manhattan was an epitome of excitement. Back in the day, and also to its founding, New York has always been a beehive of activities. Going down memory lane, I reminisce on trips that we’d take to loads of places around the city for entertainment during weekends and on holidays. Raised by Spanish immigrants, my father was a chef in a small but busy restaurant along Fifth Avenue. Since I can recall, fifth avenue has always had some of the major and well known fashion stores and hotels in the city. This would have

Riding the subway to a New York City resident is nothing new. It’s something that many of us New Yorkers have to use as transportation because living in a crowded city with limited space to drive is not very ideal. For the people who do drive, they do so for personal comfort and convenience. But for us commuters, having to not look for parking and worry about traffic takes up less of our time. On the other hand we experience train delays and disturbances in personal space. Nonetheless, the pros outweigh the cons and using the subway has become a part of our daily routines for many of us New Yorkers. Marc Auge states that, “If he draws himself into the field of his ethnological inquiry, it is no less fitting for his readers to broaden the scope of appreciation of the work for riders.” With that in mind, I observed the connections with my experience riding the subway in a city integrated with many different peoples and cultures.

Traveling between the Bronx and Manhattan has allowed me to see that even though they are so close in distance, everyone is yet so far. Being raised in the Bronx has allowed me to gain a sense of home and recognition, but also how stereotypes are meant to deceive us. The Bronx is labeled as a dangerous place, where violence occurs, but people neglect the beauty and happiness that surrounds it too. Meanwhile, when people think of Manhattan, they see it as the heart of New York where everyone is living their dreams. When in reality, the “heart” of New York is much more distant from itself, and that is not just because it is on an island.

A homeless man walks on an NYC train and the energy becomes apparent; everyone knows exactly what will happen next. Touching yet rehearsed words exiting his lips, while still trying to obtain his manhood; begging for any solution to his growing stomach and unnerving uncertainty of where he will lay his head are what a person who frequents public transportation will face at least once a day. Walking up and down the cart, he’s trying his hardest to lock eyes with someone while the music of New Yorkers’ headphones elevate, heads bow lower; locking eyes with the ground and reading material cover the faces of those who are giving this less than fortunate man every inclination that change will not be spared and leftovers will not be given up so easily.

The essay begins with a short description of the writer’s own experience when she arrived in New York, from the bustling in the crowded streets, to the impersonal existence in her apartment, as she knows none of her neighbors and can only speculate who they are and what they are doing by the sounds they’re making. She moves on to giving several examples of how New Yorkers react with apathy when in crowds, even when something utterly absurd happens, like a woman wearing only her bathrobe on the bus exclaims that she must have forgotten her token in

A young woman carried a 50-pound mattress onto the stage at a graduation ceremony in Columbia University. Known as the “Mattress Performance (Carry That Weight)”, Emma Sulkowicz started carrying the mattress everywhere she went on campus in an attempt to expel a classmate who was found not responsible for sexually assaulting her (LATimes). She became an instant media sensation, as new reporters grasped the opportunity to cover this unique case and praised for her bravery. After receiving the National Organization for Women and the Feminist Majority Foundation awards, Sulkowicz became one of the most admired feminist icons at that time (NationalReview). However, along with the positive responses is the skepticism. When evidence of her unmatched accusations were published by Reason’s Cathy Young, critics such as the Families Advocating for Campus Equality (FACE) described her as an attention seeker whose project is “a personal vendetta”. As journalists continue to update the new findings, the public gradually become divided into the accused or the accuser side. Eventually it became a debate between Sulkowicz’s scarring from the rape and the accused unfair harassment. Instead of emphasizing on the emotional aspects of campus sexual assault, the media should frame rape as a violent act and portray it as a criminal issue.

It is easy to see the beginnings of things, and harder to see the ends. I can remember now, with a clarity that makes the nerves in the back of my neck constrict, when New York began for me, but I cannot lay my finger upon the moment it ended, can never cut through the ambiguities and second starts and broken resolves to the exact place on the page where the heroine is no longer as optimistic as she once was. When I first saw New York I was twenty, and it was summertime, and I got off a DC-7 at the old Idlewild temporary terminal in a new dress which

With reference to the mentioned above, it is also permissible to assume that the audience to which the author directed the book is possibly medium to high class, with a basic level of education and reside in Manhattan for her direct observation of how, in the cocktail parties, people voice comments such as "I can't take Manhattan anymore" and "our citizens dream of the open spaces of Wyoming, the manicured exclusivities of Hobe Sound” just as her allusions to historic events, for example "there is much about Manhattan now that resembles Dickensian London” and “For the ancient greeks, drama taught and reinforced compassion”. This last fact among other opinions such as "We cannot deny the existence of the helpless as their presence grows” y “it is impossible to insulate ourselves against what it is at our very doorstep”, finally define that the intention of the author when executing this document was generating conscience to the population of the city in which she

Whenever New York City comes to the minds of people, it’s usually first associated with Broadway shows and Wall Street primarily. Ever since I’ve moved here, one of the first things I think about whenever I step out my door is “Will I have enough money for the Subway?” Sometimes I also think “What’s going to happen to me on the Subway today?” Well usually I have enough money, and most of the time nothing significant happens to me on the Subway. However in those rare moments when something does happen or I witness something out of the ordinary, that thought usually sticks with me for a bit. Travis Bickle, the central focus of Martin Scorcese’s 1976 film Taxi Driver, saw the city of Manhattan as a gritty, crime-ridden island filled with “the scum, the cunts, the dogs, the filth, the shit” who walk around the place every day. Personally, that’s not how I’ve seen the city thus far.

New York is a city that works in mysterious ways, having a strong presence on those who walk its streets daily. It's a city with character, touching those who live there or taste its enigma and yearn for seconds after the moment is gone. Although the journeys this city can put at people’s feet can vary from person to person, in many cases the path that some walk can end up being very similar. This was the case after reading “Tehran to the B Train” by Roxana Sabari and “My First New York” by Colum McCann. These two articles are both taken place in the big city, and when compared side by side, it can be shown that they both show many qualities, such as the location, the struggle both authors go through during their time in the city, and the realization

The sounds of the city penetrated the walls of the cab as we drove through the streets of Manhattan. I could hardly wait to partake in the action that was happening outside. The buildings themselves were an amazing site to behold. The buildings took on personalities of their own. Each building was bigger and more graceful than the next. When lights were added to the mix it was a dazzling combination. The city itself felt like a great big hug, and I felt overwhelmed by its power. The city allowed me to become part of it just like many others many years ago who immigrated to this awesome city. As I was looking out of the cab I finally got to see in person the sight of all sights; Times Square. The main juncture of

Imagine, it’s 1960 and you decide you want to walk around the square in Downtown Newark while you have a few hours of leisure. As you’re walking around you can hear the sound train’s brakes screeching and all familiar whistle of the train in the distance chugging along. You can almost smell the infatuating scent of the delicious burgers cooking as you walk past Sparta causing you to stop for a bite to eat. You enjoy looking at the various locally painted works of art for sale that bring beautiful life to the walls. they smell so good you decided to stop for a bite to eat. After a wonderful lunch you head towards the Midland Theater to listen to a live orchestra which you have the best seat in the house for. The concert was phenomenal especially the trumpets. Now, it's time to go do a little shopping.What store should we go to first?

New York City is one of the most recognizable cities in the United States. This level of recognition most likely comes from its reputation as the City of Dreams, a place where anything and everything can happen. The city draws out strong emotions in the people who visit it- either they absolutely love it or they loathe it completely. As a result, New York is often a setting in many a novel- Charlotte Temple and Washington Square are no exception to this. That is, both novels explore different emotional aspects of New York in contrasting ways. On the one hand, in Susanna Rowson’s Charlotte Temple, New York is a place of love for Charlotte, and of deceit for Montraville, although these descriptors switch in the end for Charlotte and

As the day progresses on and Medina and his family continue their journey over the Brooklyn Bridge, the snow presents the newly discovered mood; now twisted into what is described as “Cotton swabs dripped in Mercury.” (Medina, 73). This mood was also backed up with Medina’s overall perspective of New York

Founded as hunting grounds, Soho, whose name is believed to be derived from an old hunting cry, has historically been known as a fashionable district (Noble). The days of masked balls, grand houses, and wealthy aristocrats of the 1600s had faded to the domestication of Soho, to becoming a center for the bohemians in the 1940s onwards. Today, Soho has moved from a place where Karl Marx and Friedrich Engels could debate capitalism, to a sex-center where drag queens are advertised by name (Thornbury). In this essay, I will explore how Soho has evolved to have dual atmospheres living side by side. The dual atmospheres that will be discussed through descriptive language and ethnographic observation are the majority (tourist hub) and minority (local Soho). Atmosphere will be defined in the terms that help “in thinking about intensities of feeling and emotion that swirl through cities; they can imbue public spaces with a sense of collective well being, but also with a sense of unease or even outrage” (Koch and Latham). This essay will also argue how the majority atmosphere poses a threat to the minority atmosphere.