October 13, 2014, was the day the Campbell 's decided to take action. "I 'm fed up!" wailed Mary Sue, as she beat her fists on the kitchen counter top in agony. She gestured pointing at herself, "I do not approve the way you treat me! I love you, but I feel as if the feeling is not mutual. You never express your feelings for me verbally. It would be nice to hear I love you sometimes!" Mary Sue is very convinced her husband of eight years no longer loves her because he never tells her. Vocal expression is not always the key, all behavior has communicative value. Mary Sue’s husband Gary murmured, “Mary Sue! We are going to see our marriage counselor today, this is pure hogwash.” As the conflicted day continued the couple decided to take a drive to County Line Rd. Sunnyville, West Virginia. There they could meet with their marriage counselor Pamela. The Campbell’s were in hopes she could help them open up to one another. Considering she is pretty familiar with their situation. Upon arrival, Pamela was surprised to see the couple, “How are you folks doing today? Please have a seat, and make yourselves comfortable.” Before the couple spat a word, Pamela mentally noted how Mary Sue clenched her fists violently. Pamela’s specialty is the study of kinesics, the study of bodily movements (Adler, Rosenfeld, & Proctor II, 2014, p. 2016). “I can sense tension, what is going on?” demanded Pam. Silence aroused, as Mary Sue gazed out the
In the She’s The Man (2006), Viola Hastings (Amanda Bynes) cross dresses for the majority of the film, pretending to be her twin brother Sebastian. She does this in order to play for Illyria’s men’s soccer team as her school, Cornwall, cut the women’s soccer team and wouldn’t allow her to play for the men’s team. Her main motivation is to beat her former schools team and prove to them that even though she is a girl, she can play on the same field as the boys. While pretending to be Sebastian, Viola initially struggles to hide her femininity, such as when it is discovered that she has tampons in her bag. As the movie progresses her ability to hide this femininity and express masculinity becomes easier. Her cross dressing has an effect on everything and everyone around her and it pushes the line on the comfort people feel when stereotypical gender norms are challenged/ She becomes interested in her roommate, Duke (Channing Tatum) and throughout the movie the two become closer on an intimate level even though Viola is still masked as Sebastian. Duke is obviously uncomfortable with this as made evident by the end of the movie, when it is revealed that Viola was pretending to be Sebastian the entire time. His look of relief reinforces this idea of stereotypical, heterosexual gender roles, as now that Viola is revealed as a female, it is socially acceptable to be attracted to her. She’s The Man reinforces the stereotypical gender roles that society expects out of
So naturally Michaelis tried to find out what had happened, but Wilson wouldn’t say a word — instead he began to throw suspicious look at his visitor and ask himself what he’d been doing at certain times on certain days of the week. Just as the latter was getting restless, some workers came past heading to the door for his restaurant, and Michaelis approach the chance to get away, intending to return later. But he never did. He supposed he forgot to, that’s all. When he gets outside again, a little later after seven o’clock, he was remembered of the conversation because he heard Mrs. Wilson’s voice, loud and clear coming down-stairs in the garage.
In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.
boys to live out her childish delusions of romance and allows herself to be swept away by this
Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.
Not every story is 100% original. Many stories are inspired by older stories, fairy tales, archetypes, real life events, etc. There are thousands of stories in the world, so newer stories will likely be like at least a few of them. One such story is “Where Are You Going, Where Have You Been?” by Joyce Carol Oates. In this story, a man who calls himself Arnold Friend tries to victimize another character, who is a 15-year-old girl named Connie. The inspiration for this story is clear. Arnold Friend is very similar to The Big Bad Wolf from 2 different fairy tales, “The Three Little Pigs,” and “Little Red Riding Hood.” for various reasons, including threats, acting, and disguises. Evidence of this is interspersed throughout the story.
In 1955, Flannery O’ Connor published the short story “A Good Man Is Hard to Find” which became her best-known short story. Although many appreciated her work it received much criticism for its peculiar character, The Misfit. His callous violent behavior made people uncomfortable with her work describing it as consistently distorted and manipulative. The Misfit’s unsentimental and cruel behavior characterizes true psychological disturbance similar to that of Charles Manson and Jeffrey Dahmer. Flannery O’Connor’s “A Good Man Is Hard to Find” Is an accurate representation of Antisocial Personality Disorder (ASPD). Through The Misfits recollection of his past, his trauma, and his lack of guilt he depicts a severe case of ASPD.
According to the article “But I’m Not Tired,” by Alice Parker, the article states “Many kids ages 10 to 12 years old only get 7 - 8 hours of sleep.” Schools need to adapt their start time and end time. Schools also need to adapt after school activities. Class time should be at least 40 to 50 minutes long. Studies have show that 7 hours of sleep is minimum requirement hours of sleep per night. Studies have also shown that 46% of nights, students sleep less than 7 hours. Studies also have shown that sleep is vital to humans well-being, as important than the air humans breathe.
In the book She’s Come Undone by author Wally Lamb, we travel on a journey with a young girl Dolores Prices, as she matures from early childhood to adulthood and all the terrible things that accompany her along her voyage. It was rather intriguing the Wally Lamb did such an excellent job of writing in a first person perceptive as a woman. He accredits his ability to his older sisters. Wally Lamb wrote this book to help emphasize one’s journey to self-discovery. This book’s theme heavily shows the loss of innocence and a coming of age story. Lamb was able to write in a way that many of us could relate to or may have found ourselves in similar situations. Regardless of Lamb’s purpose for writing this book, he was able to create a relatable
On the day of an important meeting Mary decided to entertain the client with stories of her weekend while Jennings was running late. When Jennings arrived in his office he found a less than impressed client and his assistant chatting him up. After Jennings had told her to leave the office so they could commence their meeting, which was
“Where Are You Going, Where Have You Been” is a popular short story written by Joyce Carol Oates, a well-known American writer born in 1938 who is well-known for her literary works in various genres (“Joyce Carol Oates”). In her short story, Oates depicts Connie, a self-centered teenager, being pursued by a mysterious and potentially dangerous individual who claims to be named Arnold Friend. At the end of the work, Arnold finally convinces Connie to allow herself to be abducted by him and his friend which could lead to Connie’s death. Throughout Oates’ piece, “Where Are You Going, Where Have You Been,” hidden intent is continually observed, resulting from the mentions of Arnold Friend’s mirrored sunglasses and his mask-like makeup, which both symbolize masks.
Young adult literature such as The Hate U Give by Angie Thomas, emphasizes teenagers using both their actions and their voices to overcome injustices such as racial inequality and police brutality. Racial inequality and police brutality is discussed greatly throughout The Hate U Give, due to the difficulties the protagonist, Starr Carter, endures when her best friend, Khalil, is killed because of him being African American and situated in an unsafe neighborhood. Starr embraces an inner conflict with herself in regards to speaking up and taking action against the presented injustices she constantly faces. The author, Laura M. Robinson, of Girlness and Guyness: Gender Trouble in Young Adult Literature thoroughly explains why adolescents are
such as " I toldja shut up, Ellie," and "your deaf, get a hearing aid,
Nothing to Envy by Barbara Demick provides insight into the lives of North Korean defectors while in North Korea. Their accounts give inside information about the North Korean regime which makes it possible to analyze to what extent society was an egalitarian utopia. The interview reveals that people were discriminated by social class as evident by those who were richer, and thus in a higher social strata, having more opportunities for success. There was also economic inequity which was apparent by people having different degrees of struggle. However, the problems North Koreans faced was similar, which showed there was some equality from their struggles. Overall, the interviewees give accounts which contradict the idea that the North Korean regime was promoting egalitarianism through their accounts which give counterexamples regarding social class and economic status, so their claim of egalitarianism is mostly false.
For the majority of the session, the clients’ posture remained the same; both sat upright with both feet on the floor. At one point in the session, Sue asks the wife, Leslie, how she felt about a particular situation in which her husband, Scott, was angry and Leslie responded that his anger at times made her feel unsafe. Upon hearing this revelation, Scott inhaled deeply indicating some level of discomfort. Scott could also be seen crossing his arms during periods of conversation about his anger turning him into a “monster”. Leslie could be seen crossing her arms and staring at the floor while discussing the same subject matter.