In Othello, William Shakespeare portrays how Othello is a highly respected figure in Venetian society, but that the racially prejudiced reality he faces threatens to unmask his deepest insecurities. Iago despises Othello due to how he has vastly excelled him in military rank. He desires to reduce Othello’s glittering reputation and love life to dust. He is keenly aware of how Othello has always felt different than everyone else in Venice due to his African background. Othello believes that his relationship with Desdemona will finally allow him to escape his insecurities. However, Iago uses Othello’s greatest strength against him as he allows his love for Desdemona to become his greatest weakness. Iago’s racial prejudice leads him to manipulate …show more content…
Iago endeavors to destroy Othello by allowing his insecurities to become exacerbated. Iago knows that Othello often feels as an outsider due to his racial and ethnic background. He also knows that Desdemona is a pillar of stability and strength in Othello’s life. Iago believes that turning Desdemona into an object of hatred in Othello’s life will finally allow him to reverse Othello’s good fortune. Iago describes Othello as being an animal as he believes that an African man is inferior to white Europeans: “Even now, now, very now, an old black ram /Is tupping your white ewe./ Arise, arise! Awake the snorting citizens with the bell, / Or else the devil will make a grandsire of you. / Arise, I say! (1.1.95-199). Othello’s fears that he does not truly belong in Venetian society always lingers in the …show more content…
In the article “An Essence That’s Not Seen: The Primal Scene of Racism in Othello,” Arthur L. Little Jr. contends that Desdemona plays a vital role in Othello’s rise and fall as she is his reason for being as well as the reason he destroys himself. As Little argues, race is intertwined with Othello’s love for Desdemona as racial prejudice makes Othello instantly suspect that his life is not nearly as spotless as he would like to believe (Little 306). Shakespeare focuses on how Iago is determined to use Othello’s love against him as he acknowledges that Desdemona embodies Othello’s ability to belong in a foreign society. Iago desires to take everything that Othello holds near and dear including his military prestige and love life: “But for my sport and profit. I hate the Moor, / And it is thought abroad that ’twixt my sheets / He’s done my office. I know not if ’t be true, / But I, for mere suspicion in that kind, / Will do as if for surety. He holds me well” (1.3.323-326). “That chamberers have, or for I am declined / Into the vale of years,—yet that's not much— / She's gone. I am abused; and my relief / Must be to loathe her” (3.3265-269). In the article “Slaves and Subjects in Othello,” Camille Wells Slights contends that Othello’s view of European society reflects how Europan society has not yet developed into a society that embraces the rights of people from other backgrounds. Iago
Haply, for I am black/ And have not those soft parts of conversation/ That chamberers have, or for I am declin’d/ Into the vale of years (yet that’s not much) She’s gone. I am abus’d: and my relief/ Must be to loathe her” (III.III. 304-309). As the emanation of social interaction among various races appear within English literature, the vault of new beginnings and change takes hold. William Shakespeare’s Othello, is most notably recognized for the character, Othello. Through various texts of literature, the idea of racial construct and discrimination was never an easy topic to come by. Since the play was written in Europe during the 1600s, the emergence of slave trades in this area further divided races. The play itself follows the tragedy for Othello, and the transition from a military general to a tragic hero. The limitation of power plays a huge role in Othello’s ability to withstand the manipulation of multiple characters. Although he is Moorish general in the Venetian army, he is still indeed a Moor, a socially lower class, muslim man. From this, cultural collision of ethnicity influences how Othello is treated and the disadvantages he faces because of his color. Through the mere jealousy in which Iago, Othello’s standard-bearer, has for Othello’s life, he proposes the idea to manipulate his life by using the one difference between all men, race. When Iago awakes Brabantio, the father of Desdemona, he hopes to initiate his plan to take down Othello. His description
Iago plays on Othello’s own insecurity about his race to trigger jealousy; an example of this would be his observation on lines 227 and 228, where he insinuates that Desdemona may be better suited to somebody “of her own clime, complexion and degree”. This follows a quote from Othello, stating that his relationship is ‘nature erring from itself’, allowing the audience to see his own uncertainty about his ethnic background, which Iago then develops and twists to suit his needs. Iago’s quote implies that Desdemona would be better matched with a man of similar race, such as Cassio, rather than Othello, which is designed to spark jealousy within Othello, and is shown to have a profound effect on him towards the end of the scene, with his aside to the audience “Why did I marry”.
Jealousy is someting that can cloud the minds of even the most smartest people.It can friends enemies and blur people's judgment and convince themselves of something that is false .throughout the book anger is a big motivator for the characters.
In William Shakespeare’s classic Othello, it has remained relevant for the years since it was written. Not only because of the universal themes seen throughout, but due to its enduring value which has been seen in the exploration of issues that we as a society still face today. Othello as a character is portrayed as an outsider compared to the Venetian upper class society due to his different ethnicity, this classically reflects the views from Shakespeare’s time and still today reflects from issues seen recently. The recurring instances of social injustice and racial bias both in the text and in society today show that we as society still have not grown and continue to be bias to people due to things they cannot change. The nature of villainy shown through the antagonist, Iago, as he explores the need of power and how power or the want of
Even Brabantio, Othello’s own father-in-law, displays disdain toward Othello for marrying his daughter, in his calling him a “lascivious moor.” Also there is a particularly strong conversation between Iago and Barbarantio, in which Iago states “an old black ram is tupping your white ewe. Arise, arise; Awake the snorting citizens with the bell, Or else the devil will make a grandsire of you.” This statement shows a great deal of hatred toward the marriage of Othello and Desdemona. Iago is saying that if Desdemona were to have sex with Othello, “an old black ram”, it would defile Desdemona’s pure nature, “white ewe” (ewe being a lamb). This is not so much the act of the two people sleeping with each other as it is the fact that Othello is of African descent. Why else would Iago refer Desdemona as the “white ewe” and not just and ewe. The white part seems to display purity in Iago’s eyes. Also there is the part about the devil making a grandsire out of you. This is talking of how Desdemona and Othello’s children would be of a mixed race, of which Barbarantio would be the grandfather. Another racist comment Iago makes to Barbarantio of the interracial marriage of Desdemona and Othello is, “…You’ll have your daughter covered with a Barbary horse. You’ll have your nephews neigh to you. You’ll have coursers for cousins and gennets for germans.” This refers to Othello as a Barbarian, or African, horse who will climb
What caused Iago to seek to ruin multiple lives, particularly Othello and Desdemona’s? Throughout the entirety of Shakespeare’s tragic play, Othello, the main antagonist, Iago, clearly specifies his motives for causing the chaos he did. The villain heartlessly manipulates his comrades as if they were puppets, using their personalities and weaknesses to their disadvantage. Iago’s manipulation, dishonesty, and jealousy led to the destruction of Desdemona and Othello’s happiness.
It would be difficult for anyone to come to terms with such contradictory notions of themselves, and Othello is no exception. Once Iago sets the stage for Othello?s fall, the negative emotions aroused in the general cause him to release the lunatic black man that the insiders have feared lies within ?The Moor?s? austere composure. Many critics have suggested that Othello?s extreme jealousy is what amounts to his belief in Iago?s twisted tale of Desdemona?s infidelity and thus his ultimate downfall; however, it seems more likely that it is Othello?s insecurity over his sense of self that allows this manipulation to amount to such an extreme representation of character. Othello himself admits ?Rude am I in my speech? (I.iii.81), failing to have the confidence to eloquently explicate his relationship with Desdemona, although his words prove him to possess quite an impressive mastery of the English language. He comments again on his
In Shakespeare’s play Othello, tragedy unfolds on the account of one man’s actions, Iago. He is a twenty eight year old military veteran from Venice. His personality consists of being obsessive, manipulative, relentless, and bold. From the beginning he expressed his hatred towards the Moor, or North African named Othello. Othello is a highly respected general and is also married to the pure Desdemona. The marriage between Othello and Desdemona is destroyed due to Iago’s actions and lies. His actions consist of getting Michael Cassio discharged as lieutenant and convincing the Moor that his wife is cheating on him. The motives Iago has for despising Othello are he passed him over for a promotion to be his lieutenant, instead he chose
It then hit me that through Iago’s judgments Othello is “the Moor” and should therefore exemplify the common idea of a moor, which is not admiration, self-worth, and fortune; it is one of disconnectedness and dependency. When he says that “nothing can or shall content his soul/ Till he is evened with the Moor, wife for wife” (Act 2: Scene), he means that he is satisfied until Othello’s life is made equal with his involving feelings of inadequacy and jealousy, which are all qualities fitting to a “moor”. Throughout the play Iago repetitively uses derogatory remarks when speaking of Othello so to encourage certain people in the play to endure racism and confirm that it was the norm. Even so, some of Iago’s semantics reveal his own prejudices. For example, Iago only refers to Othello as a “Moor” with the exception of when he refers to Othello as the “black Othello” (Act 2: Scene 3). Iago hates Othello because he is “the Moor” yet does not symbolize the expected role of what is thought of to be a black man in these times. There is neither reason nor logic behind his hatred, but discrimination against one seldom has reason, for it is characteristically irrational thinking. Iago is a clear illustration of what racism is and will justify his irrational thoughts with anything, just as Iago contributes to Brabantio and Rodrigo’s reasoning behind their actions and Othello’s reasons for acting out on
When Iago makes a point of including Othello’s race in a conversation with a confidant, it proves that he feels that Othello’s race is the reason for his actions. There is an obvious abhorrence for Othello based upon his race. Later in the play, Iago goes on to say “If she had been blessed, she would never have loved the Moor” (Reading and Writing Across the Curriculum “WRAC” ). This statement shows that Iago is jealous of Othello because he won the love of Desdemona and is cause for insecurities on his part. Iago must now question his marriage and whether or not Othello is cause for infidelity. These insecurities act as extra motivation for Iago’s actions.
The fear of interracial marriage in Venetian society is used by Iago in an attempt to alienate Othello. Othello himself acknowledges the fact that interracial marriage is frowned upon and that racism still applies to him despite his position. A common attitude in Venetian society is that black men and women are inhuman and animalistic in nature; Iago capitalizes on this idea in order to aid his plan of antagonizing Othello. Brabantio, Desdemona’s father, is a prime example of the attitude of Venetian society as a whole, in the sense that he “loved” Othello as long as he remained a servant of Venice and would rather Othello not intermingle amongst the Venetian society. Initially Brabantio “oft invited [Othello]” to his home and “queston’d [him] the story of [his] life”, showing an admiration and sincere interest for Othello’s
To begin, Iago’s encouragement of prejudice leads to Othello’s manifestation of darkness. For instance, when Iago unveils to Rodrigo that he has a plan to attain Desdemona’s affection for him, he in contrast dehumanizes Othello he reveals that “If I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, but seeming so for my peculiar end. For when my outward action doth demonstrate” (I.i.57–65). This illustrates, Iago’s true nature that he holds prejudice and hatred for Othello by referring to him as a Moor, it proves that he only views him as substandard. Iago will pretend to serve him, but in reality he is only loyal to himself. This foreshadows that Iago will use negative connotations of race to manipulate Othello into thinking he is worthless. Thus, planting in Othello’s mind thoughts of adultery and hypocrisy. Later, resulting in the uprising of jealousy and darkness of Othello’s character. So Rodrigo, can obtain Desdemona’s love. Promotion of racial bias is also, evident when Iago tries to insinuate that Desdemona is unfaithful. He argues that “not to affect many proposed matches of her own clime, complexion, and degree, Where to we see in all things nature tends—Foh! One may smell in such a will most rank, Foul disproportions,
Othello is one of the first black heroes in English literature. As a general in the army he has risen to a position of power and influence despite his race and his status as a foreigner in Venice. Othello constantly faces insidious racism from other characters such as Iago, Brabantio and Roderigo. The racism focuses on his sexual relationship with a white woman Desdemona. Othello himself defies many stereotypes but it’s no coincidence that he’s a tragic hero. Being a Moor he comes from a different culture. Othello’s race and outsider status are central to his vulnerability to Iago’s plotting and the racism towards him.
saying he will “tear her all to pieces” and he tells Iago to let him
Racism is a glaring problem amongst the characters of the play. Othello is clearly affected by it and feels that he must prove himself equal to everyone else. Iago cleverly feeds Othello’s insecurity by constantly reminding him that he is racially distinct. He points out the obvious differences between Othello and Desdemona. He tells Othello that Desdemona will eventually regret that she hasn’t chosen someone of her own ethnicity and will desire someone,