Iago's Jealousy

By the middle of the play Othello’s mood and demeanor seem to shift from being peaceful and patient to very anxious, paranoid, and gullible. For example when Othello is talking to Iago and Iago suggests that maybe his wife is not being faithful to him, it becomes Othello’s obsession to get down to the bottom of it and catch her. “I have been talking with your suitor here, a man that languishes in your displeasure / Who is’t you mean / Why, your lieutenant, Cassio. Good my lord” (III.iii.41-43). In this dialog between Othello and Iago, with just two sentences Iago causes Othello to lose trust in his wife and believe she is being unfaithful to him which grows stronger and stronger each scene of the play. Because Iago is extremely cunning and manipulative, he is able to control almost anyone he chooses and he is in control of Othello’s emotions because he knows the things Othello fears. Iago is pretending to be Othello’s friend but secretively is going behind his back and bringing him down. Iago convinces Othello that Cassio is having an affair with Desdemona. “I humbly do beseech

Jealousy is someting that can cloud the minds of even the most smartest people.It can friends enemies and blur people's judgment and convince themselves of something that is false .throughout the book anger is a big motivator for the characters.

In addition, Emilia is unwittingly responsible for Desdemona’s death because she is remains silent. The two women often talk about their husbands to one another; in spite of it Emilia doesn’t talk about Iago’s behavior toward her. Unlike Desdemona who declares, “Alas the day! I never gave him cause,” she suggests that Othello behavior toward her is unexplainable because she has not been unfaithful to him (3.4.157). Desdemona also reinforces Emilia to give her a reason as to why Othello is behaving this way; instead Emilia illustrates silence when she says:

The play begins with a conversation between Roderigo and Iago. The opening lines are significant in that they set the tone and initiate the plot. Roderigo’s thematic purpose is portrayed through Iago’s manipulation in the lines, “Tush, never tell me! I take it much unkindly/ That thou, Iago, who hast had my purse/ As if the

Roderigo is a co-conspirator with Iago but is not equal in developing a web of lies and jealousy designed to ensnare others. “Thus do I ever make my fool my purse (Shakespeare)”. Iago takes advantage of the desperate former suitor of Desdemona and controls his emotions like a puppeteer pulling strings. With the line, “But for my sport and profit”, it is clear that Iago sees enriching himself off Roderigo’s envy as an amusing task with such an easy mark (Shakespeare 1473). Roderigo is a simple-minded fool who believes that by giving money to a lowly ensign he can win the love of Desdemona, have her marriage to Othello dissolved, and restore her virtue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.

In the first scene, Iago was seen in the middle of a conversation with Roderigo. This opening scene sets forth the key elements to understanding Iago’s basic character and the play’s conflict. The scene revealed Iago’s deep resentment toward Othello and his outlook on himself as a soldier. “And I of whom his eyes had

Shakespeare’s “Othello” opens with a dialogue between Roderigo and Iago, which foreshadows an explanation from Iago for his displeasure toward Othello in the play.

Shakespeare portrays Othello as the general without faults, perfect. Yet, he slowly reveals the weaknesses of Othello’s love for Desdemona. For this love he will forsake anything. Iago is quick to pick on this and starts working towards destroying Othello through his only shortcoming.

In William Shakespeare’s play, “Othello” Iago provokes the characters to secretly follow his iniquitous plans. With jealously running through his veins, due to the fact that he did not get promoted to Lieutenant, Iago wants to get revenge on Othello. Despite it seeming like an issue between two characters, Iago uses his cruelty to affect all those around him. Subsequently by the end of the play, most characters in the play reveal more about themselves than Iago does.

Description: •Emilia is Iago's wife, and Desdemona's maid and friend. She is a very loyal wife and follows all of her wifely duties. As the play develops, she builds a strong loyalty to her mistress. At the end of the play, she stays loyal to her friend Desdemona and stands up against her husband to defend Desdemona’s reputation. She speaks disapprovingly of men, but she still supported her husband when she needs to because she feels it is her duty and responsibility as a wife.

This story begins with Othello an older man marrying a beautiful young lady named Desdemona who lived happily until Iago Othello's best friend trampled their happiness. Othello of Venice at night, Iago an ensign Venetian army was upset over being passed over for a promotion or lieutenant and given to someone with less experience who is Cassio. Iago tells Roderigo that he serves the Moor who is the army's general, only in order to serve himself. Only to help along his evil plan in getting his own way and getting what he believe is rightfully his and to exterminate anyone who opposes him. Iago is the character that will be discussed from the story he is betrayed

In the very first line of the soliloquy, Iago uses a metaphor to compare Roderigo to a “purse”. In doing so, the reader (or viewer) realizes that the only reason Iago is still in contact with Roderigo, is because he wants his money. Later on, Iago describes the Moor “of a free and open nature”. By using this metaphor, the audience finds out that Iago (and Othello) views himself as trustworthy, and will gladly take advantage of this for his own good.