In every play, there is at least one character that jumps off the page and begs for your attention. In The Tragedy of Othello the Moor of Venice by William Shakespeare, this character is Iago. Iago is a devious man, a liar, a manipulator, and a psychopath. It seems Shakespeare developed a very maniacal character but not one that is unreal. I feel as though we have our fair share of Iago’s in today’s society. Many politicians seem to fit into this category, manipulating people for manipulation sake. However, to me the most interesting psychopath of all, is in the play Othello.
In this play, Iago is Othello’s trusted ensign. However, Iago is not what he portrays himself to be to the characters in the play. In his soliloquies, he
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(Shakespeare, Orgel, and R.) Iago is infuriated that after several years of service he was not promoted. Instead, his supposedly cognitive inferior Cassio receives the promotion. Iago seems to want to hide under reasons and excuses behind his actions. The dastardly villain makes it clear that he isn’t just immoral; he is amoral. Proving his absence of conscious throughout the play. Iago has many characteristics that work in his favor making him all the more dangerous. He is charming, intelligent, deceitful, and a clever wordsmith. He uses his language and he self-awareness to create a false perception of himself, one he wishes others to believe. He gladly uses these characteristics to his advantage by playing on people’s insecurities. Frequently, playing on Othello’s non-Venetian status. Iago tells Othello about untruths about Venetian women since Othello isn’t familiar. Saying that she married him for his status and background not necessarily for love, but this is not her fault, this is just how Venetian women are raised. In addition, that she held back her natural feelings to be with Othello. “ Foh! One may smell in such a will most rank, foul disproportions, thoughts unnatural but pardon me – I do not in position distinctly speak of her; though I fear her will recoiling to her better judgment, may fall to match you with her country forms,
The most interesting character in the play Othello is the villain, Iago, commonly referred to as "Honest Iago". Iago is smart, and well tuned to human behavior, and uses this knowledge to
Iago's intentions and motives for the malicious and evil acts he performs can be fully realized when he reads his soliloquies to the audience. It gives Iago the chance to be completely honest for once and provides the irony when the audience knows Iago's plans but the other characters are unaware and call him Honest Iago'.
Critical Analysis of Iago's Soliloquy in Act 2 Scene 3 of Othello by William Shakespeare
Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins
He fears the exposure of his actual character and wants to execute his plan by keeping other individuals believing that he is an honest and a trustworthy man. Firstly, Iago undermines Emilia not to say another word in regards to the handkerchief that he utilizes as a major aspect of the arrangement to devastate Othello. He advises Emilia to “Be wise and get you home.” (Act 5.2.221). Emilia disagrees with what Iago says and soon after, Iago draws his sword. This shows Iago really thinks about his personality and notoriety, his trepidation of presentation is fierce to the point that it drives him to execute his own particular wife. Also, there is not a single line written in the play, which uncovers Iago presenting his reality to someone else. In spite of the fact that everybody makes sense of Iago's two-sided personality towards the end of the play, despite everything he doesn't have the quality to uncover his actual two- sided character or translate why he has done such offensive deeds. When Othello demands Iago for a reasoning behind his actions, he responds back saying, “Demand me nothing; what you know, you know. / From this time forth I never will speak word” (Act 5.2.300-301). Iago's instability of character is powerful to the point that is prohibits him to talk up and give a sensible reaction to Othello regarding why he has done such malevolence activities. Identity, as well as reputation, is what a man is acknowledged for, a wide range of wrong decisions will destroy this part of Iago
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
Soliloquies play a vital role in William Shakespeare’s works. One of the most important examples of soliloquy use by a character was provided by Iago throughout the play, Othello. A soliloquy is side speech given by a character that is directed to the audience; it most often used to reveal emotions or thoughts of a character in a play. Iago’s use of soliloquies are very unique and stand out from any other character. They constantly change the audience's opinion of him. Each of Iago’s eleven soliloquies reveals his true evil or gains him pity from the audience. This trend makes Iago’s character unpredictable and hard to analyze.
Throughout Othello, the dramatic irony of “Honest” Iago is detrimental. Iago serves as Othello’s main attendant and is expected to get the promotion to lieutenant. Unexpectedly though, Othello gives the promotion of lieutenant to Michael Cassio. In all, this catalyzes Iago’s plot for revenge and destruction that will destroy every
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.