Ian Lynam Analysis

Design is defined by Webster as “to create, fashion, execute, or construct according to plan; to conceive and plan out in the mind; to have as a purpose; to devise for a specific function or end; to conceive or execute a plan; or to draw, lay out, or prepare a design.”

Graphic Design has become very popular career these past few years. By competition in the design community, it is pushing designers to think outside the box. One designer that spiked an interest in society is Jessica Walsh. Walsh couples her innate talent with an energetic drive for success. Continuing with this strong work ethic, it helped Jessica accomplished many things before the age of 30. She travels the world, creates amazing designs, and became partner of a prestigious design firm.

Graphic design lives on a spectrum of consequences. The beginning of the spectrum houses the design that remains unnoticed by most. This idea is illustrated in the novel when the narrator begins to discard a chewing gum wrapper. The narrator would not have registered any thought on the wrapper’s design without the outside force from his graphic design professor. This is not an indication that the wrapper’s design was unsuccessful; the wrapper’s purpose was not to shock the internal working of its audience. In this case, ease is desired. The wrapper’s design remaining unnoticed is a reflection of all of the things it did

The fact that virtually anyone can use things like graphics tablets, graphics software and online tutorials causes people to label themselves as ‘graphics designers’, and they’re not wrong. In the “Digital Age” anyone can call themselves that when buying Adobe and designing something but in the real world they’re actually not doing anything extra ordinary because anyone with at least some creative skills can design, and the keep evolving technology makes it even easier to “DIY” – Do it yourself. “It’s becoming easier for amateurs to learn the skills that they need for basic design”. It has a bad impact on the creative industries because instead of asking a professional, you can ask a friend or a person you know to design something for you, all for a really low price compared with professional graphic designers. In the olden days it was a much bigger thing to be called a graphics designer because in their age things like computers and especially computer programs weren’t widely available yet. Designers like Paula Scher, … , … , started their careers with handmade

Graphic design is a vast industry in visual communication, using information, typography, isotopes, and diagrams as a way to communicate across to its audiences. Through detailed investigations of design and taking on Robin Kinross (1985), claims that the distinction between design for information and design for persuasion “cannot be a clear one” this work will explore the possibilities of visual rhetoric in graphic design.

But in contemporary society, there is no single definition that covers design completely, or even fields of professional practice as graphic or industrial design that adequetly cover the diversity of ideas and practices as once existed. (pg3 wicked problems in Design thinking book THE IDEA OF DESIGN)

Rhetorical analysis is the way we could communicate effectively by understanding the content, in which to lead us to achieve our goals. According to an article, rhetorical analysis “is the form of criticism that employs the principles of rhetoric”. It is also a practice of effective communication by using the language of art and media to achieve specific goals. The components I will use in a rhetorical analysis are introduction, rhetorical situation, rhetorical appeals and a conclusion. In this rhetorical analysis, I hope I could be able to understand the author’s bias so as to determine whether the content of the document is believable or not. Also, I hope I will learn more about how the professions in the fields of design communicate

During my whole life and experience I have been interested in the Art, Creativity, and I have been traveling around Graphics Designing. When I go out to centres, supermarkets, the high streets around Kingston anywhere in London, Germany and other parts of Europe which I have seen. I have seen lots of Graphics designs in advertising, Billboards companies for example in electronical products or any type of product the graphics advertising companies running around the world, just because of that I was inspired in the graphics designing and I was influence by the subject.

Communication and connection are accomplished by visual aids. The renowned graphic designer, Massimo Vignelli once said, “The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design”. The world is influenced by the visual arts. Graphic design provides the ability to change a personal perspective and cultivate strong emotions. Children grow up with corporate characters digitally designed for entertainment. For example, Mickey Mouse, Moana, Stitch, and Olaf are iconic staples in a child's life. Adult years consist of posters, covers, and logos urge consumers to buy products or support certain

My design capabilities progressed as I continued my exploration of the power of words and images through the production of a series of handbound artist’s books. In the production process of generating written content and conceptualizing aesthetics designs that addressed both form and function, I found intersectionality in my written and visual art practices.

Paul Rand, a top influence in the field of design brought America into the modern era of design. This study will give a background to Rands life and how his upbringing impacted his future endeavors. It will then cover his primary works and discuss work that became a defining part of his career and the industry. Following that, it will discuss how Rands work in advertising and Corporate Identity set the groundwork for today design thinking. Finally, the thesis will examine modern designers that sought out Rand as a source of inspiration. This thesis will look at why Paul Rand is said to be one of the most influential graphic designers in history, and why his principles translate into good design that resonates for generations to follow.

In its simplest form, graphic design is the harmony between art and text. Problem solving and emphasis on thought are some examples of what it can do. Through my education at The University of North Carolina at Charlotte I have learned all the ways I can create art and challenge my viewers.  Once I become a young professional I envision that my contribution to the design field will be a unique one based on a collaboration of my education and experiences. Several graphic designers including David Carson and Paula Scher have inspired me along the way and influenced different ideals within my work.

Learning the fundamentals of Digital Media is essential to laying a solid foundation to allow for a sturdy backing in digital design. Digital design theories, practices, and technologies can provide designers a stable of skills to build core competencies and over time wisdom. Mastering digital design fundamentals will provide opportunity for career growth. Depending on the industry, an entry-level designer can rise from senior designer, to art director, and then creative director. As digital media continues to mature, categorical design disciplines will continue to evolve, shape, and style the visual culture. From magazines to web pages, the spectrum of visual design will continue to move people everywhere on an emotional level.

In this summative essay I would like to explore and analyse the influence that Graphic design has had on popular culture and consumerism. Graphic design can be defined as “the art and practice of planning and projecting ideas and experiences with visual and textual content. The form of the communication can be physical or virtual, and may include images, words, or graphic forms.” (aiga.org) Designers are problem solvers and it is their job to come up with a suitable solution to a problem. They have to find the best suitable means to communicate a particular message. Graphic Designers are at the forefront of advertising and the battle of selling giving the designer even greater responsibility, because of this graphic designers play a big role in consumerism. Consumerism, “as a social and economic order and ideology encourages the acquisition of goods and services in ever-greater amounts.” (wikipedia.org) Society have been gradually made to believe that they can increase their happiness through buying and spending. Consumerism is an international problem, but has existed for many years, people purchasing goods that exceeded those of their basic needs dates way back to the first civilisations, in the eras of ancient Egypt and Rome. A turn in consumerism arrived just before the industrial revolution, people worked long hours and earned low wages, so they didn 't have the time or the disposable income for excess spending. The industrial revolution welcomed the use of assembly

Meredith Davis’s book “Graphic Design Theory” was published in September 2012 by Thames & Hudson. This book blends a study of historical thinking of design with contemporary / modern approach to it. It also suggests students to critically analyse their work and asks them to adopt the design theories to embellish their practical design work as it will help them construct better work. This book also helps in understanding the consumers and the history of Graphic Design and also talks about a range of theories and introduces a collection of concepts and sources for future use and reference. In this book, Meredith Davis talks about the relationship of visual representation to the contexts of design. It talks about focusing on the broad and long term aftereffects of design and not to design only for the moment and responding to prompt needs.