Haunting and pensive, Ida (2013), is a modern classic. Set in the solemn backdrop of Post-Holocaust Poland, director Paweł Pawlikowski details the development of Ida, an idealistic yet cloistered novice in an isolated convent. She encounters the chaos and complexity of real life with all its whispered promises of sensuality, as well as the sobering seriousness and tries to make sense of it all. This film compares the extremes of devoted self-abnegation and disillusioned nihilism and Ida is tasked to determine her place on the hazy spectrum.
Pawlikowski masterfully manipulates music, jazz in specific, to emphasise Ida’s journey of self-discovery. In the halls of a hotel reverberating with seductive jazz, Ida has her first personal encounter
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A low-angle shot portrays Ida on top of the staircase, looking down. In contrast to normal low-angle shots, which are used to empower the character, Ida’s naivety and small frame weakens her image. Cast against the dusky background of the impassive hotel walls, Pawlikowski emphasises the length of the journey that Ida must take to become knowledgeable in the state of the real word from her guarded stoicism. She is above the rest of society which displays her moral and spiritual superiority, yet this will change as she falls from grace. Donned in novitiate clothing, Ida is depicted to be a divine being. Hence, her fall from grace can be alluded as an ‘fallen angel’ who delves to the depths of the Earth from Heaven. Like in William Blake’s watercolour painting, the stairs are ‘Jacob’s ladder’, which connects Earth and Heaven. Ida discards her pious serenity in favour to satisfy her curiosity. Secondly, an aerial shot depicts Ida walking down the spiral staircase to the basement. Intrinsically, a staircase connects two different planes together, it is a gateway between two things. This strives to symbolise the connection between Ida’s two conflicting aspects. Additionally, the spiral staircase has its own importance. A spiral is a line that starts at a point and continually curves inwards in a circular motion. However, the line never touches. Just like how the spiral curves inwards, this …show more content…
The setting in this scene is used by Pawlikowski to underscore the monotony of life as a nun. The woodland forest that she travels through with Wanda to reach her home, highlights the isolation of not only the convent from the rest of society, but Ida as well. When she exits the car, the entire frame, including both Ida and the setting is in various shades of grey. The only exception is Wanda’s striking black dress. Colour, or the lack of it, demonstrates the mundane existence of all related with the convent. As Wanda is the only exception, despite her hedonism, Pawlikowski paints the picture that the only way to find individuality and stand out from the masses is to go on a journey of self-discovery and understand the callousness, and intricate nature of Post-holocaust Poland. The path from the car to the convent is relatively straight and flat. In a sharp contrast to the spiraling staircase from the previous scene, Ida’s return to her spiritual nature seems to be much easier. The convent will always be welcoming of Ida. However, this suggests that Ida does not care about the difficulty of the journey. In fact, she may desire the complex challenge of life after her dull existence. This is the first hint by Pawlikowski that Ida is now not satisfied to continue to live in a bleak and austere
The central idea of this book is a little girl and her struggle in concentration camps the author shows this by “ tomorrow is deportation”( Leitner 3) . This happened on May 28, 1944 where she started her journey in the camps. She explains her feelings and fairs of them too and how she's not ready to leave this place called home because she was living in hungary and she ends up having to move away. Something else that is showing Isabella’s struggle is ”Every since childhood,I remember them with terror in my heart.” (Isabella Leitner 5). In this quote she is talking about the people that heard them like cattle and stuff. This was also the people that would kill them and make them do horrible things.These were the people that didn't make them feel like people. “75 to a car... no toilets... no doctors ... no medication”( Leitner 7) Isabella is talking about how they were moved place to place in these little cattle cars and how horrible the conditions normally where. Imagine being shoved in
In “The Shawl”, Cynthia Ozick uses vivid details throughout the story to engage the reader. The story portrays the hard times Jews had during the Holocaust in a concentration camp consisting of three main characters: Rosa, Stella, and Magda who are trying to survive the horror of Nazism through a magical shawl. Rosa is the mother of Magda, a fifteen month baby and the aunt of Stella, a fourteen year old girl. The shawl is the only thing keeping them alive throughout the story and at the end it leads them to their death. The author’s use of symbolism is very significant to the story. Cynthia Ozick use of symbolism helps the reader visualize the setting by using symbols to convey different meanings and understand how these symbols characterize the experience of the holocaust survivors.
On this extensive journey it allowed for an emotional journey to take part between immigrants, shown by the metaphor “silence fell from it’s shackles” showing readers that they were finally able to talk about their past experiences and emotions, which allowed for emotional release. The lengthy journey also allowed for Skrzynecki to allude back to his past life remembering both good and bad memories.
The narrator of Sophie’s Choice, Stingo, meets a young Polish woman at the Pink Palace in Brooklyn after World War II. She has a dark past due to some horrendous experiences during Nazi occupation in Poland and time in Auschwitz. It is important to take a critical look at her fictitious narrative and deem whether Styron has produced a plausible character. Also, it is key to assess if the stories told by Sophie attribute positively to real accounts of the Holocaust without trivializing the history in order to create a popular
Ursula Hegi’s “Floating in my Mother’s Palm”, tells a story of a young girl growing up in a small German town in the 1950s. Hanna, who is the lead character, has a painter mother and a dentist father, both of whom try to shield her from the harsh realities of their small town. The novel tells a story of a young girl’s experience right from birth and the many things that shaped her childhood. This essay will pay special focus on the second story of the novel, “Trudi Montag’s Romantic Episode”. This part tells a story about Trudi Montag, who is the town’s librarian and Hanna’s friend, though she is older. Trudi tells Hanna of stories of her childhood and any gossip that goes around town. The story sets precedence for major themes like love, broken love and superstition evident in the community. The author also uses the story to expound on issues of tradition and diversity that is evident in every community.
“The Pianist” by Wladyslaw Spilman is a extraordianry story about a man’s survival in the holocaust in Warsaw, Poland. The book explains how Szpilman survives the holocaust in Poland by hiding, escaping, and with luck. Szpilman is important to society because he explains the following topics in his perspective for them not to happen again, religious discrimination, human rights, and punishment in crimes involving genocide. Many of the issues raised by the holocaust continue to have an impact on the world today.
Glimpses of true beauty, dignity, and humanity show periodically within the camp. The narrator even refers to the camp as being a heaven of peace...” Suddenly I see the camp as a haven of peace. It is true, other may be dying, but one is somehow still alive, one has enough food, enough strength to work ....” The narrator is also touched and surprised as "suddenly, above the teeming crowd pushing forward like a river driven by an unseen power, a girl appears. She descends lightly from the train", as if she is of higher status or more grace. There is just something about this girl that makes him so enchanted by her. Her bravery stands out for while she is near the "gas chamber: communal and disgusting." She faces these horrors and "with a natural gesture she runs her hands down her blouse, casually straightens her skirt....mature look in her eyes." This girl possesses values that the other prisoners have lost. Not only does she have "enchanting blond hair, with beautiful breasts", she also has those rare qualities of courage, faith, and dignity. While she comes
This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had
Suffering becomes a way of life for Magda, Stella and Rosa, as they struggle to survive during the Holocaust. During these trying times, some cling to ideals and dreams, while others find unusual vessels of hope – like the shawl – to perdure in their austere living conditions. Although the shawl becomes a source of conflict between Magda, Stella and Rosa in this narrative, it also serves as a pivotal force and a motivational factor. In Ozick’s “The Shawl”, a small wrap allows its owners to triumph over the adversities of a concentration camp, the “magic shawl” comforts, nourishes, protects and prolongs life.
Mansfield’s description throughout the narrative is intriguing and captivating, pulling the reader into the drill hall and making them sway to the “oft, melting, ravishing tune” as though they themselves could have been Leila. Moreover, her use of description allows her to create the character of the “fat man” and utilise him to portray the idea that “happiness [doesn’t] last for ever.” Because she describes him as the fat man, who is old and wearing a coat that “looked dusty with French chalk”, she creates an evident contrast between the beautiful characters she initially described. Through this imagery, Mansfield subtly portrays Leila’s fears of losing the beauty of this first ball and emphasises that in fact, beauty doesn’t last. However, Mansfield plunges the reader back in to the dance, such that the almost
One of the first things that you will notice are the numerous amount of stairs drawn throughout the drawing, while also going in multiple directions. To which I believe represents the steps one has to take throughout life. Also there are a vast amount of entrances or exits depending on which way you’re coming from, at the bottom or top of every set of stairs.
The film ‘A Girl Walks Home Alone At Night’, director Ana Lily Amirpour, is a mixture of genres such as the Spaghetti Western, the teenage romance, and the vampire genre. The clash of genres in this film brings out the idea of hybridity and duality, with the sounds and cinematography creating a sense of ambiguity, or the ‘in-between’. The underlying mix brings out a sense of horror for the overall feel of the film as it leaves audiences with a sense of fear and realisation that not everything is as it seems.
In Kate Chopin’s short story, “Desiree’s Baby”, she demonstrates how racism played a major part in people’s lives in the 1800’s. Kate Chopin is extremely successful in getting her readers to feel disturbed by the events in the story. Through words and images, the reader feels touched by the story, either by relating to it at some points or when confronted with things we frequently decide to ignore in the world: the evil some human beings are capable of possessing.
While all of the residents in the nearby village know Magda is a gypsy, they keep it quiet, because the gypsies, like the Jews, are persecuted by the Germans. She turns out to be a good witch, unlike the earlier fairy tale. That she was taken away after helping the children to flee may be evidence that life, for an ageing person, must have taken on a different importance at that time than it might in other times. Again this may be a reminder that during the holocaust older people, who were considered to be of less use overall, and were automatically annihilated. This book touches on the fact that the more useful a person was the greater their chances of survival.
In the poem Still, there is a prominent use of the noun “name” as well as the use of particular names, which origins serve a significant purpose to the poem. The reader can conclude that this poem is about the transportation of Jewish people to concentration camps during the Holocaust. Wisława Szymborska uses imagery in her poem to describe a setting on a train across the country’s plains. The poems progress from an impersonal and cold perspective to a more emotional with very personal connect. In the poem Still, Wislawa Szymborska provides the use of names that carry the significance of much more importance that their outside identity.