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Ida

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Haunting and pensive, Ida (2013), is a modern classic. Set in the solemn backdrop of Post-Holocaust Poland, director Paweł Pawlikowski details the development of Ida, an idealistic yet cloistered novice in an isolated convent. She encounters the chaos and complexity of real life with all its whispered promises of sensuality, as well as the sobering seriousness and tries to make sense of it all. This film compares the extremes of devoted self-abnegation and disillusioned nihilism and Ida is tasked to determine her place on the hazy spectrum.

Pawlikowski masterfully manipulates music, jazz in specific, to emphasise Ida’s journey of self-discovery. In the halls of a hotel reverberating with seductive jazz, Ida has her first personal encounter …show more content…

A low-angle shot portrays Ida on top of the staircase, looking down. In contrast to normal low-angle shots, which are used to empower the character, Ida’s naivety and small frame weakens her image. Cast against the dusky background of the impassive hotel walls, Pawlikowski emphasises the length of the journey that Ida must take to become knowledgeable in the state of the real word from her guarded stoicism. She is above the rest of society which displays her moral and spiritual superiority, yet this will change as she falls from grace. Donned in novitiate clothing, Ida is depicted to be a divine being. Hence, her fall from grace can be alluded as an ‘fallen angel’ who delves to the depths of the Earth from Heaven. Like in William Blake’s watercolour painting, the stairs are ‘Jacob’s ladder’, which connects Earth and Heaven. Ida discards her pious serenity in favour to satisfy her curiosity. Secondly, an aerial shot depicts Ida walking down the spiral staircase to the basement. Intrinsically, a staircase connects two different planes together, it is a gateway between two things. This strives to symbolise the connection between Ida’s two conflicting aspects. Additionally, the spiral staircase has its own importance. A spiral is a line that starts at a point and continually curves inwards in a circular motion. However, the line never touches. Just like how the spiral curves inwards, this …show more content…

The setting in this scene is used by Pawlikowski to underscore the monotony of life as a nun. The woodland forest that she travels through with Wanda to reach her home, highlights the isolation of not only the convent from the rest of society, but Ida as well. When she exits the car, the entire frame, including both Ida and the setting is in various shades of grey. The only exception is Wanda’s striking black dress. Colour, or the lack of it, demonstrates the mundane existence of all related with the convent. As Wanda is the only exception, despite her hedonism, Pawlikowski paints the picture that the only way to find individuality and stand out from the masses is to go on a journey of self-discovery and understand the callousness, and intricate nature of Post-holocaust Poland. The path from the car to the convent is relatively straight and flat. In a sharp contrast to the spiraling staircase from the previous scene, Ida’s return to her spiritual nature seems to be much easier. The convent will always be welcoming of Ida. However, this suggests that Ida does not care about the difficulty of the journey. In fact, she may desire the complex challenge of life after her dull existence. This is the first hint by Pawlikowski that Ida is now not satisfied to continue to live in a bleak and austere

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