Identity And Truth In Shutter Island And Bart Layton's The Imposter

Unlike other pairs of literary work and their adaptations that the movie version is published after the literary work, “Memento” and “Memento Mori” are created in the inverse order. The main plot of the two stories is very similar: a man having no short-term memory finding and killing the murder of his wife. They are inspired by the same idea, anterograde amnesia. For creators, the factors they need to look at when presenting a story largely depend on the medium of story-telling. The qualities of different mediums and the characteristics of the audiences of that medium determine many preferences of creators when designing the plot and the characters. Of course, those preferences are not rigid rules, but we can easily find that there are many common traits among the literary products or movie products of the same type. This is also why some literary works and movies are criticized to be formulaic. In “Memento Mori”, the author deleted some elements that are presented in the movie to make the story more suitable to be presented in the text.

Most young adults do not have a single clue of what they want to do with their lives. These young adults do not know who they are or what they want to become. They are absolutely oblivious until the end of high school or even college. They have not developed their identity completely. Meanwhile, in the book Outliers, written by Malcolm Gladwell, it talks about certain characters who have developed their identity and stand out in history, such as Bill Gates and Bill Joy.

In conventional Hollywood cinema, narrative is subservient to the viewer 's overall pleasure and ease of understanding, as it provides an overarching framework which may elucidate the motivations and consequences of a character 's actions. However, Korine expresses his dismay with classical narrative, "I can 't stand plots, because I don 't feel life has plots. There is no beginning, middle, or end, and it upsets me when things are tied up so perfectly" (Geoff King, 59). As one may expect, JDB 's narrative structure challenges our expectations, dissolving any sense of linear continuity in favour of "a cinema of unpredictability" (Adrian

Documentarians often want to get as close to their subject matter as possible. Some documentarians have an insider perspective which ignites a spark to create a piece that illuminates a specific topic or area of study. There are also documentarians that have no affiliation with said subject matter, but want to explore the topic in question. Finally, there are documentarians that have a foot in both worlds. Insider/outsider is a theory in which a documentarian can be close to a subject, but also possess characteristics or traits that make them distant from the topic in question (Coles, 1998). Such is the case with the directors of both Stranger with a Camera and The House I Live In. Due to their own location, both Eugene Jarecki and Elizabeth Barret exhibit characteristics that make them fall into the insider/outsider roles as directors. Robert Coles defines location by stating, “We notice what we notice because of who we are” (Coles, 1998, p. 7). Included in this is, a person’s education, race, class, and gender. Both directors realize they are outsiders and utilize a lens into a world in which they are not otherwise a part of. Jarecki’s lens comes in the form of Nanny Jeter, his family’s nanny from when he was a child. Barret’s lens for her documentary is the community that she shared with Ison. The two directors enter into a world that they are not a part of because of their location, but forge a connection to the subject matter through means of a lens.

People rush over crosswalks, moving like ants among the skyscrapers. Children skip ropes and play with sidewalk chalk. Completely different are the main streets of country towns, where children explore the woods and a close community is certain. Growing up in these two cultures produces vastly different personalities in adults and contrasts how those people perceive themselves. It also affects the opportunities they are offered; more opportunities are available in populous cities. This cultural phenomenon is seen in Malcolm Gladwell’s book Outliers, when he compares the formal culture of South Korea and the direct one of America (Gladwell 214-215, 219). Opportunities and culture affect development of one’s personal identity by impacting self perception, which influences decisions.

The concept of personal identity or personhood is a very complex area of philosophy that challenges our most basic understandings of mind and matter. Philosophers have generally settled into either the school of mind, or consciousness, and the school of body. As our ability to study the mind grows, through developments in psychology and neurology, consciousness-based theories have come to dominate the discussion of personal identity and body-based theories appear simplistic and even primitive. Thesis: Catriona Mackenzie, however, compels the field to make a renewed examination of the body by pointing out that the body is the very apparatus by which the self interacts with world, thereby shaping all of the experiences which constitute memory and consciousness.

The filmed opened up with a flashback of a girl in a red dress. By showing this a sense of anticipation is created. Throughout the book a feeling of suspense is created by the way the director decided to film each scene. The director also made sure

“The Imposter” made in 2012, is a film tale that follows the chronicles of Frederic Bourdin, a con artist, who managed to trick an unsuspecting family into believing he was a long lost relative. Bart Layton directed this documentary and uses unconventional techniques to unravel this complicated, unbelievable story.

In “ Mirror Image” by Lena Coakley Alice the main character no longer feels that her identity and personality are the same after her procedure,until she meets with Mr.Jarred. Lena coakley shows this in the story when Alice feels like everything is different on the outside of her body than before,she feels like she stepped into a whole new world, Alice knows that her family has not been supportive of her new body since she came home from the hospital,all her family cares about is how different she looks and they do not care how it affects her, alice ends up bumping into Mr.Jarred on the street he is able to help her figure out that she is still the same old girl she was before and not Gail Mr.Jarred’s daughter who died and donated her body

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

    In the novel, Invisible Man, the main character carries around a briefcase throughout the entire story. All of the possessions that he carries in that briefcase are mementos from learning experiences. Throughout the novel, the Invisible Man is searching for his identity and later discovers that his identity is in those items.

This is a film analysis of Shutter Island. Shutter Island is a 2010 film directed by Martin Scorsese. Starring Leonardo DiCaprio and Mark Ruffalo, this film is 138 minutes of psychological thrills and horror. Shutter Island covers the field of psychopathology. More specifically, it covers psychotic disorders, dissociative disorders, and treatment. Shutter Island is set in 1954 on Shutter Island, Massachusetts at the Ashecliffe Hospital for the criminally insane.

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).

    It is not necessary to be a racist to impose 'invisibility" upon another person. Ignoring someone or acting as if we had not seen him or her, because they make us feel uncomfortable, is the same as pretending that he or she does not exist. "Invisibility" is what the main character of Ralph Ellison's Invisible Man called it when others would not recognize or acknowledge him as a person.

Shutter Island and Insomnia are mystery thrillers which follow two detectives that are determined to solve the case using their own techniques. Shutter Island is a classic, old fashioned thriller directed by Martin Scorsese. The film is based in 1954 and follows a federal marshal and his partner as they investigate the escape of a prisoner from a mental facility. The federal Marshall suffers a series of hallucinations and distractions on his path to uncovering the truth. Insomnia also follows a pair of detectives that suffer their own set of distractions and hallucinations. The detectives are dispatched to a small northern town where the sun never sets to investigate a murder of a teenager. The movie also resembles a classic thriller film that is directed by Christopher Nolan. Both films rely on a build-up of suspense and tension to deliver a compelling story. There are quite distinct similarities and differences in both films that are portrayed in areas such as characterisation, cinematic effects and social issues.