Life itself, devoid of any actions or reactions, contains no meaning. Through life and struggles one defines his worth and identity. Identity and essence develop through perseverance in the face of adversity, decisions at crossroads and service to self and others. Within the novel, Grendel by John Gardner the characters struggle with the worth of their own life. The monster, Grendel, denies the existence of a vocation as to not collapse his worldview. Grendel, therefore, takes action to remove the meaning from the lives of certain important characters. Grendel cannot remove the meaning from the life of the Shaper due to a complete lack of ability and a lack of personal willingness to destroy the identity of such a powerful man. The Shaper’s
Although he describes her as a “life-bloated, baffled, long-suffering hag” (11), Grendel realizes that “she would gladly have given her life to end my [his] suffering… with useless, mindless love” (102). He also believes that “she must have some human in her” (11), furthering Grendel’s character as one that derived from humankind at the very least. The novel acts as a witness to the fact that Grendel did have a childhood. Although his childhood brought on some struggles, this is a part of all life, including that of people. He finds his purpose in life when “at an early age [he] is forced to deal with a brutal and meaningless reality” (Butts) and he begins he finds his purpose. Throughout Gardner’s novel, Grendel tries to learn “how best to deal with the world” (Butts). As Grendel grows up, he learns from and is influenced by many different people who act as his teachers and role models. These interactions are Grendel’s closest alternative to the relations that the average human has. Grendel has three unique influences in his life: his mother, the Shaper, and the dragon. Grendel views his mother with disgust and she provides the inspiration and motivation for him to do better with his own life. The Shaper’s influence brings out Grendel’s ability of
In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.
“To make Michael Myers frightening, I had him walk like a man, not a monster.” In Grendel, the well-known monster is viewed as a cruel and terrifying creature that is filled with hatred. This was partially something that the Grendel brought upon himself. Throughout this novel, the Grendel’s actions and appearance affects every single thing that happens including how humans view him. John Gardner’s Grendel entranced me with its extraordinary style and outlandish story.
In the novel Grendel, the main character is portrayed as a half human, half murderous creature. Because of his horrific characteristics, he is isolated and constantly misunderstood. Ironically, John Gardner writes in a way that has contradicted material that still makes sense and allows readers to understand Grendel. There are paradoxes throughout the novel that supplements the complexity of Grendel. Gardner uses irony to show that Grendel is a paradox and as a result of misinterpretation by others, he is left to live a life of isolation.
If a tree falls in a forest and no one is around to hear it, does it make a sound? Similarly, if a being is never provoked by man, will it become a monster? The latter is a question that is put into focus throughout Gardner’s Grendel and Shelley’s Frankenstein. The reader learns of Grendel, and of Frankenstein’s creation, and must determine if they are truly monsters or merely a product of the world they live in. It is very easy to take one glance at the seemingly heinous crimes committed by Grendel and Frankenstein’s creation, and based off of this, deem them to be monsters. However, it is the actions and words of man that transform both Grendel, and Frankenstein’s creation into monsters.
"People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think that what we're seeking is an experience of being alive...." Joseph Campbell made this comment on the search for meaning common to every man's life. His statement implies that what we seem bent on finding is that higher spark for which we would all be willing to live or die; we look for some key equation through which we might tie all of the experiences of our life and feel the satisfaction of action toward a goal, rather than the emptiness which sometimes consumes the activities of our existence. He states, however, that we will never find some great
John Gardner’s Grendel and Mary Shelley’s Frankenstein both include characters who are labeled as monsters. Grendel and the Monster share common characteristics such as being ugly, strong, large, and they kill others. They are both insecure about their appearance and how society portrays them. Grendel and the Monster use violence to try and cope with their insecurities. In the literary works Grendel and Frankenstein, both the monster’s physical appearance and their interactions with others cause them to become an outcast from society. This leads to rejection of themselves, low self-esteem, and ultimately they create havoc within their communities.
In contrast to the Danes of “Beowulf”, Grendel searched for his very reason of existence by asking the questions “Why?” and “How?” for answers. Grendel started off in the book struggling with finding meaning in his life while watching the people clearly doing things that gave their lives meaning. He became upset as he saw that he couldn’t deter their spirits no matter what he did and started to feel jealous of their self-found purpose. He realized that through various ways the people attained meaning. In response to his confusion over their self-discovered purpose, Grendel started listening to the Shaper’s words when he spoke to the people shaping their very beliefs which confused Grendel even more on the meaning of life. After listening to the Shaper for a while, readers can see Grendel in a state of contradiction. He started off killing people as a simple, bestial monstrosity but in the end he is shown as quite intelligent and capable of choosing whether to kill or not. Soon, Grendel started seeking answers to his questions from a dragon. The dragon’s very philosophy on life was that there is no meaning of life which started to influence Grendel. Upon Grendel’s persistent questions of “Why?”, the dragon told him “You improve them, my boy! Can’t you see that yourself? You stimulate them! You make them think and scheme…You are, so to speak, the brute existent by which they learn to define themselves
The book Grendel by John Gardner details the life of the monster Grendel until he is defeated by the hero Beowulf at the end of the story. Gardner paints Grendel in a more sympathetic light, compelling the reader to understand and even feel sorry for the monster. He appears philosophical and curios from the perspective Gardner creates, and the humans seem almost villainous for shunning him when he tries to understand and interact with them. The humans create the monster inside of Grendel by mistreating him, and that monster is tested by heroes like Unferth and Beowulf.
In the novel, Grendel by John Gardener, Grendel is a human-like creature capable of rational thought as well as feeling emotions. Early on in the story Gardener depicts Grendel as being very observant, critical and somewhat spiteful of the world around him. He describes himself as a murderous monster who smells of death and crouches in the shadows. Grendel watches the humans from the shadows of the trees and at first it seems as though they are the real monsters, slaughtering and pillaging all for the sake of their leaders and for power. This light that the humans are put in gives Grendel a certain charisma about him, making him seem like the one to side with in this novel. Later in the story, however, things change. Grendel seeks out the
As humans, do we consciously form our own identities? After all, one is rarely who they aspire to be. Take, for example, John Gardner’s character Grendel. Although Grendel seems to intentionally perpetuate his wretched state of being, it is also clear that this process creates, or is the product of some sort of internal struggle between what he considers to be the “two dark realities, the self and the world” (Gardner 47). For many individuals, including Grendel, existence appears to be nothing more than a never-ending series of conflicts, mostly between the actual state of things and our idealistic perception of what they should be. These conflicts, whether realized or not, generate a great deal of emotional and psychological turmoil. This idea is present in nearly every religion and school of philosophy and has been given many names throughout history, but the more recent technical term for this flaw in human thought is “cognitive dissonance”.
A large number of articles nowadays consistently debates about the way crime is shown throughout the media is in fact incredibly different from what official research and other records tell us, this is showing how the media misrepresents the nature of crime. Below will provide an overview of how the media misrepresent evidence for real-life crime and how they do this. It is seen that the media is the public’s primary source about crime and this has helped to the exploitation of the inaccuracy with presenting the nature of crime.
The old kingdom is the third kingdom out of all three.The first and second ruled for four centuries. Around 2700 bc the old kingdom rose to power. The old kingdom lased from 2700 bc to 2200 bc. The belief of the egyptian political system is that a pharaoh is both a king and a god the egyptians believed the a pharaoh came to earth so they gave him power over everything three things the pharaoh was held responsible for crops didn't grow if diseases struck and make trade profitable and prevent wars
Pets have always been a big part of my family for a while; specifically full breed pit bulls. Having these pets inspired me to take on the career of a Veterinarian. I have known what I wanted my career to be since the fourth grade. Then while exploring different occupations, I begin to make presumptions about what I want to be in life. However, that quickly changed once I experienced one of the most impressionable moments of my life. In late 2012, early 2013, my parents announced to my siblings and I that they were getting a divorce. That by itself was a life changing event, and during that time we had two pit bulls named Animal and Hawk. Since my parents settled on a divorce, we had to sell the house and they split up. Neither my dad nor my
The story of Beowulf is a heroic epic, chronicling the distinguished deeds of the great Geatish warrior, Beowulf, who travels across the seas to rid the Danes of the evil monster Grendel, who has been inflicting destruction and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land fiendish monsters and stopping the scourge of evil, while the monster, Grendel, is portrayed as a repugnant creature who deserves death for its evil actions. However, many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel, sets out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms Grendel, once perceived as an evil fiend in Beowulf, into a lonely but intelligent outcast who is actually quite similar to humans, due to his intelligence capacity for rational thought and his real, and at times irrational emotions. Gardner portrays Grendel as a hurt individual and as a victim of oppression, ostracized from civilization. Although the two works revolve around the same basic plot,, the themes and characters in Beowulf and Grendel are often different and sometimes contradictory.