Identity In Kate Chopin's The Awakening

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional

When Edna eats dinner with Leonce after going out on Tuesday, he exclaims, “Out!... Why, what could have taken you out on Tuesday? What did you have to do?” (Chopin 85). Leonce’s remark of disgust and anger exemplifies the harsh social structure of the Creole society. Edna wants to go out while in New Orleans, but society’s gender roles see it as inappropriate; yet, Edna still goes out and follows her heart, showing another chapter in her awakening. When Edna has her party at the pigeon house, she shows another chapter in her awakening, “this time, however, she casts herself as a queen, as opposed to the virginal Snow White she enacted at Madame Antoine's” (Euripidies). When Edna is finally in a setting where she does not have social restraints she shows her true self and comes off as a queen – something most women of this era are not capable of. This image gives Edna a sense of independence and liberty, which is yet another milestone in her awakening.

Kate Chopin’s The Awakening controversial protagonist - Edna Pontellier - lives a personally unsatisfying life with her idealistically perfect husband; a marriage that exists solely on the satisfaction of the Creole society they live in. In the beginning of the novel, she starts to struggle with the dominance of her outer identity that consists of how everyone sees her as the beautiful wife to a perfect, rich husband. But, when she is alone or with Robert, she begins to self-reflect on her inner identity that consists of how she sees herself and the new, rebellious freedoms that she desires. In The Awakening, the frequent symbolization of birds and the manner with how Edna interacts with music and the different men in her life illustrates

Whether coerced or through self realizations, there were many awakenings in the book. The first was that Edna was not the traditional mother like Adèle, the second was that she enjoyed doing things for herself instead of for her children and husband. This second awakening is shown when Edna takes time to talk

In Kate Chopin's, The Awakening, Edna Pontellier came in contact with many different people during a summer at Grand Isle. Some had little influence on her life while others had everything to do with the way she lived the rest of her life. The influences and actions of Robert Lebrun on Edna led to her realization that she could never get what she wanted, which in turn caused her to take her own life.

“She could not at that moment have done other than denied and resisted. She wondered if her husband had ever spoken to her like that before, and is she has submitted

Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their

Edna undergoes more than one awakening within the novel (). She is awakening to the independent life (). “It was the first kiss of her life to which her nature had really responded. It was a flaming torch that kindled desire” (114). Edna spent the first twenty-eight years of her life as a repressed woman; here she experiences passion for the first time.

The Awakening begins in the vacation spot of Grand Isle. At first we believe that Grand Isle is a utopia, wealthy families relaxing at oceanside, but it is here where Edna first begins to realize her unhappiness. The first sign of dissatisfaction is when Edna allows herself to feel that her marriage is unsatisfying, yet she must agree with the other women that Leonce Pontellier is the perfect husband. Edna asks herself that if she has a good husband

In the novel, the awakening by Kate Chopin the main character Edna Pontellier starts off as the wonderful wife who fulfills the role of a proper mother, but then explores her desires to find and live fully within her true self. Her involvement in finding her true self causes friction with her friends and family, and also conflicts with the expected values of women in her time. The author uses symbolism and setting to convey the meaning of true self. The story starts off when Edna Pontellier and her family take a trip to grand isle.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children:

Nineteenth century, a century that urged women to attain a sense of self awareness and dignity. The Awakening, published in 1899, was labeled as morbid, disagreeable, and vulgar, which then went through a massive controversy that led to the book being widely condemned. “Modern critics praise The Awakening for its daring treatment of traditional gender roles as they were defined at the turn of the century, and for its exploration of a woman's search for self-fulfillment.” states Suzanne D. Green. Kate Chopin deliberately uses the theme of individualism vs. society to explain how the protagonist (Edna) rebels against society while incorporating still incorporating her antithesis, Madame

As the title of the novel reveals, awakenings are the most important as well as the most emotional parts of the story. Edna slowly awakens to her true self. She begins "daily casting aside that fictitious self which we assume like a garment with which to appear before the world." She creates her own awakenings with dreams and paintings (Gilbert 104). It is as if she tried to begin again, making a life that she could control and to become a new woman and be herself rather than what she was expected to be. Edna's awakenings were all a part of her defining her own self(Rosowski 44). She feared to have the conventional life that so many women had become trapped in. As she awakens, Edna becomes less and less traditional by stripping