Taming Of The Shrew Identity

In the play, The Taming of the Shrew, by William Shakespeare, there is a recurring theme of people hiding their real identity. First, there are cases of deception, such as Tranio pretending to be Lucentio, Lucentio pretending to be a Latin tutor, Hortensio pretending to be a music tutor. More complex than these obvious examples of deception are Shakespeare’s clever uses of psychological masks. Several characters in the play take on roles that do not agree with their personalities. The psychological masks that they wear are not immediately apparent to the audience, or even to the characters themselves, until they are unmasked through the course of the play. Shakespeare mostly uses this device with the characters of Katherina, Bianca,

The historical and cultural contexts of Shakespeare’s The Taming of the Shrew (TTS) and the 1999 film 10 Things I Hate About You (10TIH) differ exceptionally, resulting in the film’s expression of values unlike those expressed in Shakespeare’s original text. Shakespeare’s play was written during the Elizabethan era, during which the belief that men were superior to women was prevalent. This concept is centralised in TTS, through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast, 10TIH, a modern film appropriation of TTS, largely challenges the values of Shakespeare’s play. It presents to

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

Shakespeare mocks society’s extreme measures by suggesting death as the sole option for Othello when he fails to understand that Desdemona may not fit female stereotypes. Without the ability to label her, Othello fails to “assert Desdemona’s chastity and corruptibility simultaneously” and “murders Desdemona to redeem her from degradation” (Neely). The characters, like many people, struggle to alter views that have been so firmly pressed into their minds. In this way, Shakespeare negatively comments on humans’ inabilities to see beyond what society tells them and to comprehend truths unique to a specific person rather than his gender roles. Shakespeare uses the characters Desdemona and Othello to display how people become accustomed to the gender identities that society defines for them. Therefore, both characters, as depicted by their deaths, fail to understand each other personally as individuals instead of as the stereotypical man or woman that is being presented.

“When love speaks the voice of all the gods makes heaven drowsy with the harmony,” Taming of the Shrew, Act IV, scene II.

Marriage is presented in Shakespeare?s play The Taming of the Shrew, in a complex manner allowing readers to view the play literally as a brutal taming or ironically as a subversive manifesto. Yet, Shakespeare intends to present marriage to be full of mutual love where neither male nor female dominate but compliment each other thriving together in a loved filled relationship. The portrayal of a deep understanding, which exists in an analogical relationship and the gentle transformation, which occurs in marriage, clearly outlines marriage in the play to be a celebration of a mutual love relationship within the patriarchal foundations of society.

Shakespeare's works express the complete range of human experience. His characters were human beings who commanded the sympathy of audiences when many other playwrights' characters were flat or archetypes. Shakespeare's characters were complex and human in nature. By making the protagonist's character development central to the plot, Shakespeare changed what could be accomplished with drama. The character personality of Katherine has been recreated and celebrated for centuries afterwards, as has Hamlet. The characterization and development of such characters are central ideas in the writing style of Shakespeare.

Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’

Shakespeare is known for his art of characterization. Among his characters are the ones, who are unique in the sense that they are ‘others’ or ‘outsiders’. They are alienated inside the society that they live. Their soliloquies open up the debate of whether these people have ever properly been able to assimilate in the society; or conversely, if the society has fully been able to accept them as their own.

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

In several of Shakespeare's plays the writer introduces the notion of being considered an "other", and whether certain groups are "in" or "out". This theme is significantly portrayed in the play Othello, in which a black general living in Venice must constantly struggle to balance his dual nature of both Moor and Venetian. It is apparent that before the play begins, Othello has not yet resolved his duplicitous self-image; however, throughout the action of the play, he is put in a maliciously-designed situation which causes his insecurities and self doubt to breed, allowing the Venetian?s stereotype of the brutal and ignorant black man to consume Othello's eloquence and education adopted

William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.

The relationships between servants and masters closely reflect the gender relationships in Shakespeare's The Taming of the Shrew. Lucentio and Tranio's relationship as master and servant is an ideal of the Renaissance era according to "An Homily on the State of Matrimony." Tranio risks taking the place of his master because of his love for him and Lucentio always treats him with kindness and respect, almost like an equal. Though they are not involved romantically, Lucentio and Tranio fulfill these ideals better than any marriage in The Taming of the Shrew. Lucentio's relationship with Bianca reflects his role with Tranio: Bianca shows respect for Lucentio as he

Perhaps the theme that is most recurrent in William Shakespeare's plays is that of filial relationships, specifically the relationship between daughter and father. This particular dynamic has allowed Shakespeare to create complex female characters that come into conflict with their fathers over issues ranging from marriage to independence. At the same time, the dramatist exposes his audience to the struggles women face when attempting to assert themselves in a misogynistic world. Through the daughter-father dyads portrayed in The Taming of the Shrew and A Midsummer Night's Dream, Shakespeare highlights the effects that gender constraints have on female characters while simultaneously drawing attention to the sharp contrast between both relationships.