Identity of Women in Jack Kerouac’s On The Road Essay

In F. Scott Fitzgerald’s novel, The Beautiful and Damned, the main character of Gloria, Anthony’s wife, and Dot, Anthony’s mistress represents Fitzgerald 's wife, Zelda. The way that Anthony meets Dot, as well as the personalities and the lives of these women are very similar to Zelda Fitzgerald. Gloria is the sophisticated city girl, while Dot is the simplistic country girl sides of his wife. Gloria can be also classified as the wild public version, while Dot is the troubled private version.

Women are primarily objects of sexual pleasure for the male protagonists. Their characters are always filtered through the men's perspective, with the exception of the maid Bertha, Charlie’s maid, who at times makes fun at either of the brothers. (Perspectives on How Women Internalize the Ideal Beauty Standard, Year Unknown).

She feels pity for Olivia and herself with the statement "Poor lady, she were better love a dream" (2.2. 25)! Viola's use of deception causes a cross gender love triangle with which she can not deal.

For example, in Janie’s first marriage, she is hardly treated as a wife. After a brief phase of “foot-kissing”, or, being lenient and doing Janie’s chores for her, her husband, Logan Killicks, eventually begins to “treat her as just another person who works on his farm” (Cardona). When Logan tells Janie he plans to run two plows and is going to buy a mule that a woman can handle, she intentionally ignores his hint of putting her to work.

Janie, the main character, marries three times throughout the novel. Her marriages do not contain unconditional love and because of this, do not last. Her first husband, Joe Starks, belittles Janie as a person including her intellect. "Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves." (119). Joe shows his dominance over Janie by being the breadwinner in the relationship. Janie’s next marriage is with a man named Joe Starks. He tries to show his dominance over Janie by controlling her. “Janie! "Come help me move dis manure pile befo’ de sun gits hot. You don’t take a bit of interest in dis place. ‘Tain’t no use in foolin’ round in dat kitchen all day long…" (42). Joe belittles the

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Sal changes because she eventually accepts her mom's death. Sal went on a road trip with gram and gramps to see her mom on her birthday but on they’re way there grams got bit by a snake and she had to go to the hospital because she had a stroke. Sal still wanted to go see her mom but gramps had to stay there with grams. Gramps knew that Sal wanted to see her mom so he gave her his keys to his car and Sal started driving but like two hours later after driving the cop pulled her over and she had to get in the cop car with the cop. The cop took Sal to her mom's grave. Then the cop takes her home and Sal comes to her senses and realized that she is jealous of three things after she says what she is jealous of she says “I miss my mom.” this quote shows that she accepts her mom's

Francis Scott Fitzgerald, the author of a book widely renowned as the greatest American novel, is known for his tendency to insert autobiographical elements within his works of fiction. Within The Great Gatsby itself, Fitzgerald wrote scenes and storylines from his own corrupted and perverse experiences, ones brought about by his damaged psyche. The greatest examples of Fitzgerald’s personal biography within The Great Gatsby are the amoral female characters which he wrote. Nevertheless the fact that the 1920s are widely regarded as the era in history when feminism first began to have a fighting chance, Fitzgerald wrote his female characters as destructive forces who are less than their male counterparts and have to be controlled. Fitzgerald’s misogynistic opinions are present in Daisy, a woman villainized despite being under the control of others, Jordan, a corrupted girl who negatively represents the feminism of the jazz age, and Myrtle, a character who was written more like an animal than she was a woman. Drawing from his own negative experiences with women, including unhealthy obsessions with those out of his social league and an affair-ridden marriage with his wife, Fitzgerald branded his female characters within The Great Gatsby with practically irredeemable qualities, revealing his sexist ideals and intentions.

Explore the presentation of femininity and identity in The Great Gatsby and The Color Purple, considering the contexts of their production, reception and the different ways in which these texts have been read.

The interaction of men and women in a city poses opportunities and limitations. The ideas about gender and how female and male characters are depicted in a story, together with gender behaviour, that have shifted over the years in different cities, positions and literary work. The Dubliners (1914) by James Joyce (1882-1941) demonstrate individuals trying to contest or escape paralysis in Dublin. A contrast from Langston Hughes (1902-1967) with 'Pushcart Man ', and Jack Kerouac with the 'The Town and the city ' in the city of New York. Their work is central to demonstrate the sense of the mix of cultures, perceptions of segregation, and the restriction and possibility of the city. This essay will discuss the 'ways in which relations between the sexes are depicted in the set texts, and consider the literary techniques the writer used to create a particular portrayal.

The lack of male presence symbolizes their disdain in the women’s lives. As portrayed in the book, the protagonist and other major characters are all females, suggesting self-sufficiency. The author writes about the women being left by their husbands, but moves on, depicting male triviality. The female characters also develop their independence when they rely on each other during difficult times.

In the piece of literature named “Woman Hollering Creek” by Sandra Cisneros, one of the major types of literary conflicts is person vs. society regarding the main protagonist and society’s expectations of her. To elaborate, the protagonist Cleofilas Hernandez, does not have a strong female role model in her life and is living in a patriarchal society that leaves her and other woman like her unaware of their potential. An example of this unawareness caused by society is when Cleofilas is saved from her abusive relationship by a strong, independent woman named Felice who gave Cleofilas a glimpse of the life that she may achieve one day. A quotation by the narrator states, “Everything about this woman, this Felice, amazed Cleofilas. The fact that she drove a pickup. A pick up, mind you, but when Cleofilas asked if it was her husbands, she said she didn't have a husband” (220 Cisneros). An analysis this quote clearly illustrates to the reader that Cleofilas obviously did not have any knowledge of a woman being able to have her own car, inevitably leading the reader into wondering what else society does not want her to know. Furthermore, this quotation suggests that this society does not have independent women due to Cleofilas surprising reaction to just the simple thought of a woman having a car. This proves that the literary conflict of person vs society is evidently present in this short story because Cleofilas is unmistakably placed in a society who did not support or have empowering women figures like Felice. Ultimately, with Cleofilas not knowing her self worth or having a female role model in her life, it leads to her forgiving her husband for his abusive nature. With this visible fact, a major theme within the boundaries of societal expectation and discrimination of women in “Woman Hollering Creek” is domestic abuse. In the short story, Cleofilas is involved in an abusive marriage in which her husband emotionally and physically attacks her daily because she has no means to protect

American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.

While he waits “at a traffic light,” he “catches his eye [on] a tall girl in a black leather skirt” (Coetzee 194). She is mere stranger on the road, yet he is confident in being able to immediately hook up with her. The way he looks at women, reflects how they are displayed as animals and sexual bodies waiting for someone to catch them and because this occurs frequently, the idea of female bodies being dominated and constructed through male ideology becomes naturalized and accepted as a norm in society. It is evident that though all women do not become prostitutes because they enjoy the idea of it, there is this acceptance of the gender binary, where women choose to transform themselves into this sexualized character that seeks attention and is submissive to the man. Monique Wittig highlights the idea of categories in her text, “One is Not Born a Woman.” She agrees with Coetzee’s representation of the male and female roles and says that “for “woman” does not exist for [them]: it is only an imaginary formation” created by men (Wittig 15). Wittig explains that the category of “women” goes beyond the biological genes and outer appearance. It is something that is created not to make women feel good about themselves or to give them certain types of privileges, but it is a socially constructed idea that subject’s women into a certain type of character that benefits men. She goes on to say that “Once the class “men” disappears, “woman” as a class will disappear as well, for there are no slaves without masters” (Wittig 15). Consequently, the class of “women” is created in response to “men,” where if the category of “men” did not exist, then women would not be so restricted in the things that they are allowed to do and they would not have to live a life trying to satisfy men in order to

       The women in Jack Kerouac's On The Road were, it seems, not afforded the same depth in character which the author gave the men. The treatment of the women characters in both word and action by Sal and Dean seems to show that women could only be a virgin/mother figure or a whore. Throughout the novel there are many instances in which women and their feelings or actions are either referred to flippantly or blatantly degraded. It can be said, however, that Sal (Kerouac) did not necessarily agree with this narrow female identity, and there is evidence to support this claim. The novel also shows though that Sal did participate in this male forced female stereotyping whether he