Identity of Women in Shelley's Frankenstein, Bronte's Jane Eyre, and Eliot's The Mill on the Floss

“As I read, however, I applied much personally to my own feelings and condition, I found myself similar yet at the same time strangely unlike to the beings concerning whom I read and to whose conversation I was a listener. I sympathized with and partly understood them, but I was unformed in mind; I was dependent on none and related to none. ‘The path of my departure was free,’ and there was none to lament my annihilation. My person was hideous and my stature gigantic. What did this mean? Who was I? What was I? Whence did I come? What was my destination? These questions continually recurred, but I was unable to solve them.” (Shelley 109)

The life of the monster can be related to the motherless life led by Shelley. Shelley’s mother too left her as soon as she was born, and as a result, she had quite an arduous life. Combined with her father’s financial woes, her tumultuous relationship with her stepmother meant that Shelley did not have an ideal childhood, which would have had a serious impact on her personality. She had to put up with a lot of miseries when she grew up, and was subjected to lifelong condemnation from the society because of her affair with the married Shelley.

Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering

“Iron man” is a superhero, but “Iron woman” is a command. Although these statements may be risible they carry an important message that has dated back for centuries. Throughout many years the world has been unified socially with one similarity: the culture of a patriarchal society. A patriarchal society is a social society in which males are the primary figures of authority, owning property, and occupying political leadership. When such important roles are taken by men, women, on the other hand are expected to be obedient, silent, and useless (except in chores). History has numerous examples in books, morals and real life in which women are known through culture to be unimportant. A classic novel, Frankenstein, also demonstrates this

One such aspect of Shelley’s life portrayed in the novel was the role of women in society. In general, the predominant contenders in literature in the Romantic era were men. Mary Shelley, who was tutored by her father, had to publish her novel anonymously because it would not have been accepted otherwise. In Romantic literature, women were depicted as passive with a sense for nature and intuition. This can be seen in Frankenstein during Victor’s description of Elizabeth Lavenza: “While I admired...pretension” (Volume I, Chapter I, p 39). This quote can be viewed as an oppression of women due to the patriarchal structure of the language, as well as an emphasis on the nature of women. Mary Shelley also criticizes this oppression, but does not criticize overtly. This may be due to the fact that Shelley read her mother’s works as a child, and was influenced by the pro-feminist ideals that her mother advocated for. In addition, Frankenstein, at its core, is an expression of Shelley’s political viewpoints. The years 1811 to 1817 were ones of severe deprivation and hardship for the new working class created by the Industrial

For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that

     Shelley also uses the monster to portray the idea that happiness is found through personal relationships. From the moment he is created, people react to the monster with fear and hate, but all he wants is to be loved. While watching the family in the cottage, the monster desires only to reveal himself to them and gain their love and acceptance. He quickly learns how to speak and read in order to make

“...Hateful day when I received life!' Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?.... Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abhorred” (Shelley 119). The monster after discovering that his own creator is horrified by his existence, continues to lose hope about his position in the world. He is left alone with no one to care for him or show him love. “I was dependent on none and related to none….My person was hideous and my stature gigantic... These questions continually recurred, but I was unable to solve them”(Shelley 117). The quote expands on the idea of how the monster has expanded his knowledge from listening and reading literature on his existence and his place int the world. “Sometimes I allowed my thoughts, unchecked by reason, to ramble in the fields of Paradise, and dared to fancy amiable and lovely creatures sympathizing with my feelings and cheering my gloom;...”(Shelley 118). This quote continues on the theme of how the monster is expanding knowledge and becoming much more intelligent and aware of his place on earth. It shows how his thoughts are directly focused and stemmed on a few pieces of literature. It shows that he may be narrow-minded and needs to broaden his horizons to other possibilities and pieces of

Despite the creature’s account that he was initially benevolent, kind and timid, Victor is convinced that if women gained the same knowledge as the creature did, she would be uncontrollable and make her own decision. Shelley enforces the idea that women are usually stigmatized as to have the tendency of being mentally disturbed, thus will make the world goes haywire.

Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the

“I can hardly describe to you the effect of these books. They produced in me an infinity of new images and feelings…” (Shelley 54). As he reads the books he found, he begins to compare his life and himself with others, and shapes his opinion and point of view of himself, since now he wants to be accepted for who he really is, because he knows that mankind rejects him. He feels lonely and miserable, and what he most want in life is a female companion. “You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being” (Shelley 63). The monster feels that he is miserable because mankind hate him, and that is what make him malicious. It is possible that the monster would actually fulfill his promise and leave humankind in peace. We can assume that he has the potential for good as well as evil. As he is being aware of life by reading “Paradise Lost,” he compares himself to Adam, because he was left alone on earth by his creator, and also to Satan, because humans are afraid of him, and he is threatening and

The monster is isolated because of his physical features. He is portrayed as ugly and a social outcast. The novel writes, "As I fixed my eyes on the child, I saw something glittering on his breast. I took it; it was a portrait of a most lovely woman. In spite of my malignity, it softened and attracted me. For a few moments I gazed with delight on her dark eyes, fringed by deep lashes, and her lovely lips; but presently my rage returned; I remembered that I was forever deprived of the delights that such beautiful creatures could bestow and that she whose resemblance I contemplated would, in regarding me, have changed that air of divine benignity to one expressive of disgust and affright” (Shelley 143). The monster is upset that normal people will not treat him with kindness simply because he is not attractive. Therefore, he separates himself from associating with others, which causes him to feel lonely and unhappy. Because of his appearance, he excludes himself from the world and says, “Of my creation and creator I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property. I was, besides, endued with

            The monster's gradual descent into evil most likely follows the path of depression Mary Shelley takes in the course of her life.  First, her father is taken away, much like the separation the monster feels when Victor shuns him.  Next, she suffers the extreme losses of her half-sister and newborn, which parallels

In “Frankenstein” penned by Mary Shelley, the author depicts the roles of Caroline, Elizabeth, and Justine as passive women by taking action only through the men around them. During the 1820s, when Elizabeth Blackwell saw the deaths of many people on ships being thrown overboard, she became inspired to become a doctor. However, during her time period, women were not allowed to get an education. Finally, Mulan, takes the place of her old father to join the Chinese army, despite her passiveness. A closer look at the roles of Caroline, Elizabeth, Justine, Mulan, and Elizabeth Blackwell reveal a time period where women were treated as objects and followers by men.

Upon further probing, there is perhaps a deeper terror rooted in Frankenstein, which subtly appears to stem his hesitancy at creating not just another monster, but specifically a female monster. Because Victor Frankenstein fears the existence of a female free of restrictions that he cannot impose, he destroys her, thus eliminating the female’s options of becoming either completely feminine through becoming a mother and mate, or totally unfeminine by opting to leave her partner and face the world alone.