How Does The Glass Menagerie Escape

The Glass Menagerie by Tennessee Williams is a celebrated and cherished play that has affected generations. Written in 1945, the play very well may have been an outlet for Williams to accept what had happened to his own sister. Rose Williams had been lobotomized due to schizophrenia, affecting her brother greatly. While Williams’ family may be real, his characters are over dramatic and eccentric. The characters of Amanda, Tom, and Laura make up an extremely dysfunctional family living together in a 1930’s Saint Louis. By the end of the play, each character has affected themselves and each other. The characters spend the majority of their lives inventing someone who will make the rest of their family members happy, and when these facades crumble,

The loss of her husband causes Amanda to develop a dependence on her children. She wants Tom and Laura to become successful. Amanda complains that Tom does not earn enough money at the shoe factory. She wants him to attend night school so he can attain a better career.

Tom’s neglecting manner of Daisy brings out his supercilious manner of feeling superior to others. In another instance, Tom’s supercilious manner is shown once again. In fact, we find out a little secret about Tom’s life. Tom describes a man, named Wilson as, “Wilson? He thinks she goes to see her sister in New York.

Amanda and Tom share a familial relationship of mother and son. Williams depicts Amanda at first interpretation as overbearing, hypercritical and controlling. However, on further assessment, the audience is able to acknowledge a more admirable facet to her character: her evident persistence in trying to love her children. Through her attempts in perpetuating her youth and past glory, she distorts reality to fit her

Amanda comments sarcastically, at the end of the play, that Tom shouldn't think about his poor mother and sister (Williams, T.G.M., 9.114.1-3).  She tries to push her problems off on him rather than deal with them herself.  By laying the blame on Tom, she feels as though she did nothing wrong and that the family’s problems have been caused by others. If the two women had just accepted that they were also to blame, they could have moved on with their lives.

Everyone in the family sticks to their societal role, Tom takes care of the Amanda and Laura, Amanda does some work, but she does do a lot of work in the house, and Laura is attempting to find someone to marry so she does not have to go to work. When Amanda was younger, she tells the reader that she always had gentleman callers, and she is always hoping that Laura will get gentleman callers. An example of Amanda projecting this belief onto Laura is when Amanda says “"Resume your seat, little sister – I want you to stay fresh and pretty – for gentlemen callers! (1.14)”. However, having to take care of his sister and living with Amanda causes tension in Tom’s life. Tom works in a factory, as most men did in the 30s, and this meant that he worked long hours for little pay. Tom wanted to be a poet, but he had to keep working because he had to support his family. Amanda puts a lot of pressure on Tom to be there for his sister, to be his older sister’s guardian, and she gets upset when Tom is out late drinking and going to the movies as his

   Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world.  The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.

Lastly, facing the truth can be challenging and exigent for certain people. In this case, Amanda Wingfield is not aware of the truth and repeatedly nags and aggravates her children. Amanda stipulates Tom to comb his hair, as she says, “Comb your hair! You look so pretty when your hair is combed.” (Williams 38) Amanda mainly bothers Tom about finding a gentleman caller for Laura, she feels that Laura is lonely and needs a companion in order to be happy and pleased in life. Also, she

Along with the character transformation in “A Doll’s House”, Tom, from “The Glass Menagerie”, also goes through some character changes. Throughout the entire play, Tom was working in a warehouse trying to support his family. While working there, he was struggling with his dreams of becoming a merchant marine. Towards the end of the play, when Tom introduces his friend Jim O’Connor to his sister Laura, his mother hopes that this could be a man that Laura could settle down with and someday marry. When Amanda finds out that Jim is already engaged, she blames Tom. She is furious that Tom brought a gentleman caller over

Tom’s Primary Reactions to the incident were despair and guilt. On the night of the accident, Tom cannot face his brother and is most afraid of Fin. In the wake of the carnage caused by accident, Tom experiences a different kind of fear Formerly popular, outgoing and successful, Tom finds it hard to be hated. What fears him the most is exposure, and humiliation it brings him. When Kylie tells the family’s secret in her school presentation, Tom is frightened he will have to endure the same vitriolic and public shaming that occurred in Mumbilli. He is paralysed by a sense of guilt: Daniel his brother and he could have stopped the incident from happening. The “letter of remorse” sent by nicoles family to the Brennan’s is particularly

Tom’s memories also prohibited him from finding happiness and moving forward, but it also led to the creation of the play. All of the characters have ways to deal with their cruel memories, except Tom. Amanda has her happy days from her youth and Laura has her glass collection. Tom has no sufficient way of escape. He has tried escaping to the movies, but he came to realize that it was not a real way out.

Even more because he is trapped within his mother's home he is unable to experience life. Tom's desire for adventure can also be seen through his constant comparisons between his father and himself, and through his few jealous claims about his father's ability to just leave. Overall, Tom's inability to be independent, and his lack of expression also makes it impossible for Tom to be anyone, or to live because rather than seeing Tom as his own person, his mother views him as an asset. With this attitude Amanda forces Tom into the shadows, where he is unable to truly exist.

Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the

Tennessee Williams gives us no indication that Tom's escape from his father, Amanda, Laura, and Jim ever happens - what is most compelling about the play is that Tom passes to the reader and the audience the responsibility of making meaning out of his life.

“Tom divided the cake and Becky ate with good appetite.” Tom shows maturity in the book by being able to face danger and his problems bravely and without hesitation.