Imagery In The Most Dangerous Game By Richard Connell

Some people claim that Richard Connell did not succeed in creating his short story compelling. The short story, “The Most Dangerous Game” is the story of a man who is left on an island. He discovers that on this island is a rich hunter who, as a result of his boredom in the ease of hunting, has begun hunting other humans. Richard Connell successfully creates a compelling piece of literature through plot, figurative language and theme.

The story The Most Dangerous Game is a short story that portrays terror and fear, a sense of danger, and also the hatred that animals feel for their killer at the same time as making a contemporary correlation to real life. The short story was written during the era when animal hunting was common with the rich folks. The Most Dangerous Game as the name implies, is indeed a dangerous game.

One example of imagery in the text is the sense sound. The author used the sense of sound to create imagery so that the reader can imagine what is going on. The author reports, "He knew his pursuer was coming; He heard the padding sound of feet on the soft earth." This is an example of imagery because Rainsford described what he heard so that the reader could imagine what sound he heard. This is important to the plot line because the main part of the story revolves on not getting found and to stay alive. If he can hear the padding of his pursuers feet than he might lose "the game.'' Therefore the sense of sound is incorporated into the literature to help develop the plot of the

In the short story, “The Most Dangerous Game,” author Richard Connell expertly exploits foreshadowing and vivid imagery to emphasize danger and suspense. Many authors attempt to do this, but only a small few succeed. Everyone who has stayed up past their bedtime reading a book will tell you, they stayed awake because the book they were reading was filled with suspense. It is suspense that separates the great stories from the good stories. And “The Most Dangerous Game” is definately a great one. By using foreshadowing and utilizing his characters five senses, Connell keeps readers at the edge of their seats, eagerly waiting to find out what comes next.

In Richard Connell's short story, "The Most Dangerous Game';, the use of literary devices, found blended with other literary devices, gives the story an inner meaning. The blending of literary devices effectively expresses the intentions of Connell to present contrast between the antagonist and protagonist points of view. As a result, the reader can gain insight on the good and evil sides of the story to enhance the purpose of his interpretation. "The Most Dangerous Game'; by Richard Connell presents literary devices such as foreshadowing, setting, and irony which reveal the underlying meaning of the story.

In order to emphasize his recurring theme of reason versus instinct, Connell first sets the scene for the story’s setting, the setting Connell chooses for “The Most Dangerous Game” fits exceptionally well alongside both the story’s plot, as well as, its literary element of suspense. By introducing the idea of a mysterious island at the very start of the story

A man gets hunted by another man on the deserted Ship-Trap Island in the middle of the Caribbean. Rainsford, the protagonist in “The Most Dangerous Game”, a short story written by Richard Connell, gets hunted by General Zaroff. Rainsford abounds with fear, making him crazy. General Zaroff’s arrogance causes him to feel that he possesses the right to hunt the people he captures. His arrogance causes him to commit gruesome things; in this case, murder. Prior to becoming another man’s prey, Rainsford feels that animals have no feelings, but he sympathizes for animals being hunted after he himself becomes prey. His feelings and opinions transform after this experience. “The Most Dangerous Game” consists of three central themes: fear makes an individual crazy, arrogance causes hurtful actions, and some experiences have the potential to alter an individual’s opinion.

1. Throughout the story suspense is aroused and maintained excellently. This is achieved by the character the author creates. Mr. Martin is characterized as a neat and cautious man, who never took a smoke or a drink in his life. Our suspense is aroused when the author states that it has been “a week to the day since Mr. Martin had decided to rub out Mrs. Ulgine Barrows”. This arouses our suspense because we are told Mr. Martin is planning to murder this woman. The suspense is maintained with Mr. Martin’s thoughts. We as an audience are given his thoughts through the use of the 3rd person omniscient point of view. His thoughts are mostly on the issue on his dislike of Mrs. Barrows. Because of this, he

Larson utilizes imagery to exemplify Holmes’ character and actions to the audience. He describes Holmes’ reaction to a friend’s sister’s death to give the reader an idea of the cold inhumanity he possesed. Even though “Holmes told Ned how sorry he was” about her passing, yet “in his eyes there was only a flat blue calm” like that of a “lake on a still August morning” (123). Larson presents this imagery to give the reader a clear view of Holmes’ point of view on death. When he reacts with such a “flat blue calm,” the reader can clearly see that he did not posses even the slightest bit of sincerity. This serves to help the reader see the surface, and allude to what lies beneath. Larson further proves his inhumanity with the portrayal of Holmes’ murder of his pregnant fiancée, Julia. Holmes promised he would marry her, but with the condition that she had to allow him to execute an abortion. He then “held the cloth” coated in chloroform “over her nose and mouth” and within seconds “her eyes fluttered and rolled upwards” followed by “the inevitable, reflexive disturbance of muscles, like a dream of running” (148). Larson uses words like “flutter” and “rolled” to show the reader that her consciousness fled from her with no objection from her being noted. This is to

In “The Most Dangerous Game”, author Richard Connell uses a variety of literary device to depict the theme. He uses the main character, Rainsford, to be the character which unfolds the theme as he goes through the experience of being treated like a wild animal and becoming the prey of another human for sport. Connell uses three literary devices frequently including foreshadowing, irony and symbolism in order to support the main theme, put yourself in the shoes of the animals you hunt.

The story opens in the Caribbean on a Brazil-bound yacht and continues on a mysterious Caribbean island. Ship - Trap island is somewhere in the tropics, in the Caribbean.  We know that there are giant rocks nearby, but Zaroff has it marked as safe passage. The location of the story takes place over the course of several nights, where Rainsford eludes the general whose most dangerous game proves to be Rainsford himself. (p) It also can be representative of a time in Rainsford's hunting days as an unguided purpose in and meaning in his

One of the most relaxing things to do is read a good story. In the stories there are interesting elements such as suspenseful events, interesting characters, and deep themes. Here are examples of important literary elements in stories.

Rainsford’s best friend is the sea until it brought him to the General’s Ship Trap Island. Once Rainsford safely swims to the island, he is relieved. The narrator even says, “All he knew was that he was safe from his enemy, the sea. . . ”(3). Rainsford knows that he cannot escape the island since there is nowhere to swim to. Now he is stuck on Ship Trap Island. The brave sailor is protected from the sea for now, but not from Death Swap and its quicksand. Rainsford is trying to escape from the general until he met the deadly quicksand of the island. The author writes, “Then, he stepped forward, his foot sank into the ooze. He tried to wrench it back, but the muck sucked viciously at his foot as if it were a giant leech” (12). Determined to survive, Rainsford dug his

The audience is rudely awakened when the suspense turns into horror, not the expected delight, as a shark emerges from the water and takes his catch. Through this use of suspense and the building of tension, the audience feels the protagonist’s disappointment along with him. When the protagonist tries to search for the sharks who stole his catch he cannot see them, no matter how hard he tries. This can be seen as an allegory to the fact he cannot predict the future events to happen.

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.