In her essay Images of Women in the Gilgamesh Epic, Rivkah Harris dissects the roles that women play in the Epic of Gilgamesh. In the essay, Harris examines the epic which “reveals cultural stereotypes and ideals” surrounding the view of women. In the essay Harris makes a convincing argument that women in ancient Mesopotamia were likely stereotyped and held to gendered ideals using evidence that appeared consistently in The Epic of Gilgamesh.
One of the biggest issues Harris examines is the subservient role that women take in the story line. Harris very appropriately refers to the women in the epic as “the supporting cast,” clearly because there is no heroine in the Epic of Gilgamesh, yet many women appear in the story. The women in the epic serve as Gilgamesh and Enkidu’s aides, they move the plot along, help the heroes when needed and then disappear. Harris examines every female character finding that each one helps Gilgamesh or Enkidu and then departs from the story: Shamat civilizes Enkidu, Ninsun asks the gods to protect Gilgamesh and Enkidu, the scorpion monster’s wife convinces her husband to let Gilgamesh through the mountain, and Utanapishtim’s wife convinces Utanapishtim to not let Gilgamesh die. The only women who contradicts this pattern is Ishtar.
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Harris says in the essay “The reversal of the expected roles of certain women in the Gilgamesh Epic is, in my opinion, an essential feature of the epic’s humor and comedy.” Unlike the other women of the epic, Ishtar was not aiding the men, but instead acted more like a man. Ishtar proposed sacred marriage to Gilgamesh and as a result she was verbally battered by Gilgamesh. The comedy did not stop there, Ishtar angrily sent down the bull of heaven to punish Gilgamesh, but he and Enkidu kill the bull and then throw the thigh, a euphemism for genitalia, at
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
Gilgamesh's friend Enkidu runs wild until he sleeps with a harlot, after which the wild beasts which were once his friends reject him, suggesting that femininity is also a source of male disempowerment. Although Aruru is the source of both the life of Gilgamesh and his beloved companion Enkidu, the two friends create a society between themselves that is essentially masculine. This masculine relationship is the most positive force in the epic. Gilgamesh is known for his sexual prowess amongst women, but his feelings for Enkidu run much deeper and are more profound. He is said to be drawn to Enkidu "as though to a woman" but no relationship Gilgamesh has with women parallels the one he has with Enkidu (2).
About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.
Although men are the Epic characters of Gilgamesh and The Odyssey, women also play a very important role in both stories. In general, these two stories portray women as being overly sexual, deceptive, and having a power over men. Women use their sexuality to hold control over men, to confuse and deceive them.
The Epic of Gilgamesh is a story of Gilgamesh, a man who was two-thirds god that was saved by companionship. Gilgamesh was a cruel and careless king, who spent his time raping women, exhausting citizens, and conquering foes and foreign lands until he met, fought and was guided by his great friend and soul mate, Enkidu. With the help of Enkidu and his influence, he learned compassion as well as wisdom and integrity, and eventually Gilgamesh became a great and fair king. Though the story focuses mainly on Gilgamesh and his friendship with Enkidu, there are several roles played by women that help to make and move the story along. Without these important women who show great strength and feminine qualities despite being oppressed by the
After passing through the twin mountains of Mashu, Gilgamesh encounters Shiduri, the tavern keeper. Lost in his wanderings, he is forced to seek advice from her on how to reach Utanapishti. It is ironic because after his blatant abuse of power and mistreatment of women, as mentioned above, it is a woman that he seeks advice from in one of his weakest moments. She tells him how to reach Utanapishti and the dangers that lay in between and tells him to find Ur-shanabi so that he may continue his journey. In addition to providing guidance, women also play powerful roles. Shamhat, for example, uses the power of sex and curiosity to lure Enkidu away from his wild environment. After having sex for seven days and seven nights, Enkidu was no longer able to return to live amongst the animals and was forced to learn the ways of civilized life, which Shamhat taught him. It is easy to see that at this point in the epic, Shamhat clearly possessed the upper hand over Enkidu. He succumbed to her every word, learned the ways of morality and man, and was even convinced to go stand up to the mighty king of Uruk, which ultimately led to the friendship between Enkidu and Gilgamesh.Ishtar also takes on the role of a powerful woman. The goddess of love used her sexual power over men. Not only did she use it to get the man she wanted, but she used this power to dominate and hurt the men that loved her. Knowing that her love would eventually lead to his loss of independence and
The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of
The story starts off with Gilgamesh, the King of Uruk, who is one third man and two thirds god. This story is about a man's quest for immortality in addition to the importance of boundaries between the realms of animal, man and gods. Women symbolize the importance of locative boundaries in the text. These boundaries are set by the harlot Shamhat, Ishtar, Siduri, the tavern keeper, Ninsun and Utanapishtim's wife. By giving women this role of wisdom and boundary enforcement, The Epic of Gilgamesh reflects how Mesopotamian society actually valued women.
Gilgamesh recognizes the strength of the harlot's charm, however while he recognizes that, he fails to recognize anything else regarding women. He sleeps with all the women in his land and takes them out of their home to be his brides. His lust leaves no virgin to their lover, neither the warrior's daughter or the wife of the noble (62). It is because of this that Enkidu challenges Gilgamesh by saying, "I have come to challenge the old order, for I am the strongest here'' (68). Enkidu recognizes the importance of women and their right to be with their families. The role of women in ancient Mesopotamia was that of a homemaker, and to destroy or corrupt the homemaker one can destroy and/or
After Enkidu and Gilgamesh defeat the divine beast Humbaba, another pivotal sexual interaction tests Gilgamesh’s character and reveals his changed nature. As Gilgamesh and Enkidu travel back from the sacred forest, Ishtar (Babylonian goddess of love and
For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of Genesis, the writer shows the women as bringers of knowledge, guidance, and care to the men in the texts that are lacking thereof.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
In this paper, I am going to analyze the female characters that caught my attention the most in the three stories The Epic of Gilgamesh, Thousand and One Nights, and Candide. They all are important characters in each of the stories and their influence in the story is to help. These stories also depict how women were being treated during these times such as being used for their bodies or their wisdom. The characters that I will be analyzing in the paper are Shamhat, Shiduri, Sharazad, the Old Woman, and Cunegonde. In all three stories, they mostly share the same depictions of the role of women and how women weren’t really important besides their bodies.
For a while everything is fine in Enkidu's life until one day a trapper sees Enkidu and notices that Enkidu is preventing the trapper from catching any game. So to his father and the father send the trapper to Gilgamesh to get a harlot to trap Enkidu. And how does she trap Enkidu? By using her womanly powers, sex, and these powers Enkidu cannot resist. When Enkidu tries to return to his home in the forest, roaming with the animals, the animals reject Enkidu. The wild beasts reject Enkidu when he has been with a woman, as if being with a woman is contaminating: "When next he comes down to drink at the wells she will be there, stripped naked; and when he sees her beckoning he will embrace her, and then the wild beasts will reject him." So then the woman teaches Enkidu her ways. But then back with Gilgamesh, the power of lust and sex takes Gilgamesh and Gilgamesh try to take another virgin before the husband. Word gets back to Enkidu, who is the good to Gilgamesh's evil, and Enkidu travels to Uruk to stop Gilgamesh. When Enkidu arrives Enkidu fights Gilgamesh.
He rapes any woman his heart desires. This leads to the gods becoming infuriated with him. The gods are represented as these hard to please inferior beings. Seeking revenge the gods send down Enkidu who was initially imposed to keep Gilgamesh in check. Gilgamesh and Enkido ironically become great friends. When Enkido does Gilgamesh is heartbroken which sets him on his quest. Unable to see the value of women and once again being the person he is Gilgamesh rapes any woman he desires.