The human body, especially the nude male figure, has been a subject of art since the first scratching appeared on cave walls. Stick figures with phalluses denoted the male, procreation and dominance. Archeologists have found evidences proving that the male nude appeared in Egypt in the early Dynastic periods and in early Mesopotamia four thousand years ago.
The Greek made the nude into art, and we, the Americans, made it into something commonly referred to as pornography. Until today, nude is still a major subject in art that everyone would have seen a few times, either in display cases of a museum or in greater numbers of male underwear ads. Myself being a boy of the old capital of Vietnam, I grew up with such statues in the
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In Greek culture, the image of Apollo was believed an archetypal idea for male physical beauty. Unsurprisingly, his female counterpart was Venus. The statue was found in Rome during the 15th century, and you can see the pose is repeatedly used in painting and sculpture over centuries. Many fashion designers are favoring this pose, "languid leaner", "exists in classical art alongside more heroic models of male beauty" (Bordo 406). Apollo stands there solidly, with left hand raising high; "his body projects strength, solidity; he's no male waif" (Bordo 392). He calmly looks straight at you as if daring you to offend him. And of course, his penis is invisible, a symbol of malehood. Unlike the Romans, the Greek had no problem with getting naked. They did not cover their private parts with a leaf or clothes, they showed it all.
One of the most famous statues of all time is the statue of David of Michelangelo. "David" stands 13 feet 5 inches high. The creation of the piece happened during the Renaissance, the rebirth of classical ideas. At that time, Florence needed a centerpiece to represent the city. The colossal piece of marble had been awaiting a sculptor who could do something with it for many years. Inside this piece of marble, Michelangelo saw young and powerful David. The image of David was chose to reflect the
After returning to Rome, Michelangelo heard about a sculpture that two other artists could not complete because of its difficulty. Because of his success with ‘‘La Pieta,’’ Michelangelo decides to take over the job. He created ‘‘David’’ in 1501 and four years later the sculpture was placed outside the Palazzo Vecchio in Florence. Michelangelo’s intention was to portray ‘‘David’’as the perfect and ideal man. Michelangelo took three years to sculpt this 17 feet sculpture, and ‘‘David’’ quickly became the pride of Florence.
This piece created by michelangelo was sculpted in 1501 and is made out of marble. The location that was chosen was Accademia Gallery, in Florence, Italy. People think that this sculptor just represents David and Goliath, but there is more to it. The sculptor is not showing david while he is fighting, but mere seconds after victory. Before the Renaissance, if one did not have money, man was looked upon as only a worker. During the Renaissance, man was recreated as a beautiful, rational, and heroic figure. “David” signified a man at his best with the glory and confidence that a man needs to live life to the fullest. Life was hard for most men during this time and Michelangelo showed us that by expressing a deeper meaning in
Another significantly important artist of the Italian renaissance who expresses the ideals of humanism is Michelangelo Buonarroti in his piece "The David". The giant 17-feet tall sculpture, or contrapposto of David initially started by another artist who was biblically intended to represent a young shepherd who defended the city from the Goliath. However, abandoned and later rescued by Michelangelo, the sculpture's message innovated to represent the strength and divinity of the man. "The Renaissance ideals of humanism were expressed in the physical and psychological balance of the piece." (en.wikipedia.org) The art piece of David shows the physical strength of a man somehow by exaggerating some features such as the hands. However, his face shows divinity and dignity of humanity, "Michelangelo captures the human emotions of confidence, determination, and hope in the face of David." (en.wikipedia.org) He demonstrates his own view of the human form, "Michelangelo's David seems to encapsulate his dualistic view, that however noble the human body may be, it
The statue of David, completed by Michelangelo in 1504, is an easily recognizable symbol to people not only in Florence, but from all around the world. The David has a special meaning for Florentines, and is a symbol of what the city strives to be; strong, courageous, and youthful. The sculpture tells the tale of the battle between David and Goliath. David, a young boy at the time, was angered at the way Goliath was treating the Israelis and stood up to the giant feat of taking on Goliath. With a simple slingshot and stone, he defeated the angry giant, and became a symbol of liberty. The story shows that anything can be done with the help of God. David is not only the most well-known sculpture in the world, but is housed in one of the
While male nudity was straightforward and hiding nothing, female nudity was more reserved. In the first fully nude female sculpture, Aphrodite of Knidos by Praxitales c. 350-340bc., "the ‘feminine principle’ (is invented) which as a demure pose where the knees are brought together and sometimes the hand is discreetly before the genitals"(Riffert). This reference shows that in art as in life, women are depicted as less than equal to their bold male counterparts. Usually female statues were either draped in some way or
Not only does the ideal body image vary culture to culture, but, also, by gender. The idealized statues, Heyl Aphrodite, by an unknown artist, from the late Hellenistic period, and Capitoline Gaul, by an unidentified artist, from 100 AD to 199 AD, differ in the sense of gender.
Reclining nude female is a common subject matter in art history since the Venetian Renaissance, Titian’s Venus of Urbino painted in 1538 is one of the earliest reclining nude female in painting history. It described a beautiful young female laying on her bed with her sleeping dog, on the back ground is her maids looking for cloth or her in the cassone. Manet’s Olympia that painted in 1865 is a painting with a similar composition, A nude young female who was suggested a prostitute, behind her is her black female maid holding a big bouquet of flower which is possibly from her customer. On the same part of the composition, there is an animal as well, but this time it is a cat. Titian and Manet’s reclining nude female have a same composition and subject matter, however They are very different in art history, both stylistically and culturally.
When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.
In Chapter 3 of his book, “Ways of Seeing”, John Berger argues that in western nude art and present day media, that women are largely shown and treated as objects upon whom power is asserted by men either as figures in the canvas or as spectators. Berger’s purpose is to make readers aware of how the perception of women in the art so that they will recognize the evolution of western cultured art.
The reading claims that nudes throughout artistic history have been an important source of beauty and controversy. Nudes began to spike during the Baroque period as they were used for the more expressive and emotional arts of the time. In the nineteenth century, nudes became more common, yet became more sensitive. Artists would train by drawing nudes of ancient Greek statues and figures from myth. However, many artists would then move on to create works depicting prostitutes or peasant naked women. This would not please patrons as they were extremely societally taboo. However, this did not start artists from making them, as they moved into the twentieth and twenty-first century. This shows the importance of artistic nudes and their impact
The marble sculpture conveys an image of a man’s body which is almost like superman. In this way, his David suggests the ideal appearance of what a man should look like. After centuries of Church dominating in people’s lives, the Renaissance marked a return to the people’s values of their world. Interestingly, statue of David which was modeled by Michelangelo is the most famous statue in the whole world and perhaps an important tourist attraction site in Italy. Michelangelo was born on 6th march, 1475 in Caprese village in Italy. He also worked on the David's statue between 1501 and 1504 which stands at the height of 4.34m/14 ft 3. The statue is placed outside Palazzo Vecchio. It is currently viewed as a symbol of new republic which replaced Medici
Throughout the Archaic period in the depiction of male kouroi sculptors began to make explorations in to characterization of their subject through the use of decorative anatomy, posture, and more natural depiction of the human body. The artists were allowed this freedom due to the accepted nudity of the male form in Greek sculpture at this time. In female sculpture and the characterization of kourai, however, artists had no such license. It would not be until the Classical period that characterization of females would be explored through more complex poses and anatomical naturalism. Thus, sculptors resorted to characterizing females through their clothing, hair styles, and the objects depicted with them. The Berlin Kore, depicted with a
Artist and people viewing the art work have always had a fascination with the female nude. Even when I was a child my attention was captured by the nude art not because I was a kid and I saw a nude lady , but it forced me to wonder more about why the female nude was so amazing as a tool for art and why this is repeated so many times throughout the centuries. One female nude painting in particular was the subject of controversy and exposed the syncretism and or the power of the female nude painting.
While the human form has always been acceptable in art, the nude female form continues to stir
With the rise of Christianity, the breasts and the flesh in general were discouraged from being exposed. With rounded bellies gaining popularity, the stomach was considered to be more of an important center of female sexuality (Broby-Johansen, 1968, p. 131).